The Danteum is an unbuilt monument proposed by a scholar of Dante, approved by the Benito Mussolini's Fascist government, designed by the modernist architect Giuseppe Terragni. However, in the end about all that remains now are some sketches on paper, scraps of an architectural model of the project and pieces of a project report (Relazione), written by Terragni.
The structure was meant to be built in Rome on the Via dell'Impero. The intention was to celebrate the famous Italian poet Dante and extol the virtues of a strong fascist state that bases its foundations on the glory of imperial Rome. The residues of the project give us the unfulfilled dream of Terragni for a monument to Dante, in which the Divine Comedy was projected in an architectural scheme.
In 1938 Rino Valdameri, then director of the Brera Academy in Milan and president of the Società Dantesca Italiana (Italian Dante Society), had proposed to the Mussolini Cabinet to build, in time for the Universal Exposition of Rome E.42, [1] a Danteum to celebrate the great poet. [2] The project was commissioned by Valdameri to Terragni and Pietro Lingeri and was supported by steel industrialist milanese the count Alessandro Poss who had made available the sum of two million lire as a personal contribution to the project execution. [3] Valdameri had also proposed a board of directors of twenty members to the nascent institution, made up of ministers, supporters and intellectuals, under the high supervision of the Head of government (Mussolini). The Valdameri himself had proposed some names for the board, including Giovanni Gentile and Ugo Ojetti.
November 10, 1938, at the Palazzo Venezia, the Valdameri and the designers present the project and they obtained the consent of the Duce. However, because of the political developments that led to the entrance into the war, the subsequent hearings to discuss the project, still they had been continuously postponed. At the very end the dream of the realization of the building dedicated to Dante Alighieri and the Divine Comedy, remained on paper.
Regarding the project papers, there are a few copies of the boards of the panels with bas-reliefs, that had been photographed and entered in the drawings, and the project report of Giuseppe Terragni.
Compositionally, the Danteum was conceived as an allegory of the Divine Comedy . It consists of a sequence of monumental spaces that parallel the narrator's journey from the "dark wood" through hell, purgatory, and paradise. Rather than attempting to illustrate the narrative, however, Terragni focuses on the text's form and rhyme structure, translating them into the language of carefully proportioned spaces and unadorned surfaces typical of Italian Rationalism.
Because of the complex of literary, artistic, and architectural meaning associated with the design, the theorist Aarati Kanekar regards it as exemplary of how a spatial structure can express a sophisticated poetic meaning without an explicit "vocabulary" of architectural symbols.
Dante Alighieri, most likely baptized Durante di Alighiero degli Alighieri and widely known and often referred to in English mononymously as Dante, was an Italian poet, writer, and philosopher. His Divine Comedy, originally called Comedìa and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.
EUR is a residential and business district in Rome, Italy, part of the Municipio IX.
Giuseppe Terragni was an Italian architect who worked primarily under the fascist regime of Benito Mussolini and pioneered the Italian modern movement under the rubric of Rationalism. His most famous work is the Casa del Fascio built in Como, northern Italy, which was begun in 1932 and completed in 1936; it was built in accordance with the International Style of architecture and frescoed by abstract artist Mario Radice. In 1938, at the behest of Mussolini's fascist government, Terragni designed the Danteum, an unbuilt monument to the Italian poet Dante Alighieri structured around the formal divisions of his greatest work, the Divine Comedy.
Adalberto Libera was one of the most representative architects of the Italian Modern movement.
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Il Popolo d'Italia was an Italian newspaper published from 15 November 1914 until 24 July 1943. It was founded by Benito Mussolini as a pro-war newspaper during World War I, and it later became the main newspaper of the Fascist movement in Italy after the war. It published editions every day with the exception of Mondays.
Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.
The Palazzo della Civiltà Italiana, also known as the Palazzo della Civiltà del Lavoro, or in everyday speech as the Colosseo Quadrato, is a building in the EUR district in Rome. It was designed in 1938 by three Italian architects: Giovanni Guerrini, Ernesto La Padula, and Mario Romano. The building is an example of Italian Rationalism and fascist architecture with neoclassical design, representing romanità, a philosophy which encompasses the past, present, and future all in one. The enormity of the structure is meant to reflect the fascist regime's new course in Italian history. The design of the building draws inspiration from the Colosseum with rows of arches. According to legend, the structure's six vertical and nine horizontal arches are correlated to the number of letters in the Italian dictator Benito Mussolini's name.
In architecture, Rationalism is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work De architectura that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason.
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Thomas L Schumacher (1941–2009) was an American academic architect and a Fellow of the American Academy in Rome. He was well known throughout the architecture community for his role in the development of Contextualism, along with Colin Rowe, under whom he studied at Cornell; and for his expertise in rationalist Italian architecture. Schumacher is ranked in the 90th percentile for research in architecture in a survey of over 3,000 architecture professors. He was also a registered architect and a member of the Society of Architectural Historians.
Joseph Douglas Darden was an American architectural designer, artist, writer, and instructor. He is most notable for his collection of visionary architecture published in his book, Condemned Building, in 1993. Darden died at the age of 44 in the spring of 1996 from leukemia.
Events from the year 1932 in Italy.
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Aarati Kanekar is an academic, writer, researcher, and architect.
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