Divine Comedy in popular culture

Last updated

Rosa Celeste: Gustave Dore's illustration for Paradiso Canto 31, where Dante and Beatrice gaze upon the highest Heaven, The Empyrean Paradiso Canto 31.jpg
Rosa Celeste: Gustave Doré's illustration for Paradiso Canto 31, where Dante and Beatrice gaze upon the highest Heaven, The Empyrean

The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.

Contents

The Divine Comedy (Italian : Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. Divided into three parts: Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Heaven), it is widely considered the pre-eminent work in Italian literature [1] and one of the greatest works of world literature. [2] The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Catholic Church by the 14th century. It helped to establish the Tuscan language, in which it is written, as the standardized Italian language. [3]

Literature

Medieval

Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence Way-of-salvation-church-militant-triumphant-andrea-di-bonaiuto-1365.jpg
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence

Early Modern

Nineteenth century

Dante appears in Honore de Balzac's 1831 novel Les Proscrits BalzacExiles01.jpg
Dante appears in Honoré de Balzac's 1831 novel Les Proscrits

Twentieth century

Twenty-first century

Visual arts

Sculpture

Auguste Rodin's sculpture The Gates of Hell, Musee Rodin Zurich - Kunsthaus - Rodin's Hollentor IMG 7384 ShiftN.jpg
Auguste Rodin's sculpture The Gates of Hell , Musée Rodin

Illustrations

Painting

Architecture

Performing arts

Dance

Opera

Sergei Rachmaninoff with members of the premiere cast of his opera Francesca da Rimini in 1906 Rachmaninov Francesca da Rimini.jpg
Sergei Rachmaninoff with members of the premiere cast of his opera Francesca da Rimini in 1906

Classical music

The first of three themes in Liszt's Dante Symphony for the Gates of Hell. It begins in D minor and ends ambiguously on G#, a tritone higher. Lisztdantesymphony01.png
The first of three themes in Liszt's Dante Symphony for the Gates of Hell. It begins in D minor and ends ambiguously on G♯, a tritone higher.

By 1995, the Divine Comedy had been set to music over 120 times; Gioacchino Rossini created two such settings. Only 8 of the settings are of the complete Commedia, "the most famous" [67] being Liszt's symphony; others have composed music for some of Dante's characters, while yet others have set passages of the Commedia to music. [67]

Radio

Film

L'Inferno (1911) L'Inferno 1911 film.jpg
L'Inferno (1911)

Graphic media

Animations, comics and graphic novels

Dave Sim's Cerebus in Hell satirically utilizes Gustave Dore's engravings for the Divine Comedy, such as this one of Dante and Virgil in the Inferno, as backgrounds. Gustave Dore Inferno25.jpg
Dave Sim's Cerebus in Hell satirically utilizes Gustave Doré's engravings for the Divine Comedy, such as this one of Dante and Virgil in the Inferno, as backgrounds.

Video games

Tabletop role-playing games

Several aspects of the Divine Comedy could have influenced many tabletop role-playing games: visiting ordered parallel worlds on a planar crawl, a gamified progression by trials and levels towards salvation, or using deciphered symbolism to acquire knowledge that gives more power to characters. [117]

