The White Chrysanthemum is an English musical in three acts by Arthur Anderson and Leedham Bantock, with lyrics by Anderson and music by Howard Talbot. First produced at the Tyne Theatre, Newcastle, 23 April 1904, it opened at the Criterion Theatre, produced by Frank Curzon and directed by Austen Hurgon, on 31 August 1905 and ran for 179 performances, closing on 10 February 1906. [1] The Japanese-themed musical starred Isabel Jay, Rutland Barrington, Lawrence Grossmith (a son of George Grossmith), and Henry Lytton. [2] Louie Pounds later joined the cast. The musical enjoyed various international productions including one at the Kings Theatre in Melbourne, Australia in 1917 starring Barry Lupino.[ citation needed ]
Sybil Cunningham loves Reggie Armitage of the Royal Navy. She has followed him from England to Japan partly to escape an unpleasant engagement in London. They have asked his father's consent to their marriage, and in the meantime, he has arranged for a modest house for her to stay in. His father the admiral, however, has decided that Reggie must marry a wealthy but vivacious American, Cornelia Vanderdecken. Sybil disguises herself as a Japanese girl and hides from Cornelia, and Reggie's friend, Chippy helps her keep up the pretense. But Sybil is distressed to see Reggie with Cornelia and runs away tearfully. Fortunately, Reggie's servant, Sin Chong, and Sybil's cousin, Betty, reveal the true situation to Sybil. In the end, Sybil returns to Reggie, Betty pairs off with Sir Horatio (who will agree to anything she wants), and Chippy lands Cornelia's heart.
The Cingalee, or Sunny Ceylon is a musical play in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. It opened at Daly's Theatre in London, managed by George Edwardes, on 5 March 1904 and ran until 11 March 1905 for a total of 365 performances. The musical had a short Broadway run, opening at the original Daly's Theatre in New York on 24 October 1904 and running for 33 performances.
Isabel Emily Jay was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company and in Edwardian musical comedies. During Jay's career, picture postcards were immensely popular, and Jay was photographed for over 400 different postcards.
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton, with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn. She poses as a famous foreign ballerina and rises to fame through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.
William Martin Green, known by his stage name, Martyn Green, was an English actor and singer. He is remembered for his performances and recordings as principal comedian of the D'Oyly Carte Opera Company, in the leading patter roles of the Gilbert & Sullivan comic operas in the 1930s and 1940s, and for his career in America from the 1950s to the 1970s.
His Majesty, or, The Court of Vingolia is an English comic opera in two acts with dialogue by F. C. Burnand, lyrics by R. C. Lehmann, additional lyrics by Adrian Ross and music by Alexander Mackenzie.
San Toy, or The Emperor's Own is a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899, and ran for 768 performances. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The cast included Marie Tempest, Scott Russell, Huntley Wright and Rutland Barrington.
The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp.
The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast. The show also enjoyed Broadway runs in 1902 and 1904 and toured internationally.
Sir Henry Lytton was an English actor and singer who was the leading exponent of the starring comic patter-baritone roles in Gilbert and Sullivan operas from 1909 to 1934. He also starred in musical comedies. His career with the D'Oyly Carte Opera Company spanned 50 years, and he is the only performer ever knighted for achievements in Gilbert and Sullivan roles.
Rutland Barrington was an English singer, actor, comedian and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage.
Rosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.
The Girls of Gottenberg is an Edwardian musical comedy in two acts by George Grossmith, Jr. and L. E. Berman, with lyrics by Adrian Ross and Basil Hood, and music by Ivan Caryll and Lionel Monckton. P. G. Wodehouse's personal papers indicate that he wrote the lyrics for one song, "Our Little Way", but this was not included in the libretto of show, and he was not credited as a lyricist.
The Spring Chicken is an Edwardian musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith.
The Sunshine Girl is an Edwardian musical comedy in two acts with a book by Paul A. Rubens and Cecil Raleigh, lyrics and music by Rubens and additional lyrics by Arthur Wimperis. The story involves a working girl who falls in love with the heir to the factory. He is in disguise and wants to be loved for himself, not his position, so he gets his friend to pose as the heir, leading to complications for both men.
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War.
Frederic Lewis Tuffley, better known by his stage name, Eric Lewis, was an English comedian, actor and singer. In a career spanning five decades, he starred in numerous comedies and in a few musical comedy hits, but he is probably best remembered today as the understudy to George Grossmith in the Gilbert & Sullivan comic operas of the 1880s who left the D'Oyly Carte Opera Company just in time to give Henry Lytton his big break.
Lawrence Randall Grossmith was an English actor, the son of the Gilbert and Sullivan performer George Grossmith and the brother of the actor-manager George Grossmith Jr.
Adrienne Adele Augarde was an English actress and singer popular for nearly a decade on both sides of the Atlantic Ocean, primarily for her roles in Edwardian musical comedy.
Austen Hurgon was an actor, singer, theatre director and librettist for several successful Edwardian musical comedies of the 1900s and 1910s.
Pickwick is an 1889 operetta in one act based on an episode in the 1836 novel The Pickwick Papers by Charles Dickens. The score was by Edward Solomon to lyrics by F. C. Burnand. It was one of three works written by the duo in collaboration, the others being Domestic Economy and The Tiger, both in 1890.