The Dante Quartet

Last updated

The Dante Quartet
Dante Quartet.png
A hand-painted image from The Dante Quartet
Directed by Stan Brakhage
Release date
  • 1987 (1987)
Running time
8 minutes
CountryUnited States
LanguageSilent

The Dante Quartet is an experimental short film by Stan Brakhage, completed in 1987. The film was inspired by Dante's Divine Comedy , and took six years to produce. [1] [2]

Contents

Production

The Dante Quartet was inspired by Brakhage's interest in Dante's Divine Comedy , which he had first encountered in high school at the suggestion of his English professor. [3] In the years since, Brakhage had read almost every English translation of the poem that he could find. [3]

Then comes a moment when suddenly I can't handle the language anymore, like I can't read one more translation of The Divine Comedy, and suddenly I realize it's in my eyes all the time, that I have a vision of Hell, I have even more necessary kind of a way of getting out of Hell, kind of a springboard in my thinking, closing my eyes and thinking what I'm seeing [...] and also purgation, that I can go through the stages of purging the self, of trying to become pure, free of these ghastly visions, and then there is something that's as close to Heaven as I would hope to aspire to, which I call "existence is song." And that all of that was in my eyes all the time, backfiring all these years [...] It's lovely that I can have the language, but I also have a visual corollary of it, but that is a story. [3]

The Dante Quartet took six years to produce. [1] [2] The eight-minute silent film was created by painting images directly onto the film, [4] though he often worked with previously photographed material that was then scraped away or otherwise manipulated. [3] The paint was applied very thickly onto the film, up to half an inch thick. [5] The Dante Quartet was originally painted on IMAX and Cinemascope 70mm and 35mm film; however, it has since been rephotographed onto 35mm and 16mm formats, [1] in which it is now most commonly screened. [3]

The Dante Quartet is divided into four parts, titled Hell Itself, Hell Spit Flexion, Purgation and existence is song, respectively. [6] Brakhage described the sections as follows:

I made Hell Itself during the breakup with Jane [Brakhage] and the collapse of my whole life, so I got to know quite well the streaming of the hypnagogic that’s hellish. Now the body can not only feed back its sense of being in hell but also its getting out of hell, and Hell Spit Flexion shows the way out – it’s there as crowbar to lift one out of hell toward the transformatory state – purgatory. And finally there’s a fourth state that’s fleeting. I’ve called the last part existence is song quoting Rilke, [notes 1] because I don’t want to presume upon the after-life and call it “Heaven.” [6]

Reception

Bart Testa praised the "radical daring" of Brakhage's filmmaking, and wrote that The Dante Quartet "condenses into eight visionary minutes what unfolded as great epic. This is the myth of Brakhage's aesthetic brought to bear." [7] Adrian Danks, writing for Senses of Cinema , described the film as offering "an obscure, off-centre and idiosyncratic perspective that is difficult to conceive – at least initially – as anything other than a glorious celebration of the experiential and material possibilities of film stock and projected light." [8]

In 2023, IndieWire ranked the film one of the 100 best films of the 1980s, with critic Samantha Bergeson writing, "That its production required a longer dedication of time and effort from Brakhage than shooting Apocalypse Now in croc-infested waters required from Francis Ford Coppola or dragging a boat over a mountain for Fitzcarraldo did from Werner Herzog only adds to the sense of beholding an artist's magnum opus." [9]

Notes

  1. The title existence is song is specifically taken from Rainer Maria Rilke's Sonnets to Orpheus I,3 , though the phrase appears only in the reversed form, "song is existence" (Gesang ist Dasein). [6]

Related Research Articles

<i>Divine Comedy</i> Italian narrative poem by Dante Alighieri

The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

<span class="mw-page-title-main">Stan Brakhage</span> American filmmaker and writer (1933–2003)

James Stanley Brakhage was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.

<i>Purgatorio</i> Second part of Dantes Divine Comedy

Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil – except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.

<span class="mw-page-title-main">Joe Dante</span> American filmmaker (born 1946)

Joseph James Dante Jr. is an American filmmaker, producer, editor and actor. His films—notably Gremlins (1984) alongside its sequel, Gremlins 2: The New Batch (1990)—often mix the 1950s-style B movie genre with 1960s radicalism and cartoon comedy.

<span class="mw-page-title-main">Paul Bartel</span> American actor and director (1938–2000)

Paul Bartel was an American actor, writer and director. He was perhaps most known for his 1982 hit black comedy Eating Raoul, which he co-wrote, starred in and directed.

<span class="mw-page-title-main">Pablo's Inferno</span> Comics character

Pablo's Inferno is a five-issue indie comic limited series created and produced by Rhode Montijo. The comic owes its title to Inferno, the first cantica of Dante Alighieri's Divine Comedy, and according to Montijo is something of a parody:

My friend Dan Chapman, and I, just brainstormed. He knew that I liked to draw monsters, so we came up with the idea of what if there was a little kid who went to hell...just an excuse to draw monsters...it’s kind of like a parody of “Dante’s Inferno." We ripped on the title and made it a comedic “Dante’s Inferno.

