| The Wold Shadow | |
|---|---|
 An image from The Wold Shadow | |
| Directed by | Stan Brakhage |
Release date |
|
Running time | 2 ½ minutes |
| Country | United States |
| Language | English |
The Wold Shadow is an experimental short film by Stan Brakhage, produced in 1972.
| The Wold Shadow | |
|---|---|
| An image from The Wold Shadow | |
| Directed by | Stan Brakhage |
Release date |
|
Running time | 2 ½ minutes |
| Country | United States |
| Language | English |
The Wold Shadow is an experimental short film by Stan Brakhage, produced in 1972.
The Wold Shadow was inspired when Stan Brakhage, while walking through a forest, had a vision of an anthropomorphic shadow. [1] The experience led him to film a homage to the "god of the forest." [1] The Wold Shadow was produced by placing glass on an easel between his camera and the forest. Between each individual frame, Brakhage painted on the glass, before repeating this process. [1] [2] Production of The Wold Shadow took a full day. [1] Brakhage credits the film with reigniting his interest in painting, [3] and described his choice of title as follows:
"Wold" because the word refers to "forests" which poets later made "plains" and because the work also contains the rustic sense "to kill" - this then my laboriously painted vision of the god of the forest. [4]
Martin Rumsby cites The Wold Shadow as a rare instance of Brakhage attempting a work of structural cinema in Senses of Cinema . [1] He nevertheless acknowledges that the film is more "romantic" than most structural films, in that Brakhage is "trying to capture or evoke something mysterious and unknowable." [1] P. Adams Sitney considers The Wold Shadow a continuation of themes expressed in the poetry of Ezra Pound. [5]
James Stanley Brakhage was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Lawrence Jordan is an American independent filmmaker who is most widely known for his animated collage films. He was a founding member of the Canyon Cinema Cooperative and the Camera Obscura Film Society.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s.
Wavelength is a 1967 Canadian-American short subject by experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."
Marie Menken was an American experimental filmmaker, painter, and socialite. She was noted for her unique filming style that incorporated collage. She was one of the first New York filmmakers to use a hand-held camera and trained Andy Warhol on its use. Her film Glimpse of the Garden was selected for preservation in the National Film Registry by the Library of Congress.
Mothlight is an experimental short film by Stan Brakhage, released in 1963. The film was created without the use of a camera.
Thigh Line Lyre Triangular is an experimental short film by Stan Brakhage, released in 1961, which depicts the birth of the director's third child, a daughter named Neowyn. The film, which involves painting and hand-scratching over photographic images, is more abstract than the director's earlier Window Water Baby Moving, which documented the birth of Brakhage's first-born, Myrrenna.
Eye Myth is an experimental short film by Stan Brakhage, produced in 1967. The film has a running time of only nine seconds, but took about a year to produce.
Cat's Cradle is an experimental short film by Stan Brakhage, produced in 1959. The film was described by Brakhage as "sexual witchcraft involving two couples and a 'medium' cat."
The Dante Quartet is an experimental short film by Stan Brakhage, completed in 1987. The film was inspired by Dante's Divine Comedy, and took six years to produce.
The Garden of Earthly Delights is an experimental short film by Stan Brakhage, released in 1981. The film was partly inspired by Hieronymus Bosch’s painting of the same name.
I... Dreaming is an experimental short film by Stan Brakhage, released in 1988. The film features a soundtrack of Stephen Foster songs, composed by Joel Haertling.
Commingled Containers is an experimental short film by Stan Brakhage, produced in 1997.
Massimo Bacigalupo is an experimental filmmaker, scholar, and translator of poetry, essayist and literary critic. He was a founding member of the Cooperative of Independent Filmmakers in Rome. As a filmmaker of the Italian Independent Cinema, he was influenced by the New American Cinema.
The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".
Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.
The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.
Blue Moses is a 1962 American experimental film directed by Stan Brakhage, starring Robert Benson.
Sirius Remembered is a 1959 American experimental short film directed by Stan Brakhage. It captures the gradual decomposition of the corpse of Sirius, the Brakhage family's dog, over the course of several months.
