Juanita Horton, better known as Bessie Love, was an American-British actress who achieved prominence playing innocent, young girls and wholesome leading ladies in silent and early sound films. Her acting career spanned nearly seven decades—from silent film to sound film, including theatre, radio, and television—and her performance in The Broadway Melody (1929) earned her a nomination for the Academy Award for Best Actress.
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Gertrude Astor was an American motion picture character actress, who began her career playing trombone in a woman's band.
The Cat and the Canary is a 1927 American silent comedy horror film directed by Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle inherits her uncle's fortune, but when she and her family spend the night in his haunted mansion, they are stalked by a mysterious figure. Meanwhile, a lunatic mainly known as the Cat escapes from an asylum and hides in the mansion.
Cheyenne's Pal is a 1917 American silent Western film directed by John Ford and featuring Harry Carey. The film is considered to be lost.
The Impossible Mrs. Bellew is a 1922 American silent drama film directed by Sam Wood and starring Gloria Swanson. The film is based on the 1916 novel of the same name by David Lisle.
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
Flaming Youth is a 1923 American silent drama film directed by John Francis Dillon and starring Colleen Moore and Milton Sills, based on the novel of the same name by Samuel Hopkins Adams. Associated First National produced and distributed the film. In his retrospective essay "Echoes of the Jazz Age", writer F. Scott Fitzgerald cited Flaming Youth as the only film that captured the sexual revolution of the Jazz Age.
Synthetic Sin is a 1929 American sound comedy film directed by William A. Seiter, based on a play of the same name. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was released by Warner Bros. and was recorded using the Vitaphone sound system. Only the soundtrack disc for the last reel is known to survive.
Twinkletoes is a 1926 American silent romantic drama film directed by Charles Brabin and starring Colleen Moore. The film, as with most of Moore's vehicles at this time, was produced by her husband John McCormick with the couple distributing through Moore's resident studio First National. This film is one of Moore's surviving films from the late silent era and is available on DVD.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
The Ninety and Nine was a 1922 American silent drama film directed by David Smith and starring Colleen Moore made shortly before she gained fame as a film flapper. The film was presumed lost, although recently a 10 minute condensed 16 mm home movie version was discovered, and has since been released with a music score by Ben Model, in his latest compilation Accidentally Preserved No.4.
The Savage is a 1917 American silent drama film starring Colleen Moore and Monroe Salisbury that is set in Canada and was directed by Rupert Julian. The film is presumed to be lost.
Lucky Carson is a 1921 American silent drama film directed by Wilfrid North. It features Earle Williams, Earl Schenck, Betty Ross Clarke, Gertrude Astor, Collette Forbes, James Butler, and Loyal Underwood in the lead roles.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Charmer is a 1925 American silent drama film produced by Famous Players–Lasky and distributed by Paramount. It was directed by Sidney Olcott with Pola Negri in the leading role.
Look Your Best or The Bitterness of Sweets is a 1923 American comedy silent black and white film directed and written by Rupert Hughes. It stars Antonio Moreno and Colleen Moore.
The Desert Flower is a 1925 American silent Western film directed by Irving Cummings and written by June Mathis. It is based on the 1924 play The Desert Flower by Don Mullally. The film stars Colleen Moore, Lloyd Hughes, Kate Price, Gino Corrado, Fred Warren, and Frank Brownlee. The film was released on June 21, 1925, by First National Pictures.
Come on Over is a 1922 American comedy silent black and white film directed by Alfred E. Green and based on the stage musical by Rupert Hughes. It stars Colleen Moore. Its release beat The Wall Flower to the theaters and it was well received.
Seeing's Believing is a 1922 American silent comedy film directed by Harry Beaumont and starring Viola Dana, Allan Forrest, and Gertrude Astor.