Web Originals

Notes

  1. For example, Encyclopedia Americana, 2006, Vol. 30. p. 605
  2. Bloom, Harold (1994). The Western Canon . Harcourt Brace. ISBN   9780151957477.
  3. See Lepschy, Laura; Lepschy, Giulio (1977). The Italian Language Today. or any other history of Italian language.
  4. Havely, Nick (2007). Dante. Blackwell. p. 213. ISBN   978-0-631-22852-3.
  5. All Chaucer references in David Wallace, "Dante in English," in Jacoff, Rachel (1993). The Cambridge Companion to Dante. Cambridge University Press. pp.  237–258. ISBN   978-0-521-42742-5.
  6. Benson, Larry D. (1987). The Riverside Chaucer. Houghton Mifflin. pp.  1058. ISBN   0-395-29031-7.
  7. All Milton references in David Wallace, "Dante in English," in Jacoff, Rachel (1993). The Cambridge Companion to Dante. Cambridge University Press. pp.  237–58. ISBN   0-521-42742-8. 241–244.
  8. Robb, Graham. Balzac: A Life. New York: Norton, 1996. P. 330.
  9. Axelrod, Steven Gould; Camille Roman; Thomas J. Travisano (2003). The New Anthology of American Poetry: Traditions and Revolutions, Beginnings to 1900. Rutgers UP. p. 231. ISBN   978-0-8135-3162-5.
  10. Gary Scharnhorst, "Henry Wadsworth Longfellow (1807–1882)," in Haralson, Eric L.; John Hollander (1998). Encyclopedia of American Poetry: The Nineteenth Century. Taylor & Francis. pp. 265–69. ISBN   978-1-57958-008-7. p. 269.
  11. "Preface to the first edition"; Marx, Karl; Ben Fowkes; Ernest Mandel; David Fernbach (1976). Capital: A Critique of Political Economy. Penguin Classics. p. 93. ISBN   978-0-14-044568-8.
  12. Strikha, Maksym V. (2013). "Dante in Ukrainian literature" (PDF). Scientific Horizons. 1 (1): 45–51. doi:10.3116/20775679/14/1/45/2013.
  13. Forster, E.M. (2008). Where Angels Fear to Tread. BiblioBazaar. p. 50. ISBN   978-0-554-68727-8.
  14. Summers, Claude J. (1987). E.M. Forster. Frederick Ungar A Book. pp.  35. ISBN   978-0-8044-6893-0.
  15. Fowlie, Wallace (1981). A Reading of Dante's Inferno. Chicago: U of Chicago P. p. 174. ISBN   978-0-226-25888-1.
  16. 1 2 3 4 5 Havely, Nick (2007). Dante. Blackwell. p. 222. ISBN   978-0-631-22852-3.
  17. Beckett, Samuel (1972). Our Exagmination Round His Factification for Incamination of Work in Progress. New Directions. ISBN   978-0-811-20446-0.
  18. Tarancı, Cahit Sıtkı (2015). Otuz Beş Yaş. Can Publications. ISBN   978-9755100173.
  19. Schwarz, Daniel R. (2000). Imagining the Holocaust. Macmillan. pp. 84–85. ISBN   978-0-312-23301-3.
  20. Asals, Frederick (1997). The Making of Malcolm Lowry's Under the Volcano. U of Georgia P. pp. 202, 231–232. ISBN   978-0-8203-1826-4.
  21. Marechal, Leopoldo (2014). Adam Buenosayres. McGill-Queen's University Press. pp. 393–618. ISBN   9780773543096.
  22. Menocal, Maria Rosa (1991). Writing in Dante's Cult of Truth: From Borges to Boccaccio. Duke University Press. p. 132. ISBN   978-0-8223-1117-1.
  23. Borges, Jorge Luis; Mildred Boyer; Harold Morland; Miguel Enguídanos (1985). Dreamtigers. University of Texas Press. pp. 43, 50. ISBN   978-0-292-71549-3.
  24. Ward, Philip (1978). The Oxford Companion to Spanish Literature. Clarendon Press. p. 265. ISBN   978-0-19-866114-6.
  25. The First Circle by Aleksandr Solzhenitsyn . Retrieved 29 December 2021 via LibraryThing.
  26. Vendler, Helen (1979-05-03). "James Merrill's Myth: An Interview". The New York Review of Books . 26 (7). New York.
  27. David Wallace, "Dante in English," in Jacoff, Rachel (1993). The Cambridge Companion to Dante. Cambridge: Cambridge University Press. pp.  237–58. ISBN   0-521-42742-8. 255.
  28. Niven, Larry; Pournelle, Jerry (2008). Inferno. Macmillan. p. 236. ISBN   978-0-7653-1676-9.
  29. David Wallace, "Dante in English," in Jacoff, Rachel (1993). The Cambridge Companion to Dante. Cambridge: Cambridge UP. pp.  237–58. ISBN   0-521-42742-8.
  30. Anderson, Kristine J. (1994). "Lesbianizing English: Wittig and Zeig Translate Utopia". L'Esprit Créateur. 34 (4): 90–102. doi:10.1353/esp.1994.0048. JSTOR   26287426. S2CID   164412541.
