Nino Visconti

Last updated
Nino [Ugolino] Visconti
Nino Visconti.jpg
Judge Nino Visconti with Dante Alighieri and Virgil
Judge/King of Gallura
Reign1275–1296
Predecessor John
Successor Joanna
Born1265
Pisa
DiedAugust 1296(1296-08-00) (aged 30–31)
Gallura, Sardinia
Spouse Beatrice d'Este
Issue Joanna, Queen of Gallura
Names
  • Ugolino Visconti
House Visconti (Sardinia branch)
Father John, King of Gallura
Mother[Chiara?] della Gherardesca

Ugolino Visconti (died 1296), better known as Nino, was the Giudice of Gallura from 1275 or 1276 to his death. He was a son of Giovanni Visconti and grandson of Ugolino della Gherardesca. [1] He was the first husband of Beatrice d'Este, daughter of Obizzo II d'Este. His symbol was a cock (canting arms on Gallura from Latin : gallus="a cock, rooster").

Contents

Nino succeeded his father in Gallura in 1275 or 1276 and spent most of his life alternating time in Pisa and Gallura. His chaplain, a friar named Gomita, was caught taking bribes to release prisoners and so Nino had him hanged. [2] Gomita was placed in the eighth circle of Hell in the Inferno. Nino was commended for his act of justice and piety.

In 1288, he began to share power with his grandfather in Pisa, but the two quarreled. The elder Ugolino tried to enlist the archbishop Ruggieri degli Ubaldini to expel Nino from the city, but the archbishop instead exiled them both and appointed his own podestà and capitano del popolo. Then a Pisan army was sent to take control of Nino's giudicato. The betrayed giudice never set foot in his giudicato again. However, after his exile, Nino Visconti counterattacked Pisa with Genoa, Lucca and the Florentine Guelfs. [3]

In 1293, peace was made and Nino later died in Sardinia. [3] His daughter Joanna succeeded to the title of Gallura and married Rizzardo IV da Camino, Count of Ceneda and Lord of Treviso.

Role in Dante's Divine Comedy

Dante Alighieri was a friend to Nino Visconti. According to historians, they may have become friendly with each other when Nino lived out part of his exile in Florence. [3] Nino was also the cousin of Moroello Malaspina, with whom Dante was on good terms. [3]

Nino appears in Dante's Divine Comedy . In the eighth canto of Purgatorio , to his mild surprise, Dante meets Nino in the region of Purgatory outside St. Peter's gate. [2] This area was devoted to the souls of those who neglected their spiritual welfare for the sake of their country. Here they are detained for a period equal to their earthly lifetimes, before beginning their purgation. [2]

When they meet, Dante describes his journey, and that he is not actually dead. [3] As they speak, Dante refers to him as "giudice Nin gentil" or "Noble Judge Nino". [3] Dante remarks how glad he is to see that Nino is here, and not in hell. [3] Nino Visconti mentions that his widow, Beatrice, remarried with Galeazzo I Visconti, duke of Milan, into the Milanese branch of the Visconti. Because of this travesty, Nino complains to Dante that his widow does not love or respect him anymore. [2] He asks Dante to remind Giovanna, his nine-year-old daughter, to pray for him. [3] Nino then continues to express his disgust at the Milanese and his widow. [2] He tells Dante that in her death, she will no longer be associated with his family's symbol, the rooster. [3] He sees as a great loss for her, and directly comments on his disgust at how quickly women move on from their husbands. [3] This comment is very similar to an excerpt from Virgil's Aeneid, furthering the parallels between Dante's writing and Virgil's works. [3]

Critical reception of Dante's Nino Visconti

There have been many investigations into the importance of Nino Visconti in Dante's work. Some critics claim that Nino represents the independence and peace of mind characteristic of Purgatorio , which serves as a contrast from Inferno . [4] This is because Dante makes Nino appear so sure of his path. There have also been connections drawn between Nino and Forese Donati, who appears later on. Both have similar conversations about the women in their life, and both foster a close bond to Dante. Although Nino speaks harshly of his wife, this is justified by Dante, as Dante deems his cause worthy enough. [4] Again there is the notion of him being "truthful" as the "Noble Judge"—he is exposing the truth of his life to Dante. However, Dante emphasizes that Nino is only explaining God's righteous decisions for Beatrice and that he only cares for God's judgement of her acts. [3]

