The Tramp Dentists | |
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Directed by | Allen Curtis |
Distributed by | Universal Film Manufacturing Company |
Release date |
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Running time | 1 reel |
Country | United States |
Languages | Silent English intertitles |
The Tramp Dentists is a 1913 American silent short comedy film released by the newly formed Joker productions by the Universal Film Manufacturing Company. Directed by Allen Curtis, the film's cast includes Max Asher, Lee Morris, Eddie Boland Joseph Singleton and Bobby Vernon. The film is centered on two tramps, Dusty and Weary, who take over a dentist shop and get rich through their untrained dentistry, extracting teeth with pincers and ice tongs. After earning a large amount of money, the tramps return to their old way of life. Released on October 29, 1913, this film was the second Joker comedy. The film received some criticism for its vulgar humor. The film had a wide national release in the United States, but the film is presumed lost.
Two tramps, named Dusty and Weary, awake from their slumber in a hay stock and are overcome with thirst. The two drink from a horse trough and Dusty complains of toothache. The two go to the dentist office only to be kicked out. [1] When the dentist departs on a cruise the two tramps then pose as dentists and occupy the office and pull teeth with pincers and tongs. [2] [3] When the rightful owners return they drive off again. The tramps continue in their venture and quickly make a large sum of money before they desire their old way of life. The two tramps then surrender the office to its rightful owners. [2] [3]
The term "tramp dentist" refers to an unskilled individual who practices dentistry. The appearance of the word and its usage was popularized in the 1890s and often applied as a literal definition of a tramp, a traveling long-term homeless person, who engages in dentistry. The term was not exclusive to the United States as noted in Tracey Adams's A Dentist and a Gentleman: Gender and the Rise of Dentistry in Ontario which refers to local blacksmiths and gunsmiths who would pull teeth and even create dentures of questionable effectiveness and quality. [6] The single reel film was directed by Allen Curtis and released on October 29, 1913. [5] The film was the second release of the newly formed Joker line of comedies, following The Cheese Special . The film was not heralded with as much fanfare, but records show that the film was still advertised in theaters in July 1914. [7]
The Moving Picture World reviewed the film as being a low comedy that featured "somewhat disgusting" dental humor with the extraction of teeth with pincers and ice tongs. [2] A more direct review in response to the film's comedic antics came from a letter to the editor of The Motion Picture Story Magazine which appealed the vulgar antics in the film as going to alienate members the audience and risk their continued patronage. [8] The film had a wide national release that was shown in theaters throughout the United States. Locations included Chicago, Illinois, [9] Atlanta, Georgia, [10] Oklahoma, [11] Ohio, [12] North Carolina, [13] [14] Pennsylvania, [15] Oregon, [16] Wisconsin, [17] and Kansas. [18]
The Tramp Dentists is presumed lost, but the date of disappearance is unknown. If the film were to have survived in Universal's vaults it would have been deliberately destroyed along with the remaining copies of Universal's silent era films in 1948. [19]
The Selig Polyscope Company was an American motion picture company that was founded in 1896 by William Selig in Chicago, Illinois. The company produced hundreds of early, widely distributed commercial moving pictures, including the first films starring Tom Mix, Harold Lloyd, Colleen Moore, and Roscoe "Fatty" Arbuckle. Selig Polyscope also established Southern California's first permanent movie studio, in the historic Edendale district of Los Angeles.
Mack Swain was a prolific early American film actor, who appeared in many of Mack Sennett’s comedies at Keystone Studios, including the Keystone Cops series. He also appeared in major features by Charlie Chaplin and starred in both the world's first feature length comedy and first film to feature a "movie-within-a-movie" premise.
Edith Taliaferro was an American stage and film actress of the late 19th and early 20th centuries. She was active on the stage until 1935 and had roles in three silent films. She is best known for portraying the role of Rebecca in the 1910 stage production of Rebecca of Sunnybrook Farm.
Charlotte E. Burton was an American silent film actress.
Winifred Louise Greenwood was an American silent film actress.
Fay Tincher was an American comic actress in motion pictures of the silent film era.
Harry McCoy was an American film actor and screenwriter. He appeared in more than 150 films between 1912 and 1935.