  31. Rogers, Mark E. (1998). Samurai Cat Goes to Hell. Macmillan. p. 66. ISBN   978-0-312-86642-6.
  32. Havely, Nick (2007). Dante. Blackwell. p. 224. ISBN   978-0-631-22852-3.
  33. Heaney, Seamus (21 December 1999). "A Dream of Solstice". The Irish Times . Retrieved 29 December 2021.
  34. 1 2 Havely, Nick (2007). Dante. Blackwell. p. 225. ISBN   978-0-631-22852-3.
  35. "Inferno by Peter Weiss". The Complete Review. 2008. Retrieved 2009-02-08.
  36. Fernando Castanedo (2006). "Dante en Burgos (1936)". El País. El País, 21 January 2006. Retrieved 3 February 2015.
  37. Picoult, Jodi (2006-03-17). "Book 13: The Tenth Circle" . Retrieved 2009-02-08.
  38. Wisniewski, Mary (2007-11-04). "'Master' class; Chicago actor gives readers a delightful romp through the backstory of Romeo & Juliet". Chicago Sun-Times . p. B9.
  39. Alenthony, S.A. (2009). The Infernova. Blackburnian Press. ISBN   978-0-9819678-9-9.
  40. "How long can the rich and famous 'Gabriel's Inferno' author stay anonymous?". Macleans.ca. 2012-09-11. Retrieved 2023-07-06.
  41. Wolfe, Gary K. (9 April 2021). "Gary K. Wolfe Reviews Purgatory Mount by Adam Roberts". Locus . ISSN   0047-4959 . Retrieved 28 June 2023.
  42. 1 2 3 Le Normand-Romain, Antoinette (1999). Rodin:The Gates of Hell. Paris: Musée Rodin. ISBN   2-901428-69-X.
  43. Farrell, Jane (8 September 2021). "The Divine Comedy in sculpture: Timothy Schmalz". The Florentine .
  44. Biggs, Sarah (8 March 2013). "To Hell and Back: Dante and the Divine Comedy". British Library . Retrieved 30 December 2021.
  45. "Botticelli's Designs". Renaissance Dante in Print (1472–1629). Archived from the original on 2010-06-11. Retrieved 2010-04-14.
  46. "The Most Harrowing Paintings of Hell Inspired by Dante's Inferno". Dante Today. 26 September 2020. Retrieved 30 December 2021.
  47. "The World of Dante". www.worldofdante.org. Retrieved 30 December 2021.
  48. Flaxman, John (2007). "Introduction". Flaxman's Illustrations for Dante's Divine Comedy. Dover Publications. ISBN   978-0486455587.
  49. "William Blake's illustrations to Dante's Divine Comedy". Tate Gallery . Retrieved 30 December 2021.
  50. Roosevelt, Blanche (1885). Life and Reminiscences of Gustave Doré. New York: Cassell & Company. p. 215.
  51. "Franz von Bayros Illustrations". Syracuse University Libraries. Retrieved 30 December 2021.
  52. "The Divine Comedy – Salvador Dali".
  53. Fugelso, Karl (2011). "Tom Phillips' Dante". In Richard Utz; Elizabeth Emery (eds.). Cahier Calin: Makers of the Middle Ages. Essays in Honor of William Calin. Studies in Medievalism. Kalamazoo, Michigan: not stated. pp. 62–64.
  54. Honour, Hugh; Fleming, John (1982). A World History of Art. Macmillan. p. 487. ISBN   978-0-333-23583-6.
  55. Bellonzi, Fortunato (1970). "Koch, Joseph Anton". Treccani. Retrieved 30 December 2021.
  56. Andrews, Gail (2011). Birmingham Museum of Art: Guide to the Collection. D. Giles. pp. 222–223. ISBN   978-1904832775.
  57. "Dante Gabriel Rossetti [exhibition] 16 Oct 2003—18 Jan 2004". Liverpool Museums. Retrieved 30 December 2021.
  58. "'Dante and Beatrice', Henry Holiday, 1884". National Museums Liverpool. Archived from the original on 8 June 2010. Retrieved 6 June 2010.
  59. George, Jasmine (15 November 2020). "Selections from Graba''s 2003 Divina Commedia". Dante Today. Retrieved 29 December 2021.
  60. "2003 Divina Commedia (see the 3 tabs for Inferno, Purgatorio, Paradiso)". Graba.be. Retrieved 29 December 2021.
  61. "LUKE CHUEH : INFERNO". lukechueh.com. Retrieved 2023-08-01.
  62. "Restauran el Palacio Barolo, una joya de la arquitectura". Clarin.com. 2003-10-18. Retrieved 2009-01-22.
  63. Schumacher, Thomas L. (1983). Terragni e il Danteum 1938[Terragni and the Danteum 1938] (in Italian). Roma: Officina Edizioni. p. 21.
  64. 1 2 3 4 5 6 Crompton, Sarah (24 October 2021). "The Dante Project review – bold, beautiful and utterly engaging". The Observer . Retrieved 27 December 2021.
