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Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
Iolanthe; or, The Peer and the Peri is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadian shepherd who wants to marry Phyllis, a Ward of Chancery. All the members of the House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman, she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's favourite themes: a tranquil civilisation of women is disrupted by a male-dominated world through the discovery of mortal love.
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London on 25 May 1878, and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented.
The Sorcerer is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of The Sorcerer is based on a Christmas story, An Elixir of Love, that Gilbert wrote for The Graphic magazine in 1876. A young man, Alexis, is obsessed with the idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell.
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on 7 March 1896, and ran for 123 performances. Despite a successful opening night, the production had a relatively short run and was the partnership's only financial failure, and the two men never worked together again. In recent decades, the opera has been revived professionally, first in the US and then in the UK.
George Augustus Henry Fairfield Sala was an author and journalist who wrote extensively for the Illustrated London News as G. A. S. and was most famous for his articles and leaders for The Daily Telegraph. He founded his own periodical, Sala's Journal, and the Sydney Savage Club. The former was unsuccessful but the latter still continues.
His Excellency is a two-act comic opera with a libretto by W. S. Gilbert and music by F. Osmond Carr. The piece concerns a practical-joking governor whose pranks threaten to make everyone miserable, until the Prince Regent kindly foils the governor's plans. Towards the end of the Gilbert and Sullivan partnership, Arthur Sullivan declined to write the music for this piece after Gilbert insisted on casting his protege, Nancy McIntosh, in the lead role; Sullivan and producer Richard D'Oyly Carte, proprietor of the Savoy Theatre, did not feel that McIntosh was adequate.
Jessie Charlotte Bond was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company.
Richard Barker Cobb Temple was an English opera singer, actor and stage director, best known for his performances in the bass-baritone roles in the famous series of Gilbert and Sullivan comic operas.
A Sensation Novel is a comic musical play in three acts written by the dramatist W. S. Gilbert, with music composed by Thomas German Reed. It was first performed on 31 January 1871 at the Royal Gallery of Illustration. Only four of German Reed's songs survive. Nearly 25 years later, the music was rewritten and published by Florian Pascal. The story concerns an author suffering from writer's block who finds that the characters in his novel are dissatisfied.
Ages Ago, sometimes stylised as Ages Ago! or Ages Ago!!, is a musical entertainment with a libretto by W. S. Gilbert and music by Frederic Clay that premiered on 22 November 1869 at the Royal Gallery of Illustration. It marked the beginning of a seven-year collaboration between Gilbert and Clay. The piece was a critical and popular success and was revived many times, including at St. George's Hall, London in 1870 and 1874, and in New York in 1880.
This is a selected list of W. S. Gilbert's works, including all that have their own Wikipedia articles. For a complete list of Gilbert's dramatic works, see List of W. S. Gilbert dramatic works.
Foggerty's Fairy and Other Tales is an 1890 book by W. S. Gilbert, collecting several of the short stories and essays he wrote in his early career as a magazine writer. A number of them were later adapted as plays or opera librettos.
"The Author's Ordeal" are lyrics to a song by American author Isaac Asimov. They were first published in Science Fiction Quarterly, May 1957, pp. 34–36. They are included in three collections of Asimov's short stories: Earth Is Room Enough, The Far Ends of Time and Earth and The Complete Stories, Volume 1.
Foggerty's Fairy, subtitled "An Entirely Original Fairy Farce", is a three-act farce by W.S. Gilbert based loosely on Gilbert's short story, "The Story of a Twelfth Cake", which was published in the Christmas Number of The Graphic in 1874, and elements of other Gilbert plays. The story concerns a man who, with the help of a fairy, changes a small event in his past to try to save his engagement to the girl he loves. This leads to profound changes in his present, and he finds that matters are even worse than before.
Gretchen is a tragic four-act play, in blank verse, written by W. S. Gilbert in 1878–79 based on Goethe's version of part of the Faust legend.
The Ne'er-do-Weel is a three-act drama written by the English dramatist W. S. Gilbert. It is the second of three plays that he wrote at the request of the actor Edward Sothern. The story concerns Jeffery Rollestone, a gentleman who becomes a vagabond after Maud, the girl he loves, leaves him. He meets Gerard, an old school chum who arranges for him to have a good post. Jeffery returns the favour by sacrificing to try to help Gerard marry Maud, even though Jeffery and Maud still love each other.
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its popular companion piece, Jacques Offenbach's La Périchole. The story concerns a "breach of promise of marriage" lawsuit in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868.
Kong Renés Datter is a Danish verse drama written in 1845 by Henrik Hertz. It is a fictional account of the early life of Yolande of Lorraine, daughter of René of Anjou, in which she is depicted as a beautiful blind sixteen-year-old princess who lives in a protected garden paradise. The play was highly popular in the 19th century. It was translated into many languages, copied, parodied and adapted. The Russian adaptation by Vladimir Zotov was used as the basis for the 1892 opera Iolanta, written by Tchaikovsky, with libretto by his brother Modest Ilyich Tchaikovsky.
References
- ↑ Sala, George Augustus. London Up to Date, London: A. and C. Black (1894; reprinted by Kessinger Publishing in 2007) ISBN 978-0-548-33936-7