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The Welsh Opera is a play by Henry Fielding. First performed on 22 April 1731 in Haymarket, the play replaced The Letter Writers and became the companion piece to The Tragedy of Tragedies. It was also later expanded into The Grub-Street Opera. The play's purported author is Scriblerus Secundus who is also a character in the play. This play is about Secundus' role in writing two (Fielding) plays: The Tragedy of Tragedies and The Welsh Opera.
The Perfidious Brother is a 1716 tragedy by the British writer Lewis Theobald. A dispute rose of the authorship of the play when a watchmaker and aspiring playwright Henry Meystayer claimed that Theobald had stolen it from him. Meystayer published his own version of the play presenting it as the work of the "original author". Theobald was later to be involved in a much more controversial dispute in 1727 when he presented Double Falsehood as being based on a lost work of William Shakespeare.
The Half-Pay Officers is a 1720 comedy play by the Irish writer Charles Molloy. The play included popular scenes from Henry V, Much Ado About Nothing and Love and Honour. It proved popular with audiences and was revived on a number of occasions. It premiered with the farce Hob's Wedding as an afterpiece.
Caelia, or, The Perjur'd Lover is a 1732 comedy play by the British writer Charles Johnson. The play's epilogue was written by Henry Fielding.
Hibernia Freed is a 1722 tragedy by the writer William Phillips. It is set during the ninth century during the Viking Invasion of Ireland. It was part of a growing Anglo-Irish interest in traditional Irish history, and part of a tendency to switch tragedy from Ancient Rome or Greece to more native settings.
The Modish Couple is a 1732 comedy play by the British writer James Miller, under the pen name Charles Boaden. A virtuous wife reforms her rakish husband.
The Independent Patriot is a 1737 comedy play by Francis Lynch.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Fatal Curiosity is a 1737 tragedy by the British writer George Lillo. It is also known by the alternative title Guilt Its Own Punishment.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
All Alive and Merry is a 1737 comedy play by the British writer Samuel Johnson. The original Lincoln's Inn Fields cast included William Giffard, Charlotte Charke and Anna Marcella Giffard. It was staged by Henry Giffard's company which had recently moved from the Goodman's Fields Theatre in Whitechapel.
The Widow Bewitched is a 1730 comedy play by the British writer John Mottley.
The Parricide is a 1736 tragedy written by the Irish writer James Sterling.
Hanging and Marriage is a 1722 farce by the British writer Henry Carey. Written as an afterpiece it premiered at Lincoln's Inn Fields Theatre accompanying a revival of Dryden's The Spanish Friar.
The Fall of the Earl of Essex is a 1731 tragedy by the writer James Ralph. It was inspired by Restoration-era drama The Unhappy Favourite by John Banks about the downfall of the Earl of Essex, a military commander and former favourite of Elizabeth I.
A Tutor for the Beaus: Or Love in a Labyrinth is a 1737 comedy play by the British writer John Hewitt. It drew inspiration from an earlier one-act play Le Français à Londres by the French writer Louis de Boissy.
The Married Philosopher is a 1732 comedy play by the writer John Kelly. It was inspired by the 1727 play Le Philosophe Marié by the French writer Philippe Néricault Destouches.
The Contrivances is a 1715 comedy play by the British writer Henry Carey. A farce, it produced was an afterpiece to follow on from a revival of Bonduca.
The Double Gallant is a 1707 comedy play by the British writer Colley Cibber.
References
- ↑ Cleary p.73-74