Nino's family is also interpreted as bearing a symbolic significance. Many commentators agree that Nino's daughter and wife may represent a Mary and Eve dynamic. Giovanna fits the archetype of Mary, especially in the fact that she prays for her father as a young girl. Beatrice, on the other hand, is compared to Eve due to her fall from ladyhood. [4] Because of her remarriage, there is what many see as extreme misogyny in descriptions of her. Soon after Nino's death, she is described to be without her wimple (widow's headpiece), which Nino sees as being shameful. [3] It is commonly agreed that Nino's character uses Beatrice to broadly criticize the women of the time. [5] Furthermore, Beatrice's infidelity is akin to the serpent that appears in this canto. This is due to her promiscuity, which is explained as symbolism of original sin. [4] Also, since Beatrice remarried a Ghibelline while Nino was a Guelf, she is seen as remarrying with a political and personal disloyalty. [5]

Nino Visconti in other works

Nino was also an acquaintance of several troubadours. At least two Occitan works are addressed to him. The two Occitan works mentioned, are anonymous coblas that appear towards the end of an Italian chansonnier of 1310. One cobla, Mand qe iur e non periur was addressed al iuge de Galur, that is, Nino, and has sometimes been ascribed to Paolo Lanfranchi da Pistoia.

The cobla which appears immediately after it in the chansonnier is also addressed to Nino but has not been assigned by any scholar to Paolo. Terramagnino da Pisa, a native of Pisa's peninsular territories, was frequently present in Gallura, where he probably spent most of his adult life. His Doctrina de Cort was addressed to Nino, at whose court it may have been written. Another Occitan poet with whom Nino had contact was Luchetto Gattilusio. Gattilusio acquired property interests in Sardinia and appeared in several documents pertaining to Nino's rule.

Related Research Articles

<span class="mw-page-title-main">Ugolino della Gherardesca</span> 13th-century ruler of Pisa, character in Dantes "Divine Comedy"

Ugolino della Gherardesca, Count of Donoratico, was an Italian nobleman, politician and naval commander. He was frequently accused of treason and features prominently in Dante's Divine Comedy.

<span class="mw-page-title-main">Comita III of Torres</span> Judge/King of Logudoro/Torres

Comita III was the giudice of Logudoro, with its capital at Torres, from 1198 until 1218. He was the youngest of four sons of Barisone II of Torres and Preziosa de Orrubu. He ruled at a time when the great families, usually foreign, were superseding the giudici in power and influence on Sardinia.

<span class="mw-page-title-main">Obizzo II d'Este</span>

Obizzo II d'Este was Marquis of Ferrara and Ancona.

<span class="mw-page-title-main">Judicate of Gallura</span> Medieval kingdom in Sardinia

The Judicate of Gallura was one of four Sardinian judicates in the Middle Ages. These were independent states whose rulers bore the title iudex, judge. Gallura, a name which comes from gallus, meaning rooster (cock), was subdivided into ten curatoriae governed by curatores under the judge. In the 13th century, the arms of Gallura contained a rooster.

Torchitorio V, born John and known as Chiano or Chianni, was the Giudice (Judge) of Cagliari from 1250 to his death. His reign was brief but transformative in the history of Sardinia.

JohnVisconti was the Judge of Gallura from 1238 to his death. He was a member of the Visconti dynasty of Pisa.

<span class="mw-page-title-main">Joanna of Gallura</span> Italian noble

Joannaof Gallura, also known as Giovanna Visconti, was the last titular Judge (giudicessa) of Gallura. Joanna claimed her rights in Sardinia to no avail and eventually sold them to her relatives, the Visconti of Milan, who later sold them to the Crown of Aragon. She is mentioned passingly by Dante Alighieri in the Divine Comedy. Her father, a friend of Dante's, but consigned to Purgatory with the other negligent rulers, asks her to be reminded of him.

William III, of the House of Massa, was the last Judge of Cagliari, ruling under the name Salusio VI from 1256 to his deposition in 1258. He is also known as Guglielmo Cepolla or Cipolla.

