Wedding at Lake Wolfgang | |
---|---|
Directed by | Hans Behrendt |
Written by | Werner Buhre Robert Gilbert |
Produced by | Hans Geishauer |
Starring | Hugo Schrader Gustl Gstettenbaur Oskar Sima |
Cinematography | Georg Bruckbauer Reimar Kuntze |
Edited by | Willy Zeunert |
Music by | Rudolf Perak Robert Stolz |
Production company | Patria-Film |
Release date |
|
Country | Germany |
Language | German |
Wedding at Lake Wolfgang (German: Hochzeit am Wolfgangsee) is a 1933 German musical film directed by Hans Behrendt and starring Hugo Schrader, Gustl Gstettenbaur and Oskar Sima. [1] [2] Made at the end of the Weimar Republic it had release problems due to Nazi objections to the film's Jewish director.
The film's sets were designed by the art director Hermann Warm. It was shot at the Halensee Studios in Berlin with location shooting in the German capital and at Lake Wolfgang in Austria.
The Star of Valencia is a 1933 German drama film directed by Alfred Zeisler and starring Liane Haid, Peter Erkelenz and Ossi Oswalda. It was made in Mallorca, at the same time as a French-language version The Star of Valencia directed by Serge de Poligny.
Elisabeth of Austria is a 1931 German historical drama film directed by Adolf Trotz and starring Lil Dagover, Paul Otto, and Maria Matray. It is a biopic of Empress Elisabeth of Austria. It was shot at the EFA Studios in Berlin with sets designed by the art director Franz Schroedter.
Gustl Gstettenbaur was a German stage, film and television actor.
Schubert's Dream of Spring is a 1931 German musical film directed by Richard Oswald and starring Carl Jöken, Gretl Theimer and Alfred Läutner. It was shot at the Halensee Studios in Berlin with sets designed by the art director Franz Schroedter. It is a biopic of the Austrian composer Franz Schubert (1797–1828). It was one of two films along with Vienna, City of Song (1930) with which the director paid musical tribute to his native city Vienna.
Vienna, City of Song is a 1930 German musical comedy film directed by Richard Oswald and starring Charlotte Ander, Paul Morgan and Igo Sym. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Franz Schroedter.
Hotel by the Hour is a 1970 West German crime film directed by Rolf Olsen and starring Curd Jürgens, Andrea Rau, and Corny Collins. It is set in the red-light district of St. Pauli in Hamburg. A Stundenhotel is a hotel where rooms are let by the hour, similar to Japanese love hotels.
The Merry Wives of Tyrol is a 1964 West German musical comedy film directed by Hans Billian and starring Hannelore Auer, Gus Backus and Rudolf Prack.
Girls to Marry is a 1932 German romantic comedy film directed by Wilhelm Thiele and starring Renate Müller, Hermann Thimig and Wolf Albach-Retty. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Hans Jacoby. It was remade the same year in Britain as Marry Me, also directed by Wilhelm Thiele, with Müller starring again.
Fruit in the Neighbour's Garden is a 1956 West German comedy film directed by Erich Engels and starring Oskar Sima, Grethe Weiser and Gundula Korte. It is a remake of the 1935 film of the same title.
Dolly Gets Ahead is a 1930 German musical film directed by Anatole Litvak and starring Dolly Haas, Oskar Karlweis, and Grete Natzler. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Heinz Fenschel and Jacek Rotmil.
Band of Thieves is a 1928 German silent film directed by Hans Behrendt and starring Paul Hörbiger, Leonhard Frank and Gustl Gstettenbaur. The film's sets were designed by the art director Oscar Friedrich Werndorff. It was distributed by the German branch of Fox Film.
Annemarie, the Bride of the Company is a 1932 German comedy film directed by Carl Boese and starring Lucie Englisch, Paul Heidemann and Albert Paulig. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Willi Herrmann.
The Bird Seller is a 1935 German musical comedy film directed by E. W. Emo and starring Maria Andergast, Wolf Albach-Retty, and Lil Dagover. It is an operetta film, based on the work of the same name by Carl Zeller.
The Dark Star is a 1955 West German drama film directed by Hermann Kugelstadt and starring Elfie Fiegert, Ilse Steppat and Viktor Staal.
Decoy is a 1934 German adventure film directed by Hans Steinhoff and starring Jakob Tiedtke, Viktor de Kowa, and Jessie Vihrog. A separate French-language version, The Decoy, was released the following year with a largely different cast. It was shot at the Babelsberg Studios and on location in Hamburg, Turkey and the North Sea. The film's sets were designed by the art directors Artur Günther and Fritz Maurischat.
Love Must Be Understood is a 1933 German musical comedy film directed by Hans Steinhoff and starring Rosy Barsony, Georg Alexander, and Wolf Albach-Retty. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Benno von Arent.
At the Strasbourg is a 1934 German comedy film directed by Franz Osten and starring Hans Stüwe, Ursula Grabley, and Anna von Palen.
Madame Pompadour is a 1931 German historical musical film directed by Willi Wolff and starring Anny Ahlers, Kurt Gerron, and Walter Jankuhn. Part of the tradition of operetta films, it portrays the relationship between Madame de Pompadour and Louis XV of France. The film is not based on the operetta Madame Pompadour by Leo Fall. It was shot at the EFA Studios in Berlin while location filming took place at the Palace of Versailles. A separate French version A Caprice of Pompadour was also released.
The Hunter from Kurpfalz is a 1933 German comedy film directed by Carl Behr and starring Hans Adalbert Schlettow, Walter Rilla and Fritz Kampers. It was produced by Carl Froelich and shot at the Johannisthal Studios of Tobis Film in Berlin. Location shooting took place around Neustadt in the Palatinate and the wider Rhineland area. The title references the German folk song "Ein Jäger aus Kurpfalz".
The Blacksmith of St. Bartholomae is a 1955 West German drama film directed by Max Michel and starring Viktor Staal, Marianne Koch and Annie Rosar. It was shot on location at Berchtesgaden in Bavaria and in a makeshift studio nearby. The film's sets were designed by the art director Curt Stallmach. It was part of the postwar boom in heimatfilm that peaked around this year.