  65. "Abandon hope all ye who enter"
  66. Cf. Dante Alighieri, The Divine Comedy , "Purgatorio", Canto V, vv.130–136 "Pia de' Tolomei".
  67. 1 2 3 Roglieri, Maria Ann (1995). "From "le rime aspre e chiocce to la dolce sinfonia di Paradiso": Musical Settings of Dante's "Commedia"". Dante Studies (113): 175–208. JSTOR   40166513.
  68. Maria Ann Roglieri Dante and Music: Musical Adaptations of the Commedia 2001 "Benjamin Godard's Dante et Beatrice, like Carrer's opera, is a fantasy. Godard's work also features a full-blown romance between Dante and Beatrice but includes a slightly more coherent and comprehensive treatment of Dante's text"
  69. Girardi, Michele (2000). Puccini: His International Art. Chicago: Chicago University Press. pp. 416–417. ISBN   0-226-29757-8.
  70. Swed, Mark (20 June 2008). "'Commedia' is more than a little divine". Los Angeles Times . Retrieved 23 January 2017.
  71. Sandner, Wolfgang (29 June 2021). "Oper "Inferno" in Frankfurt : Klänge sichtbar machen". FAZ (in German). Retrieved 5 July 2021.
  72. Greenberg, Robert (7 November 2016). "Franz Liszt's Dante Symphony". Robert Greenberg Music.
  73. Hamilton, Kenneth (1996). Liszt: Sonata in B Minor . Cambridge University Press. pp.  19–20. ISBN   0-521-46963-5.
  74. Orlova, Alexandra (1990). Tchaikovsky: A Self-Portrait. Oxford University Press. p. 56. ISBN   978-0-13-601970-1.
  75. Sacred Pieces
  76. "La Divine Comédie – Henry Barraud". Dante Today. 24 August 2020. Retrieved 30 December 2021.
  77. "Louis Andriessen – La Commedia – Opera". boosey.com. Retrieved 2009-06-26.
  78. "Iced Earth re-record "Dante's Inferno" and give it away for free | The Official Iced Earth Website". Icedearth.com. September 5, 2011. Archived from the original on May 23, 2012. Retrieved October 29, 2011.
  79. Froese-Acquaye, Bianca. "Dante - the Electronic Opera by Tangerine Dream" . Retrieved 29 December 2021.
  80. Parrish, Peter (28 September 2004). "yelworC: Trinity: Metropolis, 2004". Stylus Magazine. Retrieved 28 December 2021.
  81. Huhn, Sebastian (25 October 2007). "yelworC - Icolation". Reflections of Darkness music magazine. Retrieved 28 December 2021.
  82. Roques, Alice (18 July 2015). "Interview: Symphony X". Rock Revolt. Retrieved 31 July 2015.
  83. Dare, Tom (12 August 2015). "Russell Allen on the spiritual journey of playing live with Symphony X". Metal Hammer . Team Rock. Retrieved 15 August 2015.
  84. Daw, Stephen (2022-05-12). "The Book of Ethel Cain: How the Alternative Phenom Built Up Her Own Reality Only to Tear It Down". Billboard. Retrieved 2023-12-27.
  85. "Inside Hozier's 'Unreal Unearth': How The Singer Flipped Dante's 'Inferno' & The Irish Language Into His Latest Album". grammy.com. Retrieved 22 October 2024.
  86. "Inferno Revisited: BBC Radio 4". BBC. 17 April 1983. Retrieved 27 December 2021.
  87. "Classic Serial: Dante Alighieri - The Divine Comedy". BBC Radio 4 . Retrieved 27 December 2021.
  88. Welle, John P. (2004). "Early Cinima, Dante's Inferno of 1911, and the Origins of Italian Film Culture". In Iannucci, Amilcare A. (ed.). Dante, Cinema, and Television. University of Toronto Press. pp. 36, 38–40. ISBN   0-8020-8827-9.
  89. Workman, Chris; Howarth, Troy (2016). Tome of terror horror films of the silent era (1895-1929. Baltimore: Midnight Marquee Press. p. 275. ISBN   978-1-936168-68-2. OCLC   1083765034.
  90. Taskale, Ali Raza (2016). Post-Politics in Context. Routledge. p. 59. ISBN   978-1-317-28249-5.
  91. "The Dante Quartet". Canyon Cinema. Retrieved 27 December 2021.
  92. "A TV Dante The Inferno: Cantos I-viii (1989)". British Film Institute. Archived from the original on December 28, 2021. Retrieved 28 December 2021.
  93. Ebert, Roger (18 October 2002). "Heaven". RogerEbert.com. Archived from the original on 10 October 2012. Retrieved 2 February 2015.
  94. Bradshaw, Peter (21 April 2006). "Hell (L'Enfer)". The Guardian . Retrieved 26 December 2017.
