Dante in Hell or Dante, led by Virgil, Consoles the Souls of the Envious is an 1835 oil-on-canvas painting by Hippolyte Flandrin. Contrary to its primary title, it shows a scene from the Circle of the Envious, the second circle of Purgatory in Canto III of Purgatorio . The scene depicts Dante on the mountain of Purgatorio trying to comfort the blind men. It is now in the Museum of Fine Arts of Lyon.
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The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil – except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
Jean-Hippolyte Flandrin was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer, from 1836, is held in the Louvre.
Sordello da Goito or Sordel de Goit was a 13th-century Italian troubadour. His life and work have inspired several authors including Dante Alighieri, Robert Browning, and Samuel Beckett.
Belacqua is a minor character in Dante Alighieri's Purgatorio, Canto IV. He is considered the epitome of indolence and laziness, but he is nonetheless saved from the punishment of Hell in Inferno and often viewed as a comic element in the poem for his wit. The relevance of Belacqua is also driven by Samuel Beckett's strong interest in this character.
The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.
Eunoe is a feature of Dante's Divine Comedy created by Dante as the fifth river of the dead. In the Purgatorio, the second cantica of Dante's poem, penitents reaching the Garden of Eden at the top of Mount Purgatory are first washed in the waters of the river Lethe in order to forget the memories of their mortal sins. They then pass through Eunoe to have the memories of their good deeds in life strengthened.
Joannaof Gallura, also known as Giovanna Visconti, was the last titular Judge (giudicessa) of Gallura. Joanna claimed her rights in Sardinia to no avail and eventually sold them to her relatives, the Visconti of Milan, who later sold them to the Crown of Aragon. She is mentioned passingly by Dante Alighieri in the Divine Comedy. Her father, a friend of Dante's, but consigned to Purgatory with the other negligent rulers, asks her to be reminded of him.
Inferno is the first part of Italian writer Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Paradiso is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.
Study (Young Male Nude Seated Beside the Sea) (French: Jeune Homme nu assis au bord de la mer, figure d'étude) is an oil-on-canvas painting by the French artist Hippolyte Flandrin executed between 1835 and 1836. It is held in the Louvre, in Paris, and is the best-known work by the artist.
Pia de' Tolomei is an oil painting on canvas by English artist Dante Gabriel Rossetti, painted around 1868 and now in the Spencer Museum of Art, on the campus of the University of Kansas in Lawrence, Kansas.
Paolo and Francesca da Rimini is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain.
Casella was an Italian composer and singer, none of whose works have survived.
Paul Jean Flandrin was a French painter. He was the younger brother of the painters Auguste Flandrin and Hippolyte Flandrin.
The Divine Comedy Illustrated by Botticelli is a manuscript of the Divine Comedy by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter. The images are mostly not taken beyond silverpoint drawings, many worked over in ink, but four pages are fully coloured. The manuscript eventually disappeared and most of it was rediscovered in the late nineteenth century, having been detected in the collection of the Duke of Hamilton by Gustav Friedrich Waagen, with a few other pages being found in the Vatican Library. Botticelli had earlier produced drawings, now lost, to be turned into engravings for a printed edition, although only the first nineteen of the hundred cantos were illustrated.
Portrait of Napoleon III, or initially called in French Portrait de S. M. l'Empereur, is an oil painting of 1861 by the French painter Hippolyte Flandrin, depicting France's Emperor Napoleon III standing in his Grand Cabinet. It is held at the Musée de l'Histoire de France, in Paris. At its first presentation in the Universal Exhibition in 1862, the painting attracted praise for its true-to-life representation of Napoleon III.
Matelda, anglicized as Matilda in some translations, is a minor character in Dante Alighieri's Purgatorio, the second canticle of the Divine Comedy. She is present in the final six cantos of the canticle, but is unnamed until Canto XXXIII. While Dante makes Matelda's function as a baptizer in the Earthly Paradise clear, commentators have disagreed about what historical figure she is intended to represent, if any.
Sapia Salvani was a Sienese noblewoman. In Dante Alighieri's Divine Comedy, she is placed among the envious souls of Purgatory for having rejoiced when her fellow Sienese townspeople, led by her nephew Provenzano Salvani, lost to the Florentine Guelphs at the Battle of Colle Val d'Elsa.
The first circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of hell ordered into nine circles corresponding to classifications of sin. The first circle is Limbo, the space reserved for those souls who died before baptism and for those who hail from non-Christian cultures. They live eternally in a castle set on a verdant landscape, but forever removed from heaven.
