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The great refusal (Italian: il gran rifiuto) is the error attributed in Dante's Inferno to one of the souls found trapped aimlessly at the Vestibule of Hell. [1] [2] The phrase is usually believed to refer to Pope Celestine V and his laying down of the papacy on the grounds of age, though it is occasionally taken as referring to Esau, Diocletian, or Pontius Pilate, with some arguing that Dante would not have condemned a canonized saint. [lower-alpha 1] [3] Dante may have deliberately conflated some or all of these figures in the unnamed shade.[ citation needed ]
Poscia ch’io v’ebbi alcun riconosciuto, | After I had identified a few, |
—Dante Alighieri | —Allen Mandelbaum |
Though Dante's view that one could be insufficiently evil for Hell has been described by some scholars as "theologically dubious," [4] behind Dante's adverse judgement of Celestine was the Thomist concept of recusatio tensionis, the unworthy refusal of a task that is within one's natural powers. [5] : 42
Petrarch disagreed with Dante's appraisal. He believed that Celestine's adoption of the contemplative life was a virtuous act. [5] : 44 It was an early modern instance of the tension between lives of action and contemplation: the vita activa and the vita contemplativa. [6]
Dante Alighieri, most likely baptized Durante di Alighiero degli Alighieri and often referred to as Dante, was an Italian poet, writer, and philosopher. His Divine Comedy, originally called Comedìa and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.
Pope Anastasius II was the bishop of Rome from 24 November 496 to his death. He was an important figure in trying to end the Acacian schism, but his efforts resulted in the Laurentian schism, which followed his death. Anastasius was born in Rome, the son of a priest, and is buried in St. Peter's Basilica.
Pope Boniface VIII was the head of the Catholic Church and ruler of the Papal States from 24 December 1294 to his death, in 1303. The Caetani family was of baronial origin, with connections to the papacy. He succeeded Pope Celestine V, who had abdicated from the papal throne. Boniface spent his early career abroad in diplomatic roles.
Pope Celestine V, born Pietro Angelerio, also known as Pietro da Morrone, Peter of Morrone, and Peter Celestine, was head of the Catholic Church and ruler of the Papal States for five months from 5 July to 13 December 1294, when he resigned. He was also a monk and hermit who founded the order of the Celestines as a branch of the Benedictine order.
The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
La Vita Nuova or Vita Nova is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
"Ulysses" is a poem in blank verse by the Victorian poet Alfred, Lord Tennyson (1809–1892), written in 1833 and published in 1842 in his well-received second volume of poetry. An oft-quoted poem, it is a popular example of the dramatic monologue. Facing old age, mythical hero Ulysses describes his discontent and restlessness upon returning to his kingdom, Ithaca, after his far-ranging travels. Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again.
Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil – except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
Brunetto Latini was an Italian philosopher, scholar, notary, politician and statesman.
In Dante Alighieri's Inferno, part of the Divine Comedy, Malebolge or Fraud is the eighth circle of Hell. Roughly translated from Italian, Malebolge means "evil ditches". Malebolge is a large, funnel-shaped cavern, itself divided into ten concentric circular trenches or ditches. Each trench is called a bolgia. Long causeway bridges run from the outer circumference of Malebolge to its center, pictured as spokes on a wheel. At the center of Malebolge is the ninth and final circle of hell, known as Cocytus.
Francesca da Rimini or Francesca da Polenta was a medieval noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta. She was a contemporary of Dante Alighieri, who portrayed her as a character in the Divine Comedy.
The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.
"Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine and was later published in Frost's 1923 Pulitzer Prize-winning book New Hampshire. "Fire and Ice" is one of Frost's best-known and most anthologized poems.
Inferno is the first part of Italian writer Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
"Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno. The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it. Modern commentators on the Inferno view it as some kind of demonic invocation to Satan.
The first circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of hell ordered into nine circles corresponding to classifications of sin. The first circle is Limbo, the space reserved for those souls who died before baptism and for those who hail from non-Christian cultures. They live eternally in a castle set on a verdant landscape, but forever removed from heaven.
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust, where the lustful are punished by being buffeted within an endless tempest.
The third circle of hell is depicted in Dante Alighieri's Inferno, the first part of the 14th-century poem Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the third circle represents the sin of gluttony, where the souls of the gluttonous are punished in a realm of icy mud.