The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Henry the Fat was King of Navarre and Count of Champagne and Brie from 1270 until his death.
Nicolas Malebranche was a French Oratorian Catholic priest and rationalist philosopher. In his works, he sought to synthesize the thought of St. Augustine and Descartes, in order to demonstrate the active role of God in every aspect of the world. Malebranche is best known for his doctrines of vision in God, occasionalism and ontologism.
Theobald II was King of Navarre and also, as Theobald V, Count of Champagne and Brie, from 1253 until his death. He was the son and successor of Theobald I and the second Navarrese monarch of the House of Blois. After he died childless, the throne of Navarre passed to his younger brother, Henry I.
Barbariccia is one of the demons in the Inferno of Dante Alighieri's Divine Comedy. Barbariccia is one of the Malebranche, whose mission is to guard Bolgia Five in the Eighth Circle, the Malebolge. Barbariccia's name means "curly beard" in Italian. Barbariccia seems to be the most important devil after Malacoda as he becomes the "provost" of nine other devils, when Malacoda commands them to escort Dante and Virgil, which can be read out of the following text :
Cagnazzo is one of the Malebranche in Dante's Inferno, appearing in Cantos XXI, XXII and XXIII.
In Dante Alighieri's Inferno, part of the Divine Comedy, Malebolge or Fraud is the eighth circle of Hell. It is a large, funnel-shaped cavern, itself divided into ten concentric circular trenches or ditches, each called a bolgia. Long causeway bridges run from the outer circumference of Malebolge to its center, pictured as spokes on a wheel. At the center of Malebolge is the ninth and final circle of hell, known as Cocytus.
Ciampolo is the accepted name of a character in Dante's Divine Comedy.
Filippo Argenti or Filippo Argente, a politician and a citizen of Florence, was a member of the Cavicciuoli branch of the aristocratic family of Adimari, according to Boccaccio. Filippo's children were Giovanni Argente and Salvatore Argente. Salvatore later travelled to Spain and established himself in Barcelona and his descendants in Valencia, where his grandson Salvatore was established in the small village of Navarres and changed the spelling of his surname to Argente. The Adimari family were part of the Black Guelph political faction.
The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.
Eunoe is a feature of Dante's Divine Comedy created by Dante as the fifth river of the dead. In the Purgatorio, the second cantica of Dante's poem, penitents reaching the Garden of Eden at the top of Mount Purgatory are first washed in the waters of the river Lethe in order to forget the memories of their mortal sins. They then pass through Eunoe to have the memories of their good deeds in life strengthened.
Malacoda is a character in Dante Alighieri's Inferno, where he features as the leader of the Malebranche, the twelve demons who guard Bolgia Five of Malebolge, the eighth circle of Hell. The name Malacoda is roughly equivalent to "bad tail" or "evil tail" in Italian. Unlike other characters such as Geryon, which are based on mythical characters, Malacoda was invented by Dante and is not a mythological reference.
Cante dei Gabrielli di Gubbio was an Italian nobleman and condottiero.
Inferno is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm [...] of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Paradiso is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.
Calcabrina is one of the demons featured in Inferno, the first canticle of Dante Alighieri's Divine Comedy. Calcabrina's name is possibly meant to mean "grace-stomper" or "frost trampler."
The Malebranche are the demons in the Inferno of Dante's Divine Comedy who guard Bolgia Five of the Eighth Circle (Malebolge). They figure in Cantos XXI, XXII, and XXIII. Vulgar and quarrelsome, their duty is to force the corrupt politicians (barrators) to stay under the surface of a boiling lake of pitch.
Bonconte I da Montefeltro was an Italian Ghibelline general. He led Ghibelline forces in several engagements until his battlefield death. Dante Alighieri featured Montefeltro as a character in the Divine Comedy.
Ciriatto is one of the Malebranche in Dante's Inferno, appearing in Cantos XXI, XXII and XXIII.
