The Waiters' Ball | |
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![]() Theatrical release poster | |
Directed by | Fatty Arbuckle |
Produced by | Mack Sennett |
Starring | Fatty Arbuckle Al St. John |
Cinematography | Elgin Lessley |
Production company | Keystone Film Company |
Distributed by | Triangle Films |
Release date |
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Running time | 20 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Waiters' Ball is a 1916 American silent short comedy film directed by and starring Fatty Arbuckle. [1] Arbuckle's nephew Al St. John has a memorable role as Roscoe's rival. The film is extant. [2]
A cook and a waiter at a restaurant are both attracted to the pretty cashier. She sees an ad for a waiters’ ball coming up that night. Attendees must wear evening clothes; the waiter is distressed because he doesn’t have any.
The waiter tries to sweep litter from the restaurant into the kitchen at the same time as the cook tries to sweep it out; they fight, hitting each other rhythmically with brooms. The waiter calls out customers’ orders to the kitchen using hash house lingo – e.g., two eggs on toast is “Adam and Eve on a raft.” Meanwhile, the cook prepares the orders with much juggling and many sight gags. For example, the cook gets a fish out of a cooler, but it’s still alive, and it leaps wildly; eventually, everyone in the restaurant becomes involved in subduing it.
The waiter sees the cook kiss the cashier, attacks him with a knife, and steals his dress suit. The cook therefore puts on the fat female dishwasher’s evening gown instead.
At the ball, the cook enjoys a dance while the waiter enjoys a beer. The cook then sees the waiter wearing his suit, chases him, and pulls the suit off him, leaving him in his striped underwear. The dishwasher similarly pulls her dress off the cook. The cook chases the waiter out to the street, where a police officer arrests them both and makes them don barrels.
Arbuckle reused many elements of The Waiters' Ball in The Cook (1918), with Buster Keaton.
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, comedian, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Virginia Caroline Rappe was an American model and silent film actress. Working mostly in bit parts, Rappe died after attending a party with actor Roscoe "Fatty" Arbuckle, who was accused of manslaughter and rape in connection with her death, though he was ultimately acquitted of both charges.
The Knockout is a 1914 American silent comedy film starring Roscoe "Fatty" Arbuckle. It also features Charlie Chaplin in a small role, his seventeenth film for Keystone Studios. It is one of only a few films in which Chaplin's Little Tramp character appears in a secondary role, not appearing until the second half of the film. It also stars Arbuckle's wife, Minta Durfee, Edgar Kennedy and Keystone owner, Mack Sennett in a minor role as a spectator. The film was directed by Charles Avery.
The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.
These are the films of the American silent film actor, comedian, director, and screenwriter Roscoe Arbuckle. Films marked with a diamond (♦) were directed by and featured Arbuckle. He used the name William Goodrich on the films he directed from 1924 onward.
The Cook is a 1918 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John. The movie is a slapstick comedy and focuses on goings-on at a high-end restaurant with Arbuckle as the Cook and Keaton as the Waiter.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The action centers in a sanitarium Arbuckle's character was involuntarily brought to by his wife to be operated on by Keaton's character for alcoholism.
The Bell Boy is a 1918 American two-reel silent comedy film directed by Roscoe "Fatty" Arbuckle for the Comique film company.
Coney Island is a 1917 American two-reel silent comedy film starring, written and directed by Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
Mabel and Fatty's Wash Day is a 1915 American silent comedy short or "one-reeler" directed by Fatty Arbuckle and co-starring Arbuckle and Mabel Normand.
That Little Band of Gold is a 1915 American short comedy film directed by Roscoe "Fatty" Arbuckle and starring Arbuckle, Mabel Normand, and Ford Sterling.
Wished on Mabel is a 1915 American silent comedy short or "one-reeler" filmed at Golden Gate Park in San Francisco, California, and directed by Mabel Normand. The short also co-stars Normand and Roscoe "Fatty" Arbuckle.
The Rough House is a 1917 American two-reel silent comedy film written by, directed by, and starring both Roscoe "Fatty" Arbuckle and Buster Keaton. The Rough House was Keaton's first film as a director.
His Wedding Night is a 1917 American two-reel silent comedy film written, directed by, and starring Roscoe "Fatty" Arbuckle.
Oh Doctor! is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
The Red Mill is a 1927 American silent comedy film directed by Roscoe Arbuckle that starred Marion Davies and was produced by King Vidor. Although Arbuckle was acquitted in the third trial for the death of Virginia Rappe, he could not obtain work in Hollywood under his own name, so he adopted the pseudonym William Goodrich for directing the comedy shorts he made under his contract with Educational Film Exchanges.
The Flirt is a 1917 American short comedy film featuring Harold Lloyd. Copies of the film survive in the film archives of the Museum of Modern Art and the British Film Institute.
Luke the Dog (1913–1926) was a Staffordshire Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. He was also the personal pet of actress Minta Durfee and her husband, the comedian and director Roscoe "Fatty" Arbuckle.
Boobs in the Wood is a 1925 silent black and white short American film starring Harry Langdon directed by Harry Edwards and produced by Mack Sennett. It was Sennett's first film written by Arthur Ripley.
Corinne Parquet was an American actress who appeared in silent films with Roscoe "Fatty" Arbuckle.