Divine Comedy in popular culture

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Rosa Celeste: Gustave Dore's illustration for Paradiso Canto 31, where Dante and Beatrice gaze upon the highest Heaven, The Empyrean Paradiso Canto 31.jpg
Rosa Celeste: Gustave Doré's illustration for Paradiso Canto 31, where Dante and Beatrice gaze upon the highest Heaven, The Empyrean

The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.

Contents

The Divine Comedy (Italian : Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. Divided into three parts: Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Heaven), it is widely considered the pre-eminent work in Italian literature [1] and one of the greatest works of world literature. [2] The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Catholic Church by the 14th century. It helped to establish the Tuscan language, in which it is written, as the standardized Italian language. [3]

Literature

Medieval

Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence Way-of-salvation-church-militant-triumphant-andrea-di-bonaiuto-1365.jpg
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence

Early Modern

Nineteenth century

Dante appears in Honore de Balzac's 1831 novel Les Proscrits BalzacExiles01.jpg
Dante appears in Honoré de Balzac's 1831 novel Les Proscrits

Twentieth century

Twenty-first century

Visual arts

Sculpture

Auguste Rodin's sculpture The Gates of Hell, Musee Rodin Zurich - Kunsthaus - Rodin's Hollentor IMG 7384 ShiftN.jpg
Auguste Rodin's sculpture The Gates of Hell , Musée Rodin

Illustrations

Painting

Architecture

Performing arts

Dance

Opera

Sergei Rachmaninoff with members of the premiere cast of his opera Francesca da Rimini in 1906 Rachmaninov Francesca da Rimini.jpg
Sergei Rachmaninoff with members of the premiere cast of his opera Francesca da Rimini in 1906

Classical music

The first of three themes in Liszt's Dante Symphony for the Gates of Hell. It begins in D minor and ends ambiguously on G#, a tritone higher. Lisztdantesymphony01.png
The first of three themes in Liszt's Dante Symphony for the Gates of Hell. It begins in D minor and ends ambiguously on G♯, a tritone higher.

By 1995, the Divine Comedy had been set to music over 120 times; Gioacchino Rossini created two such settings. Only 8 of the settings are of the complete Commedia, "the most famous" [67] being Liszt's symphony; others have composed music for some of Dante's characters, while yet others have set passages of the Commedia to music. [67]

Radio

Film

L'Inferno (1911) L'Inferno 1911 film.jpg
L'Inferno (1911)

Graphic media

Animations, comics and graphic novels

Dave Sim's Cerebus in Hell satirically utilizes Gustave Dore's engravings for the Divine Comedy, such as this one of Dante and Virgil in the Inferno, as backgrounds. Gustave Dore Inferno25.jpg
Dave Sim's Cerebus in Hell satirically utilizes Gustave Doré's engravings for the Divine Comedy, such as this one of Dante and Virgil in the Inferno, as backgrounds.

Video games

Tabletop role-playing games

Several aspects of the Divine Comedy could have influenced many tabletop role-playing games: visiting ordered parallel worlds on a planar crawl, a gamified progression by trials and levels towards salvation, or using deciphered symbolism to acquire knowledge that gives more power to characters. [119]

Web Originals

Notes

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  3. See Lepschy, Laura; Lepschy, Giulio (1977). The Italian Language Today. or any other history of Italian language.
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  8. Robb, Graham. Balzac: A Life. New York: Norton, 1996. P. 330.
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