Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.
Egon Leo Adolf Ludwig Schiele was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism. Gustav Klimt, a figurative painter of the early 20th century, was a mentor to Schiele.
Max Klinger was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled Paraphrase on the Finding of a Glove and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.
The Vienna Secession is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum, which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
Koloman Moser was an Austrian artist who exerted considerable influence on twentieth-century graphic art. He was one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.
Carl Julius Rudolf Moll was an Austrian art nouveau painter active in Vienna at the start of the 20th century. He was one of the artists of the Vienna Secession who took inspiration from the pointillist techniques of French Impressionists. He was an early supporter of the Nazis and committed suicide as Soviet forces approached Vienna at the end of World War II.
The Leopold Museum, housed in the Museumsquartier in Vienna, Austria, is home to one of the largest collections of modern Austrian art, featuring artists such as Egon Schiele, Gustav Klimt, Oskar Kokoschka, and Richard Gerstl.
The Kiss is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title Liebespaar as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.
Portrait of Adele Bloch-Bauer I is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.
The Klimt University of Vienna Ceiling Paintings, also known as the Faculty Paintings, were a series of paintings made by Gustav Klimt for the ceiling of the University of Vienna's Great Hall between the years of 1900–1907. In 1894, Klimt was commissioned to paint the ceiling. Upon presenting his paintings, Philosophy, Medicine and Jurisprudence, Klimt came under attack for 'pornography' and 'perverted excess' in the paintings. None of the paintings would go on display in the university.
Josef Hoffmann was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.
The Beethoven Frieze is a painting by Gustav Klimt on display in the Secession Building, Vienna, Austria.
The Secession Building is an exhibition hall in Vienna, Austria. It was completed in 1898 by Joseph Maria Olbrich as an architectural manifesto for the Vienna Secession, a group of rebel artists that seceded from the long-established fine art institution.
Maximilian Franz Viktor Zdenko Marie Kurzweil was an Austrian painter and printmaker. He moved near Vienna in 1879.
Facing the Modern: The Portrait in Vienna 1900 was an exhibition at the National Gallery, London, running from 9 October 2013 through to 12 January 2014.
Maximilian Lenz was an Austrian painter, graphic artist and sculptor. Lenz was a founding member of the Vienna Secession; during his career's most important period, he was a Symbolist, but later his work became increasingly naturalistic. He worked in a variety of media, including oils, watercolours, lithography and metal reliefs.
Hope I is an oil painting created by Gustav Klimt in 1903. It is 189 cm x 67 cm and currently located in the National Gallery of Canada, Ottawa. The main subject of this work is a pregnant, nude female. She is holding her hands together above her stomach and close to her chest. She gazes directly at the viewer and has a great mass of hair with a crown of forget-me-not flowers placed on her head. The scene is beautiful upon first glance but once the viewer's eyes move to the background, deathlike figures become noticeably present.
Hope II is an oil-on-canvas painting with added gold and platinum by the Austrian symbolist artist Gustav Klimt, made in 1907–08, depicting a pregnant woman with closed eyes. It was the second of Klimt's works to focus on a pregnant woman, both depicting Herma, one of his favourite models. It was entitled Vision by Klimt, but has become known as Hope II after the earlier work Hope, which is now distinguished as Hope I. Hope II was acquired by the Museum of Modern Art in New York City in 1978.
Women Friends (1916-1917) is a painting by Austrian symbolist painter Gustav Klimt. Alternatively known as The Friends, or Girlfriends II, among others, the work was destroyed by fire in 1945 alongside several other of Klimt's paintings in the burning of Schloss Immendorf.
Schubert at the Piano was an oil-on-canvas painting by Gustav Klimt depicting Austrian musician and composer Franz Schubert mid-performance. The painting shows Schubert seated at a piano surrounded by onlookers, bathed in candlelight. Klimt painted it in 1899 in the style of Art Nouveau, which focused on the use of organic shapes and flowing lines. The painting may have been commissioned in 1898 by Greek industrialist Nikolaus Dumba. In 1945, the work was destroyed in the fire at Schloss Immendorf. The image pictured is a photograph of the work.