  95. Tambling, Jeremy (November 1999). "'We are Seven': Dante and the Serial Killer". Paragraph . 22 (3): 293–309. doi:10.3366/para.1999.22.3.293. JSTOR   43263574.
  96. Saiber, Arielle (15 September 2006). ""Hannibal" (Ridley Scott, 2001)". Dante Today. Retrieved 28 December 2021.
  97. Dargis, Manohla (2 October 2004). "A Godard Odyssey in Dante's Land". The New York Times . Retrieved 29 December 2021.
  98. Curt Holman (2007-04-18). "Skimming the cream of the Atlanta Film Festival crop". CreativeLoafing.com. Archived from the original on 2007-09-30. Retrieved 2007-08-26.
  99. Kevin Stewart (2007-04-15). "Atlanta Film Festival '07: Capsule Previews". CinemaATL.com. Archived from the original on 2007-09-29. Retrieved 2007-08-26.
  100. Kues, Sabine (12 September 2015). "VENICE 2015 Competition: Behemoth: The beast that is civilisation". Cineuropa . Retrieved 29 December 2021.
  101. Lodge, Guy (8 October 2016). "Film Review: 'Inferno'". Variety magazine. Retrieved 28 December 2021.
  102. Hayes, Britt (3 December 2018). "'The House That Jack Built' Spoiler Review: A Deep Dive Into 2018's Most Polarizing and Controversial Film". /Film . Archived from the original on 16 April 2020. Retrieved 29 December 2021.
  103. Parker, Sean (10 May 2022). "Friend of the World: The Divine Comedy of Body Horror". Horror Obsessive. Archived from the original on 11 May 2022.
  104. 1 2 MacDonald, Heidi (27 June 2016). "Exclusive: More on Cerebus in Hell? and The Beat's very own personalized Cerebus comic strip". Comics Beat. Retrieved 29 December 2021.
  105. Prisco, Francesco (April 27, 2007). "Go Nagai, il padre di Goldrake: "Devilman? E' figlio del Lucifero di Dante"" [Go Nagai, the father of Goldrake: "Devilman? The son of Dante's Lucifer"]. Il Sole 24 Ore (in Italian). [https:w.ilsole24ore.com/art/SoleOnLine4/Tempo%20libero%20e%20Cultura/2007/04/intervista-nagai-prisco.shtml0Cultura/2007/04/intervista-nagai-prisco.shtml Archived] from the original on April 18, 2017. Retrieved April 18, 2017.{{cite web}}: Check |archive-url= value (help)
  106. Israel, D. N. "Ty Templeton, "Stig's Inferno" (1980s)" . Retrieved 29 December 2021.
  107. Templeton, Ty. "Stig's Inferno". Ty Templeton. Retrieved 29 December 2021. The entire series is now available free online.
  108. Archived 2006-09-10 at the Wayback Machine
  109. "The Sandman and Dante's Inferno". Dante Today. 26 August 2020. Retrieved 30 December 2021.
  110. "Osprey Journal". 2021-12-30. Archived from the original on 2021-12-30. Retrieved 2023-08-01.
  111. El Infierno in La Página Escarolitrópica Gmnésica De Superlópez (in Spanish)]
  112. Lanzara, Joseph (2012). Dante's Inferno: The Graphic Novel. New Arts Libra. ISBN   978-0-9639621-1-9.
  113. "Over the Garden Wall (2014) - Dante Today - Citings & Sightings of Dante's Works in Contemporary Culture". 2022-12-06. Archived from the original on 2022-12-06. Retrieved 2023-08-01.
  114. Cassel, Benoît (21 January 2023). "L'Enfer de Dante". PlanèteBD (in French). Retrieved 23 September 2024.
  115. Kiyohide Ino (November 1992). "BASIC Magazine News". Micom BASIC Magazine  [ ja ] (in Japanese). No. 125. The Dempa Shimbunsha Corporation. p. 209. Retrieved 2022-10-03.
  116. "Dante's Inferno #1". dccomics.com. DC Entertainment. December 2009. Retrieved 2018-10-25.
  117. 1 2 Martinolli, Pascal (10 September 2021). "Dante's Inferno in tabletop role-playing games". ZOtRPG !. Retrieved 9 February 2022.
  118. Gygax, Gary (1977). "Planes: The Concepts of Spatial, Temporal and Physical Relationships in D&D". Dragon magazine. No. 8. p. 4.
  119. Gygax, Gary (1977). Advanced Dungeons & Dragons Monster Manual. TSR Games. p. 22. ISBN   0-935696-00-8.
  120. "Inferno | Acheron Games - MADE IN ITALY. SHARED WORLDWIDE". Acheron Games - MADE IN ITALY. SHARED WORLDWIDE. Retrieved 2023-08-01.
  121. "Experiment Log 261 Ad De - SCP Foundation". The SCP Foundation. Retrieved 2023-07-19.