<i>Divine Comedy</i> in popular culture

The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.

<span class="mw-page-title-main">Dante's Satan</span> Satan in Dantes Inferno

In Dante's Inferno, Satan is portrayed as a giant demon, frozen up to the waist in ice at the center of Hell. Satan has three faces and a pair of bat-like wings affixed under each chin. As Satan beats his wings, he creates a cold wind that continues to freeze the ice surrounding him and the other sinners in the Ninth Circle. The winds he creates are felt throughout the other circles of Hell. In his three mouths, he chews on Judas Iscariot, Marcus Junius Brutus and Gaius Cassius Longinus. Scholars consider Satan to be "a once splendid being from whom all personality has now drained away". Satan, also known as Lucifer, was formerly the Angel of Light and once tried to usurp the power of God. As punishment, God banished Satan out of Heaven to an eternity in Hell as the ultimate sinner. Dante illustrates a less powerful Satan than most standard depictions; he is slobbering, wordless, and receives the same punishments in Hell as the rest of the sinners. In the text, Dante vividly illustrates Satan's grotesque physical attributes.

Reginaldo degli Scrovegni was a Paduan nobleman of the Guelph faction who lived in the early 14th century around the time of Giotto and Dante. He is best known for being cited as a usurer by Dante in the Divine Comedy, and

to be the father of Enrico degli Scrovegni, who commissioned the famous Arena Chapel painted by Giotto.

Ciappo Ubriachi was a Florentine nobleman who lived in the late 13th century around the time of Giotto and Dante. In the Florentine Guelph-Ghibelline conflict, his family was a Ghibelline. He is best known for being a wicked usurer according to Dante in the Divine Comedy.

Vitaliano di Iacopo Vitaliani was a Paduan nobleman who lived in the late 13th century around the time of Giotto and Dante. He is best known for being a wicked usurer according to Dante in the Divine Comedy.

Indiewood films are made outside of the Hollywood studio system or traditional arthouse/independent filmmaking system yet managed to be produced, financed and distributed by the two with varying degrees of success and/or failure.

<i>Mothlight</i> 1963 American film

Mothlight is an experimental short film by Stan Brakhage, released in 1963. The film was created without the use of a camera.

Thigh Line Lyre Triangular is an experimental short film by Stan Brakhage, released in 1961, which depicts the birth of the director's third child, a daughter named Neowyn. The film, which involves painting and hand-scratching over photographic images, is more abstract than the director's earlier Window Water Baby Moving, which documented the birth of Brakhage's first-born, Myrrenna.

Eye Myth is an experimental short film by Stan Brakhage, produced in 1967. The film has a running time of only nine seconds, but took about a year to produce.

The Film-Makers' Cooperative is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.

<i>The Garden of Earthly Delights</i> (1981 film) 1981 American film

The Garden of Earthly Delights is an experimental short film by Stan Brakhage, released in 1981. The film was partly inspired by Hieronymus Bosch’s painting of the same name.

<i>I... Dreaming</i> 1988 American film

I... Dreaming is an experimental short film by Stan Brakhage, released in 1988. The film features a soundtrack of Stephen Foster songs, composed by Joel Haertling.

<span class="mw-page-title-main">Jane Wodening</span> American writer

Mary Jane Wodening was an American artist and writer. She is best known for her collaborations with experimental filmmaker Stan Brakhage, to whom she was married from 1957 until 1987. During this period, she was known as Jane Brakhage. Wodening featured in Brakhage's short film Window Water Baby Moving, in which her husband filmed her giving birth.

Minimalist cinema is related to the art and philosophy of minimalism.

References

  1. 1 2 3 The Dante Quartet Canyon Cinema: Film, Accessed February 13, 2011
  2. 1 2 By Brakhage: An Anthology, Volume 1, DVD menu
  3. 1 2 3 4 5 Commentary by Stan Brakhage on By Brakhage: An Anthology, Volume 1, taken from 2002 interview with Bruce Kawin
  4. Inez Hedges (2005) Framing Faust: twentieth-century cultural struggles, SIU Press, p135
  5. MacDonald, Scott (2005) A critical cinema: interviews with independent filmmakers, p102
  6. 1 2 3 James, David E. (2005) Stan Brakhage: filmmaker, Temple University Press, p92
  7. Testa, Bart (2004) "Dante and Cinema: Film Across a Chasm," Dante, cinema, and television, University of Toronto Press, p194
  8. "Across the Universe: Stan Brakhage’s The Dante Quartet (2004)" by Adrian Danks Senses of Cinema, CTEQ Annotations, June 2004 – accessed 13 February 17, 2011
  9. "The 100 Best Movies of the '80s" by IndieWire Staff IndieWire, August 14, 2023 – accessed August 14, 2023