Blossoms in the Dust is a 1941 American biographical drama film directed by Mervyn LeRoy and starring Greer Garson, Walter Pidgeon, Felix Bressart, Marsha Hunt, Fay Holden and Samuel S. Hinds. It tells the story of Edna Gladney, who helped orphaned children find homes and began a campaign to remove the word "illegitimate" from Texas birth certificates, despite the opposition of "good" citizens. The screenplay was by Anita Loos, with a story by Ralph Wheelwright. Some of the important aspects of her life fictionalized in the film are the fact that it was Edna herself who was born out of wedlock; she and Sam eloped on the eve of her marriage to someone else, and they had much more time together before his death than given them in the film.
Two-Way Stretch, also known as Nothing Barred, is a 1960 British comedy film directed by Robert Day and starring Peter Sellers, Wilfrid Hyde-White, Lionel Jeffries and Bernard Cribbins. The screenplay is by Vivian Cox, John Warren and Len Heath. A group of prisoners plan to break out of jail, commit a robbery, and then break back into their jail again, thus giving them the perfect alibi – that they were behind bars when the robbery occurred. However, their plans are disrupted by the arrival of a strict new Chief Prison Officer.
Wilfrid Hyde-White was an English actor. Described by Philip French as a "classic British film archetype", Hyde-White often portrayed droll and urbane upper-class characters. He had an extensive stage and screen career in both the United Kingdom and the United States, and portrayed over 160 film and television roles between 1935 and 1987. He was twice nominated for a Tony Award for Best Actor in a Play, in 1957 for The Reluctant Debutante and in 1973 for The Jockey Club Stakes.
Perfect Strangers, is a 1945 British drama film made by London Films. It stars Robert Donat and Deborah Kerr as a married couple whose relationship is shaken by their service in the Second World War. The supporting cast includes Glynis Johns, Ann Todd and Roland Culver. It was produced and directed by Alexander Korda from a screenplay by Clemence Dane and Anthony Pelissier based on a story by Clemence Dane. Dane won the Academy Award for Best Story. The music score was by Clifton Parker and the cinematography by Georges Périnal.
The Big Clock is a 1948 American thriller directed by John Farrow and adapted by novelist-screenwriter Jonathan Latimer from the 1946 novel of the same title by Kenneth Fearing.
The Sniper is a 1952 American film noir, directed by Edward Dmytryk, written by Harry Brown and based on a story by Edna and Edward Anhalt. The film features Adolphe Menjou, Arthur Franz, Gerald Mohr and Marie Windsor.
The Magic Box is a 1951 British Technicolor biographical drama film directed by John Boulting. The film stars Robert Donat as William Friese-Greene, with numerous cameo appearances by performers such as Peter Ustinov and Laurence Olivier. It was produced by Ronald Neame and distributed by British Lion Film Corporation.
Betrayed is a 1954 American Eastmancolor war drama film directed by Gottfried Reinhardt and starring Clark Gable, Lana Turner, Victor Mature, and Louis Calhern. The screenplay was by Ronald Millar and George Froeschel. The musical score was by Walter Goehr and Bronislau Kaper, and the cinematography by Freddie Young. The picture, Gable's last for Metro-Goldwyn-Mayer, was filmed on location in the Netherlands and England, and was based on the story of turncoat Dutch resistance leader Christiaan Lindemans, also known as "King Kong". The supporting cast features O. E. Hasse, Wilfrid Hyde-White, Ian Carmichael, Niall MacGinnis, and Theodore Bikel. Betrayed was the fourth and final movie in which Gable played opposite Turner, and their third pairing set during World War II.
Last Holiday is a 1950 British black comedy film, featuring Alec Guinness in his sixth starring role. The low key, black comedy was written and co-produced by J. B. Priestley and directed by Henry Cass, featuring irony and wit often associated with Priestley. Shooting locations included Bedfordshire and Devon. The film was co-written by an uncredited J. Lee Thompson.
Trio is a 1950 British anthology film based on three short stories by W. Somerset Maugham: "The Verger", "Mr Know-All" and "Sanatorium". Ken Annakin directed "The Verger" and "Mr Know-All", while Harold French was responsible for "Sanatorium".
Edge of the City is a 1957 American film-noir drama film directed by Martin Ritt in his directorial debut, and starring John Cassavetes and Sidney Poitier. Robert Alan Aurthur's screenplay was expanded from his original script, staged as the final episode of Philco Television Playhouse, A Man Is Ten Feet Tall (1955), also featuring Poitier.
The October Man is a 1947 mystery film/film noir starring John Mills and Joan Greenwood, written by novelist Eric Ambler, who also produced. A man is suspected of murder, and the lingering effects of a brain injury he sustained in an earlier accident, as well as an intensive police investigation, make him begin to doubt whether he is innocent.
Fragment of Fear is a 1970 British thriller film directed by Richard C. Sarafian and starring David Hemmings, Gayle Hunnicutt, Wilfrid Hyde-White, Roland Culver, Flora Robson and Arthur Lowe. It was written by Paul Dehn adapted from the 1965 novel A Fragment of Fear by John Bingham.
The Card is a 1952 British comedy film version of the 1911 novel by Arnold Bennett. In America, the film was titled The Promoter. It was adapted by Eric Ambler and directed by Ronald Neame. It stars Alec Guinness, Glynis Johns, Valerie Hobson, and Petula Clark. The film was nominated for the Academy Award for Best Sound.
Highly Dangerous is a 1950 British spy film starring Margaret Lockwood and Dane Clark. It was directed by Roy Ward Baker, based on a screenplay and novel The Dark Frontier written by Eric Ambler.
Lease of Life is a 1954 British drama film made by Ealing Studios and directed by Charles Frend. The film was designed as a star vehicle for Robert Donat in his return to the screen after a three-year absence.
The Get-Away is a 1941 American crime drama film directed by Edward Buzzell and starring Robert Sterling, Charles Winninger and Donna Reed. Produced by Metro-Goldwyn-Mayer, it is a remake of the 1935 film Public Hero No. 1. It has been listed as a precursor of film noir.
The Naked Street is a 1955 American crime film noir directed by Maxwell Shane. The drama features Farley Granger, Anthony Quinn and Anne Bancroft in a story about an enforcer who tries to control his sister's life by falsely clearing her boyfriend of murder.
Make Haste to Live is a 1954 American film noir thriller film directed by William A. Seiter and starring Dorothy McGuire, Stephen McNally and Mary Murphy. Seiter's last feature directorial effort, the film is an adaptation of the Gordons’ novel of the same name. It was produced and distributed by Republic Pictures.
Backfire is a 1950 American film noir crime film directed by Vincent Sherman starring Virginia Mayo and Gordon MacRae, with Edmond O'Brien, Dane Clark, and Viveca Lindfors in support.