Related Research Articles

<span class="mw-page-title-main">Dante Alighieri</span> Italian poet, writer, and philosopher (1265–1321)

Dante Alighieri, widely known mononymously as Dante, was an Italian poet, writer, and philosopher. His Divine Comedy, originally called Comedìa and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.

<i>Divine Comedy</i> Italian narrative poem by Dante Alighieri

The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

Allen Mandelbaum was an American professor of literature and the humanities, poet, and translator from Classical Greek, Latin and Italian. His translations of classic works gained him numerous awards in Italy and the United States.

<span class="mw-page-title-main">Beatrice Portinari</span> Dantes muse (1265-1290)

Beatrice "Bice" di Folco Portinari was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy, Paradiso, and during the conclusion of the preceding Purgatorio. In the Comedy, Beatrice symbolises divine grace and theology.

<i>Purgatorio</i> Second part of Dantes Divine Comedy

Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil—except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love—either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.

Dolce Stil Novo is the name given to a literary movement in 13th and 14th century Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Divine Love. The name Dolce Stil Novo was used for the first time by Dante Alighieri in Purgatorio, the second canticle of the Divina Commedia. In the Divina Commedia Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a stil novo.

<i>Contrapasso</i> Method of infernal punishment

In Dante's Inferno, contrapasso is the punishment of souls "by a process either resembling or contrasting with the sin itself." A similar process occurs in the Purgatorio.

