The Unstoppable Man | |
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Directed by | Terry Bishop |
Written by | Terry Bishop Alun Falconer Paddy Manning O'Brine |
Based on | the short story Amateur in Violence by Michael Gilbert [1] |
Produced by | John Pellatt |
Starring | Cameron Mitchell Marius Goring |
Cinematography | Arthur Grant |
Edited by | Antony Gibbs (as Anthony Gibbs) |
Music by | Bill McGuffie |
Production company | Argo Film Productions |
Distributed by | Anglo-Amalgamated Film Distributors (UK) |
Release date |
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Running time | 68 minutes |
Country | United Kingdom |
Language | English |
The Unstoppable Man is a 1960 British second feature [2] crime drama film directed by Terry Bishop and starring Cameron Mitchell, Harry H. Corbett, Marius Goring and Lois Maxwell. [3] It was written by Bishop, Alun Falconer and Paddy Manning O'Brine based on the 1973 short story Amateur in Violence by Michael Gilbert. [1]
A gang of criminals kidnaps the son of James Kennedy, who is an American executive of a London-based chemical company.
Kennedy ignores the advice of Inspector Hazelrigg of Scotland Yard to try a plan of his own. He doubles the ransom amount, expecting the thieves to have a falling-out over how to divide it. One is indeed killed, and evidence at the crime scene leads Kennedy to a home in Hampstead where the mastermind, Feist, is keeping Kennedy's son.
Hazelrigg comes along, but agrees to give Kennedy a few minutes to enter the house alone. Armed with a flamethrower, Kennedy is able to take his son to safety while the police close in on Feist.
In a contemporary review, Monthly Film Bulletin said "For its size and type, this is a creditable little production. Though in the familiar tradition of British second feature crime thrillers, it has the benefit of a Michael Gilbert story which, though unconvincing in some of its details, offers an intriguing exercise in detection. The characters are sharply drawn, Terry Bishop's direction – apart from a slow middle section – is slick and resourceful, and the authentic backgrounds heighten impact. Cameron Mitchell makes a strong impression as the businessman, while Marius Goring as the Inspector and Harry H. Corbett as the kidnapper give quieter but equally competent performances." [4]
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