Veit Harlan was a German film director and actor. Harlan reached the highpoint of his career as a director in the Nazi era; most notably his antisemitic film Jud Süß (1940) makes him controversial. While viewed critically for his ideologies, a number of critics consider him a capable director on the grounds of such work as his Opfergang (1944).
Werner Johannes Krauss was a German stage and film actor. Krauss dominated the German stage of the early 20th century. However, his participation in the antisemitic propaganda film Jud Süß and his collaboration with the Nazis made him a controversial figure.
Conrad Wiene was an actor, screenwriter, film producer and director of Austrian and German silent films. He was the younger brother of German film director Robert Wiene.
Erich Gustav Otto Engel was a German film and theatre director.
Jud Süß is a 1940 Nazi German historical drama and propaganda film produced by Terra Film at the behest of Joseph Goebbels. It is considered one of the most antisemitic films of all time. The film was directed by Veit Harlan, who wrote the screenplay with Eberhard Wolfgang Möller and Ludwig Metzger. The leading roles were played by Ferdinand Marian and Harlan's wife Kristina Söderbaum; Werner Krauss and Heinrich George played key supporting roles.
Jew Suss: Rise and Fall is a 2010 German historical drama film directed by Oskar Roehler, dramatising the creative process behind the antisemitic Nazi propaganda film Jud Süß (1940). It was nominated for the Golden Bear at the 60th Berlin International Film Festival.
Yorck is a 1931 German war film directed by Gustav Ucicky and starring Werner Krauss, Grete Mosheim and Rudolf Forster. It portrays the life of the Prussian General Ludwig Yorck von Wartenburg, particularly his refusal to serve in Napoleon's army during the French Invasion of Russia in 1812. It was a Prussian film, one of a cycle of films made during the era that focused on Prussian history.
Rudolf Meinert was an Austrian screenwriter, film producer and director.
Looping the Loop is a 1928 German silent thriller film directed by Arthur Robison and starring Werner Krauss, Jenny Jugo and Warwick Ward. The film was produced by UFA. It was shot at the Babelsberg Studios in Berlin and on location in London. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. As with UFA's Variety, Paramount Pictures handled the film's American distribution as part of the Parufamet agreement. Paramount prepared a sound version for distribution in English speaking countries. While the sound version has no audible dialog, it featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Nathan the Wise is a 1922 German silent historical film directed by Manfred Noa and starring Fritz Greiner, Carl de Vogt and Lia Eibenschütz. It is based on the 1779 play Nathan the Wise by Gotthold Ephraim Lessing. It was made by Bavaria Film at the Emelka Studios. The film provoked protests in Munich from far-right groups who felt it was too pro-Jewish.
Napoleon at Saint Helena is a 1929 German silent historical film directed by Lupu Pick and starring Werner Krauss, Hanna Ralph, and Albert Bassermann.
Express Train of Love is a 1925 German silent comedy film directed by Johannes Guter and starring Ossi Oswalda, Willy Fritsch and Lillian Hall-Davis. It premiered on 6 May 1925 at the Ufa-Palast am Zoo in Berlin.
The Found Bride is a 1925 German silent comedy film directed by Rochus Gliese and starring Xenia Desni, André Mattoni and Jenny Jugo. It premiered on 28 April 1925 at the Tauentzienpalast in Berlin.
Somnambul is a 1929 German silent horror film directed by Adolf Trotz and starring Fritz Kortner, Erna Morena and Veit Harlan. The film is set against the backdrop of spiritualism. The Berlin clairvoyant Elsbeth Guenther-Geffers appeared in the film. The film's art director was August Rinaldi.
Revolt in the Reformatory is a 1929 German silent drama film directed by Georg Asagaroff and starring Carl Balhaus, Vera Baranovskaya, Toni van Eyck. The film was based on a play by Peter Martin Lampel intended as an exposé of the youth justice system. The film was considered controversial, and was banned four times before its eventual release. The film's art direction was by Andrej Andrejew.
The Story of Dida Ibsen is a 1918 German silent drama film directed by Richard Oswald and starring Anita Berber, Conrad Veidt and Werner Krauss. It is an adaptation of Margarete Böhme's 1907 novel of the same title, a sequel to her best-known work The Diary of a Lost Girl. It was one of a series of enlightenment films made by Oswald during the period.
Paganini or I Liked Kissing Women is a 1934 German operetta film directed by E. W. Emo and starring Iván Petrovich, Eliza Illiard, and Theo Lingen. It is an adaptation of Franz Lehár's 1925 operetta Paganini.
The Tempelhof Studios are a film studio located in Tempelhof in the German capital of Berlin. They were founded in 1912, during the silent era, by German film pioneer Alfred Duskes, who built a glass-roofed studio on the site with financial backing from the French company Pathé. The producer Paul Davidson's PAGU then took control and constructed a grander structure. The First World War propaganda drama The Yellow Passport, the historical comedy Madame DuBarry and the expressionist 1920 silent film The Golem were made there by PAGU.
Eyes of Love is a 1951 West German drama film directed by Alfred Braun and starring Käthe Gold, René Deltgen and Paul Wegener.
The Queen of Spades or Pique Dame is a 1927 German silent horror film directed by Aleksandr Razumny and starring Jenny Jugo, Rudolf Forster, and Henri de Vries. It is one of many film adaptations of the Russian writer Alexander Pushkin's 1834 short story "Pikovaya Dama" and follows his story closely. It is an example of German Expressionism so prevalent there following the success of The Cabinet of Dr. Caligari in 1919. The film's sets were designed by art director Franz Schroedter.