<span class="mw-page-title-main">Belacqua</span> Minor character in Dantes Purgatorio discussed extensively by Samuel Beckett

Belacqua is a minor character in Dante Alighieri's Purgatorio, Canto IV. He is considered the epitome of indolence and laziness, but he is nonetheless saved from the punishment of Hell in Inferno and often viewed as a comic element in the poem for his wit. The relevance of Belacqua is also driven by Samuel Beckett's strong interest in this character.

<span class="mw-page-title-main">Nino Visconti</span> Judge in Gallura (pre-state Italy)

Ugolino Visconti, better known as Nino, was the Giudice of Gallura from 1275 or 1276 to his death. He was a son of Giovanni Visconti and grandson of Ugolino della Gherardesca. He was the first husband of Beatrice d'Este, daughter of Obizzo II d'Este. His symbol was a cock.

<i>Paradiso</i> (Dante) Third part of Dantes Divine Comedy

Paradiso is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.

<i>Dantes Hell Animated</i> 2013 American film

Dante's Hell Animated is a 2013 American animated short film produced and directed by Boris Acosta.

Casella (<i>Divine Comedy</i>) 13th-century Italian composer

Casella was an Italian composer and singer, none of whose works have survived.

<i>Divine Comedy Illustrated by Botticelli</i> Manuscript of Dantes Divine Comedy illustrated by Sandro Botticelli

The Divine Comedy Illustrated by Botticelli is a manuscript of the Divine Comedy by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter. The images are mostly not taken beyond silverpoint drawings, many worked over in ink, but four pages are fully coloured. The manuscript eventually disappeared and most of it was rediscovered in the late nineteenth century, having been detected in the collection of the Duke of Hamilton by Gustav Friedrich Waagen, with a few other pages being found in the Vatican Library. Botticelli had earlier produced drawings, now lost, to be turned into engravings for a printed edition, although only the first nineteen of the hundred cantos were illustrated.

<span class="mw-page-title-main">Matelda</span> Literary character

Matelda, anglicized as Matilda in some translations, is a minor character in Dante Alighieri's Purgatorio, the second canticle of the Divine Comedy. She is present in the final six cantos of the canticle, but is unnamed until Canto XXXIII. While Dante makes Matelda's function as a baptizer in the Earthly Paradise clear, commentators have disagreed about what historical figure she is intended to represent, if any.

<span class="mw-page-title-main">Beatrice d'Este (1268–1334)</span> Italian noblewoman

Beatrice d’Este was an Italian noblewoman, now primarily known for Dante Alighieri's allusion to her in Purgatorio, the second canticle of the Divine Comedy. Through her first marriage to Nino Visconti, she was judge (giudichessa) of Gallura, and through her second marriage to Galeazzo I Visconti, following Nino’s death, lady of Milan.

<span class="mw-page-title-main">First circle of hell</span> As depicted in Dantes Inferno

The first circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of hell ordered into nine circles corresponding to classifications of sin. The first circle is Limbo, the space reserved for those souls who died before baptism and for those who hail from non-Christian cultures. They live eternally in a castle set on a verdant landscape, but forever removed from heaven.

<span class="mw-page-title-main">Second circle of hell</span> As depicted in Dantes Inferno

The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust, where the lustful are punished by being buffeted within an endless tempest.

<span class="mw-page-title-main">Third circle of hell</span> Part of the Divine Comedy

The third circle of hell is depicted in Dante Alighieri's Inferno, the first part of the 14th-century poem Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the third circle represents the sin of gluttony, where the souls of the gluttonous are punished in a realm of icy mud.

<span class="mw-page-title-main">Dante Garden</span> Sculpture garden in Toronto

The Dante Garden or the Dante Sculpture Park is a sculpture garden located on the campus of the University of St. Michael's College in Toronto, Ontario. The garden consists of 100 bronze page-like relief sculptures created by Canadian sculptor Timothy Schmalz, making him the first artist to represent the full poem through sculpture. Each of the sculptures depict a single scene from each canto of Dante Alghieri's Divine Comedy, creating and "open-air book". In the center of the garden is a life-sized sculpture of Dante hunched over, appearing to write the first canto which he holds in his hand.