William Allen (died 1647) was a prominent English actor in the Caroline era. He belonged to both of the most important theatre companies of his generation, Queen Henrietta's Men and the King's Men. [1]
Allen was a member of the Queen Henrietta's company through the main phase of its existence, from 1625 to 1636. Six cast lists for five plays survive for the company; Allen is one of only two men (the other being Michael Bowyer) who is included in all six lists. Allen played major roles:
The Queen Henrietta's company was disrupted and fractured by the long theatre closure from May 1636 to October 1637, due to a severe outbreak of bubonic plague. Allen was one of several members of the troupe who disappear from the surviving records in the later 1630s; he may have been among a quartet of Queen's actors who travelled to Dublin with James Shirley to work at the Werburgh Street Theatre there. [2]
Allen was certainly in London c. 1640, when he was one of the five former Queen's players who became actors and sharers in the King's Men around that time. Allen and the others were named Grooms of the Chamber in January 1641. [3] After the theatres were closed in September 1642at the start of the English Civil War, Allen, like several other members of the company (Charles Hart, Nicholas Burt, and William Robbins), became an officer in the Royalist army. Allen served as a "major and quartermaster-general at Oxford." [4] He was one of the ten King's Men who signed the dedication of the first Beaumont and Fletcher folio in 1647, the year of his death.
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
Michael Mohun was a leading English actor both before and after the 1642–60 closing of the theatres.
Charles Hart was a prominent British Restoration actor.
The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had their brief and disastrous flirtation with the crown of Bohemia.
Queen Henrietta's Men was an important playing company or troupe of actors in Caroline era in London. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men.
The King's Revels Men or King's Revels Company was a playing company or troupe of actors in seventeenth-century England. In the confusing theatre nomenclature of that era, it is sometimes called the second King's Revels Company, to distinguish it from an earlier troupe with the same title that was active in the 1607-9 period. Since the earlier group was a company of boy actors, they are alternatively referred to as the King's Revels Children, while the later troupe is termed the King's Revels Men.
The Renegado, or The Gentleman of Venice is a late Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630. The play has attracted critical attention for its treatment of cultural conflict between Christian Europe and Muslim North Africa.
Theophilus Bird, or Bourne, was a seventeenth-century English actor. Bird began his stage career in the Stuart era of English Renaissance theatre, and ended it in the Restoration period; he was one of the relatively few actors who managed to resume their careers after the eighteen-year enforced hiatus (1642–60) when the theatres were closed during the English Civil War and the Interregnum.
Andrew Pennycuicke was a mid-seventeenth-century actor and publisher; he was responsible for publishing a number of plays of English Renaissance drama.
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642. The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists.
Michael Bowyer (1599–1645) was an actor in English Renaissance theatre in the Jacobean and Caroline eras. He spent most of his maturity with Queen Henrietta's Men, but finished his career with the King's Men. With the former company, he was one of "those of principal note," according to James Wright's Historia Histrionica (1699), one of the troupe's "eminent actors."
King John and Matilda is a Caroline era stage play, a historical tragedy written by Robert Davenport. It was initially published in 1655; the cast list included in the first edition provides valuable information on some of the actors of English Renaissance theatre.
William Robbins, also Robins, Robinson, or Robson, was a prominent comic actor in the Jacobean and Caroline eras. During the English Civil War he was a captain in the Royalist army and was killed during the Siege of Basing House.
Hugh Clark was a prominent English actor of the Caroline era. He worked in both of the main theatre companies of his time, Queen Henrietta's Men and the King's Men.
Nicholas Burt, or Birt or Burght among other variants, was a prominent English actor of the seventeenth century. In a long career, he was perhaps best known as the first actor to play the role of Othello in the Restoration era.
Anthony Turner was a noted English actor in the Caroline era. For most of his career he worked with Queen Henrietta's Men, one of the leading theatre companies of the time.
William Wintershall, also Wintersall or Wintersell, was a noted seventeenth-century English actor. His career spanned the difficult years of mid-century, when English theatres were closed from 1642 to 1660, during the English Civil War and the Interregnum.
William Cartwright was an English actor of the seventeenth century, whose career spanned the Caroline era to the Restoration. He is sometimes known as William Cartwright, Junior or William Cartwright the younger to distinguish him from his father, another William Cartwright, an actor of the previous generation.
Timothy Read was a comic actor of the Caroline era, and one of the most famous and popular performers of his generation.
John Sumner was an English theatre actor during the Caroline era (1625–1642).