The Honor of the Family is a 1912 American silent short drama film produced by the Rex Motion Picture Company. The film is a melodramatic one between two brothers and a woman named Marja. Gerald admires the girl and warns his visiting brother, Claude, to leave her alone. Infatuated, Claude and Marja secretly marry before Claude returns to England with a promise to return for her. As the months pass, Marja becomes broken-hearted and attempts suicide, but ends up crippled for life. Claude dies and Gerald cares for Marja, even forging a letter to keep her spirits up. Marja comes to love Gerald and all is revealed on a later date.
Shon the Piper is a 1913 American silent short historical romantic drama film directed by Otis Turner, starring Robert Z. Leonard and Lon Chaney. The film follows a Scottish Duke who disguises himself as a piper and falls in love with a woman by the name of Madge. The woman's father refuses to let the two marry because he wants his daughter to marry the Laird of the Isla. At the wedding, Shon steals Madge away and a battle ensues between the clans.
The Sea Urchin is a 1913 American silent short romantic drama film directed by Edwin August and starring Jeanie MacPherson and Lon Chaney. The film was the earliest known character role by Lon Chaney and the first screenplay by MacPherson. The story follows a hunchback fisherman who finds a young girl and raises her into womanhood with the intention of marrying her. The film was released on August 22, 1913, and was played across the United States. The film is presumed lost.
The Blood Red Tape of Charity is a 1913 American silent short propaganda drama film written, directed and starring Edwin August and produced by Pat Powers. August wrote the scenario with the intent to highlight the evils of organized charity while entertaining the viewers. The film focuses on William Weldon, a telegraph lineman who is injured on the job and cannot work for several weeks. The family seeks aid from charity organizations, but "red tape" regulations prevent the family from receiving timely assistance. A gentleman thief named Marx decides to do one last job for the benefit of the family. He forces a doctor to treat the Weldon's invalid daughter Alice before proceeding to rob a charity ball's attendees. Marx pawns the stolen articles and saves the family before turning himself in to the police.
The Restless Spirit is a 1913 American silent short drama film written and directed by Allan Dwan, featuring J. Warren Kerrigan, Lon Chaney, and Pauline Bush. The film is based on Thomas Gray's 1751 poem, Elegy Written in a Country Churchyard, and tells the story of a man who wishes to be a conqueror. A series of illusions follows which show him the futility of conquest when he cannot even conquer his own community.
The Cheese Special is a 1913 American silent short comedy film featuring Max Asher and marking the film debut of Louise Fazenda. The scenario was written by Allen Curtis, but the identity of the director is unknown. It was the first production released by the newly formed Joker productions, as part of the Universal Film Manufacturing Company. The film is presumed to be lost and there is no published synopsis of the film. Known production details state that it was shot on a beach resort and used a miniature train. The film had a wide release and was reviewed by The Moving Picture World as a low comedy suited for the burlesque theaters.
Alfred Emory Johnson was an American actor, director, producer, and writer. As a teenager, he started acting in silent films. Early in his career, Carl Laemmle chose Emory to become a Universal Studio leading man. He also became part of one of the early Hollywood celebrity marriages when he wed Ella Hall.
Max Asher, born Max Ascher, was an American actor whose career spanned the early silent film era to talkies in the early 1930s. His career began on stage. He appeared in various comedic shorts. He was 5 feet 9 inches (1.75 m) tall, and weighed more than 200 pounds (91 kg). In the 1920s he transitioned to character actor roles.
Jere F. Looney was a writer for several American silent films.
The Human Gamble was a 1916 American silent Short film directed by Lloyd B. Carleton. The film is based on the story and screen adaptation by Calder Johnstone. The drama stars Dorothy Davenport, Emory Johnson, and a cast of Universal contract players.
Mary Jane Watkins was an American actress and dentist, and one of the first Black women to serve in the Women's Army Corps.
Joe Martin was a captive orangutan who appeared in at least 50 American films of the silent era, including approximately 20 comedy shorts, several serials, two Tarzan movies, Rex Ingram's melodrama Black Orchid and its remake Trifling Women, the Max Linder feature comedy Seven Years Bad Luck, and the Irving Thalberg-produced Merry-Go-Round.
Universal City Zoo was a private animal collection in southern California that provided animals for silent-era Universal Pictures adventure films, circus pictures, and animal comedies, and to "serve as a point of interest" for tourists visiting Universal City. The animals were also leased to other studios. The zoo was closed in 1930, after cinema's transition to synchronized sound complicated the existing systems for using trained animals onscreen.