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Sig Arno was a German-Jewish film actor who appeared in such films as Pardon My Sarong and The Mummy's Hand. He may be best remembered from The Palm Beach Story (1942) as Toto, the nonsense-talking, mustachioed man who hopelessly pursues Mary Astor's Princess Centimillia.
Manon Lescaut is a 1926 silent German feature film based on the oft-filmed novel by Abbe Prevost. It stars Lya De Putti and was directed by Arthur Robison. It was produced and distributed by renowned German film company Universum Film AG better known as UFA. A young actress named Marlene Dietrich had a supporting role in this production. A set decorator on this film was the soon to be American Expatriate Paul Leni, who would find great success as a director in Hollywood. It was shot at the Babelsberg and Tempelhof Studios, both of which were controlled by UFA.
Vladimir Georgievich Gajdarov was a Russian film actor and star of Russian and German silent cinema.
Diana Karenne was a Polish film actress and director.
The Woman on the Rack is a 1928 German silent drama film directed by Robert Wiene and starring Lili Damita, Vladimir Gajdarov, and Johannes Riemann. It was also known by the alternative title A Scandal in Paris. It was based on a British play by Edward Hemmerde and Francis Neilson. The wife of a British aristocratic politician, who is neglected by her husband, resists an attempt to break them up. When her husband discovers what he mistakenly believes to be a dalliance with another man he begins divorce proceedings. Eventually the truth comes out and the couple reconcile. The film was not considered one of Wiene's greatest achievements, but he was praised for directing with his usual competence while Damita's performance as Lady Admaston was hailed.
Vienna, City of Song is a 1930 German musical comedy film directed by Richard Oswald and starring Charlotte Ander, Paul Morgan and Igo Sym. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Franz Schroedter.
Night Convoy is a 1932 German drama film directed by James Bauer and starring Vladimir Gajdarov, Olga Tschechowa and Oskar Homolka. It was shot at the Babelsberg Studios in Berlin and on location in Hamburg. The film's sets were designed by the art directors Willi Herrmann and Herbert O. Phillips. It premiered on 21 January 1932.
The Girl with the Whip is a 1929 German silent comedy film directed by Carl Lamac and starring Anny Ondra, Werner Fuetterer and Sig Arno. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter. It was based on a play by Hans H. Zerlett.
Poor as a Church Mouse is a 1931 German musical comedy film directed by Richard Oswald and starring Grete Mosheim, Anton Edthofer and Hans Thimig. It was based on the 1928 play A templom egere by Ladislas Fodor, which has been turned into several films including the 1934 British comedy The Church Mouse. The film's art direction was overseen by Franz Schroedter. It premiered at the Gloria-Palast in Berlin.
Die zärtlichen Verwandten is a 1930 German comedy film directed by Richard Oswald and starring Harald Paulsen, Charlotte Ander, and Felix Bressart. The film's art direction was overseen by Franz Schroedter.
The Transformation of Dr. Bessel is a 1927 German silent film directed by Richard Oswald and starring Jakob Tiedtke, Sophie Pagay and Hans Stüwe. The film was based on a novel by Ludwig Wolff. It premiered at the Ufa-Palast am Zoo. It has thematic similarities with Ernst Lubitsch's 1932 film The Man I Killed. Whereas that film featured a French soldier partially assuming the identity of a dead German, in Oswald's film a German is able to survive by pretending to be French.
The Third Squadron is a 1926 German silent war film directed by Carl Wilhelm and starring Fritz Spira, Eugen Burg, and Reinhold Häussermann. It was shot at the EFA Studios in Berlin and on location in Vienna. The film's art direction was by Otto Erdmann and Hans Sohnle. It was based on a play by Bernhard Buchbinder.
The Lady with the Mask is a 1928 German silent film directed by Wilhelm Thiele and starring Max Gülstorff, Arlette Marchal and Vladimir Gajdarov. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski.
In der Heimat, da gibt's ein Wiedersehn! is a 1926 German silent film directed by Leo Mittler and Reinhold Schünzel. It shares its name with a popular song title.
Circus Romanelli is a 1926 German silent comedy film directed by Georg Jacoby and starring Reinhold Schünzel, Claire Rommer and Victor Janson.
Annemarie and Her Cavalryman is a 1926 German silent film directed by Erich Eriksen and starring Colette Brettel, Sig Arno, and Hans Junkermann.
Retreat on the Rhine is a 1930 German musical comedy film directed by Jaap Speyer and starring Charlotte Susa, Hans Stüwe, and Hermann Böttcher. It was made as an operetta film which emerged as a popular genre following the arrival of sound film.
The Widow's Ball is a 1930 German comedy film directed by Georg Jacoby and starring Lucie Englisch, Fritz Kampers, and Sig Arno.
Upstairs and Downstairs is a 1925 German silent film directed by Richard Oswald and Carl Wilhelm and starring Max Adalbert, Mary Kid and Valeska Stock.
Cock of the Roost is a 1925 German silent comedy film directed by Georg Jacoby and starring Reinhold Schünzel, Elga Brink and Maly Delschaft. The film's sets were designed by the art director Walter Reimann.
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- ↑ Kasten & Loacker p.553
