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James Shirley was an English dramatist.
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The Changes, or Love in a Maze is a Caroline era stage play, a comedy of manners written by James Shirley, first published in 1639. It was one of Shirley's most popular comedies, especially in the Restoration era. The play is almost universally known by its subtitle.
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All Fools is an early Jacobean era stage play, a comedy by George Chapman that was first published in 1605. The play has often been considered Chapman's highest achievement in comedy: "not only Chapman's most flawless, perfectly balanced play," but "also his most human and large-minded." "Chapman certainly wrote no comedy in which an ingenious and well-managed plot combined so harmoniously with personages so distinctly conceived and so cleverly and divertingly executed."
The English Moor, or the Mock Marriage is a Caroline era stage play, a comedy written by Richard Brome, noteworthy in its use of the stage device of blackface make-up. Registered in 1640, it was first printed in 1659, and, uniquely among the plays of Brome's canon, also survives in a manuscript version.
Pathomachia, or the Battle of Affections, also known as Love's Lodestone, is an early 17th-century play, first printed in 1630. It is an allegory that presents a range of problems to scholars of the drama of the Jacobean and Caroline eras.
Henrietta Maria of France was Queen of England, Scotland and Ireland from her marriage to King Charles I on 13 June 1625 until Charles was executed on 30 January 1649. She was mother of his sons Charles II and James II and VII. Contemporaneously, by a decree of her husband, she was known in England as 'Queen Mary', but she did not like this name and signed her letters "Henriette R" or "Henriette Marie R".
George Kirke was a Scottish-born courtier and Member of Parliament for Clitheroe.
References
- ↑ Arthur Huntingdon Nason, James Shirley, Dramatist: A Biographical and Critical Study, New York, Columbia University, 1915; pp. 41, 74-6 and ff.
- ↑ Alfred Harbage, "Shirley's The Wedding and the Marriage of Sir Kenelm Digby," Philological Quarterly 16 (1937), pp. 35-40.