The Trickster of Liberty is a 1988 novel by Gerald Vizenor that acts as a prequel to his earlier novels Bearheart: The Heirship Chronicles and Griever: An American Monkey King in China . [1] The novel is a collection of stories about the mixedblood descendants of Luster Browne and their lives on the White Earth Indian Reservation. The novel continues Vizenor's focus on mixedbloods and tricksters and includes characters from the previous novels, including Griever de Hocus and China Brown from Griever and Eternal Flame from Bearheart. [1]
Gerald Robert Vizenor is an Anishinaabe writer and scholar, and an enrolled member of the Minnesota Chippewa Tribe, White Earth Reservation. Vizenor also taught for many years at the University of California, Berkeley, where he was Director of Native American Studies. With more than 30 books published, Vizenor is Professor Emeritus at the University of California, Berkeley, and Professor of American Studies at the University of New Mexico.
Bearheart: The Heirship Chronicles is a 1990 novel by Gerald Vizenor; it is a revised version of his 1978 debut novel Darkness in Saint Louis Bearheart. The novel is a part of the Native American Renaissance and is considered one of the first Native American novels to introduce a trickster figure into a contemporary setting, even as he drew on trickster traditions from various Native American tribes, such as Nanabozho (Anishinaabe) and Kachina (Pueblo).
Griever: An American Monkey King in China is a 1986 novel by Gerald Vizenor. It won the 1986 New York Fiction Collective Award and the 1988 American Book Award. The book is important both because it establishes the trickster figure of Griever de Hocus, whom Vizenor had created in his 1985 story "Luminous Thighs" and whom he would use again in The Trickster of Liberty, and because Vizenor takes Native American stories and themes outside the Americas and into China, establishing a connection to Chinese trickster figures, most notably Sun Wukong the Monkey King.
The novel develops Vizenor's rejection of social science theories that claim the trickster figure reflects an idea or model; to the contrary, Vizenor argues that the trickster is a purely linguistic phenomenon. [2] The novel also develops Vizenor's attack on the "invented Indian", including a commentary on the fate of Ishi and a satire on Native American scholars who perpetuate stereotypes of Indian-ness. [3]
Ishi was the last known member of the Native American Yahi people from the present-day state of California in the United States. The rest of the Yahi were killed in the California genocide in the 19th century. Ishi, who was widely acclaimed as the "last wild Indian" in America, lived most of his life isolated from modern American culture. In 1911, aged 50, he emerged near the foothills of Lassen Peak in Northern California.
The novel was republished under the title The Trickster of Liberty: Native Heirs to a Wild Baronage in 2005. [3]
In Algonquian folklore, the wendigo or windigo is a mythical man-eating creature or evil spirit native to the northern forests of the Atlantic Coast and Great Lakes Region of the United States and Canada. The wendigo may appear as a monster with some characteristics of a human or as a spirit who has possessed a human being and made them become monstrous. It is historically associated with murder, insatiable greed, and the cultural taboos against such behaviours.
House Made of Dawn is a 1968 novel by N. Scott Momaday, widely credited as leading the way for the breakthrough of Native American literature into the mainstream. It was awarded the Pulitzer Prize for Fiction in 1969, and has also been noted for its significance in Native American Anthropology.
Jamake Highwater, born as Jackie Marks, and also known as Jay or JMarks, was an American writer and journalist of eastern European Jewish ancestry, who from the late 1960s claimed to be of Cherokee and Native American ancestry. In that period, he published extensively under the name of Jamake Highwater. One version of his shifting story was that he had been adopted as a child and taken from his Indian home in Montana to grow up in a Greek or Armenian family in Los Angeles, Southern California.
A Native American (Chippewa) poet and writer of mixed German and Anishinaabe descent, Kimberly Blaeser was the Wisconsin Poet Laureate 2015-2016. Born in 1955 in Billings, Montana, she is an enrolled tribal member, and grew up on the White Earth reservation.
The Native American Renaissance is a term originally coined by critic Kenneth Lincoln in the 1983 book Native American Renaissance to categorise the significant increase in production of literary works by Native Americans in the United States in the late 1960s and onwards. A. Robert Lee and Alan Velie note that the book's title "quickly gained currency as a term to describe the efflorescence on literary works that followed the publication of N. Scott Momaday's House Made of Dawn in 1968". Momaday's novel garnered critical acclaim, including the Pulitzer Prize for Fiction in 1969.
Medicine River is a novel written by author Thomas King. It was first published by Viking Canada in 1989. The book was later adapted (1993) into a television movie starring Graham Greene and Tom Jackson.
Survivance is a critical term in Native American studies.
Louis Owens was a novelist and scholar of Choctaw, Cherokee, and Irish-American descent. He is known for a series of Native-themed mystery novels and for his contributions to the then-fledgling field of Native American Studies. Owens committed suicide in 2002.
Shell Shaker is a novel by LeAnne Howe, a member of the Choctaw Nation of Oklahoma. The novel's plot revolves around two tales of murder involving Choctaw political leaders. Set over a 200-year period, it focuses on several generations of the Billy family who try to keep the peace. According to Howe, Shell Shaker is "a book about power, its misuse, and how a community responds. It's not for Indians only."
Tripmaster Monkey: His Fake Book is the third book written by Maxine Hong Kingston, and was published in 1989. The story follows Wittman Ah Sing, an American graduate of University of California, Berkeley of Chinese ancestry in his adventures about San Francisco during the 1960s. Heavily influenced by the Beat movement, and exhibiting many prototypical features of postmodernism, the book retains numerous themes, such as ethnicity and prejudice, addressed in Kingston's other works. The novel is rampant with allusions to pop-culture and literature, especially the Chinese novel Journey to the West.
In mythology, and in the study of folklore and religion, a trickster is a character in a story, which exhibits a great degree of intellect or secret knowledge, and uses it to play tricks or otherwise disobey normal rules and conventional behaviour.
Storyteller is a hybrid collection of poetry, short stories and family photographs compiled by Laguna Pueblo author Leslie Marmon Silko. It was first published in 1981 following the literary success of the novel Ceremony.
The Heirs of Columbus is a 1991 novel by Gerald Vizenor that, in the face of the 500th anniversary of Christopher Columbus' arrival in America, inverts the historical record by re-imagining Columbus as a descendant of Mayans and Sephardic Jews who now wants to return home, that is, to America. Meanwhile, his modern-day descendants, the heirs of the title, are trying to bring his bones home. Critic Louis Owens considers this novel to be Vizenor "[i]n his best trickster-satirist mode" as he accomplishes "a brilliant appropriation of the master symbol of Euroamerican history".
Eric Gansworth is a Haudenosaunee novelist, poet and visual artist.
The California Genocide refers to actions in the mid to late 19th century by the United States federal, state, and local governments that resulted in the decimation of the indigenous population of California following the U.S. occupation of California in 1846. Actions included encouragement of volunteers and militias to kill unarmed men, women and children.
Harold of Orange is a short film/comedy directed by Richard Weise and Produced by Dianne Brennan, with a screenplay by Gerald Vizenor
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