<span class="mw-page-title-main">Della Gherardesca family</span>

The House of Gherardesca was an ancient Italian noble family of the Republic of Pisa, of Longobard origin. The family likely dates back as early as the 11th century.

Anselm of Capraia was a Pisan count. His political activity extended from the Republic of Pisa to Sardinia.

Luchetto Gattilusio was a Genoese statesman, diplomat, and man of letters. As a Guelph he played an important role in wider Lombard politics and as a troubadour in the Occitan language he composed three poems descriptive of his times.

Paolo Lanfranchi da Pistoia was a noted Italian poet who wrote in both the Italian and Occitan languages. He is thus sometimes described as a troubadour. A native of Pistoia—he was a major cultural figure of the Duecento there—his sonnets have been praised for their originality.

<i>Dantes Hell Animated</i> 2013 American film

Dante's Hell Animated is a 2013 American animated short film produced and directed by Boris Acosta.

<span class="mw-page-title-main">Ruggieri degli Ubaldini</span> Italian archbishop (died 1295)

Ruggieri degli Ubaldini was an Italian archbishop.

<span class="mw-page-title-main">Visconti of Pisa and Sardinia</span> Italian noble dynasty

The Visconti of Pisa and Sardinia were an Italian noble dynasty of the Middle Ages. They achieved prominence first in Pisa, then in Sardinia, where they became rulers of Gallura.

<span class="mw-page-title-main">Marco Lombardo</span> Venetian nobleman

Marco Lombardo was a courtier from medieval Lombardy. His date of birth and true identity are unknown, but he is thought to have lived during the second half of the thirteenth century. He is also believed to have served many courts and possibly those of Gherardo III da Camino and Ugolino della Gherardesca. Some historians – e.g. Emilio Orioli and Francesco Filippini – identified him with Marco da Saliceto. He was widely known in medieval Italy and appeared as a character of anecdotes and short stories even before Dante's creation of the Divine Comedy.

<span class="mw-page-title-main">Matelda</span> Literary character

Matelda, anglicized as Matilda in some translations, is a minor character in Dante Alighieri's Purgatorio, the second canticle of the Divine Comedy. She is present in the final six cantos of the canticle, but is unnamed until Canto XXXIII. While Dante makes Matelda's function as a baptizer in the Earthly Paradise clear, commentators have disagreed about what historical figure she is intended to represent, if any.

Alagia Fieschi, also known as Alagia di Nicolò Fieschi and Alagia di Fieschi, was the daughter of Count Nicolò Fieschi and niece of Pope Adrian V. Alagia married Moroello Malaspina in the 1280s and they had five children. In Dante Alighieri's Divine Comedy, Alagia is remembered by Adrian V at the end of his conversation with Dante as the only virtuous woman in his family whom he wishes to pray on his behalf. Alagia’s mention as the only virtuous person in her family reflects Dante’s view about Alagia's family's actions involving the Malaspina family. In addition, Alagia is celebrated by Dante through his portrayal of her as a virtuous woman whose prayer can contribute to Adrian V's journey of salvation.

<span class="mw-page-title-main">Beatrice d'Este (1268–1334)</span> Italian noblewoman

Beatrice d’Este was an Italian noblewoman, now primarily known for Dante Alighieri's allusion to her in Purgatorio, the second canticle of the Divine Comedy. Through her first marriage to Nino Visconti, she was judge (giudichessa) of Gallura, and through her second marriage to Galeazzo I Visconti, following Nino’s death, lady of Milan.

Michele Zanche was an Italian politician, best known as a character in Dante Alighieri's Divine Comedy, where he is mentioned in Canto XXII of Inferno, in the fifth bolgia of the eighth circle, among the barrators, together with Friar Gomita, vicar of Nino Visconti judge of Gallura. He married Simona Doria, from the famous and wealthy Genoese family.

References

  1. Lansing, Richard (2000). The Dante Encyclopedia. New York: Garland Publishing. ISBN   0-203-83447-X.
  2. 1 2 3 4 5 Alighieri, Dante; Musa, Mark (1996–2004). Dante Alighieri's Divine comedy . Musa, Mark. Bloomington: Indiana University Press. pp.  295. ISBN   0-253-32968-X. OCLC   34411789.{{cite book}}: CS1 maint: date and year (link)
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 Dante Alighieri, Robert Hollander, and Jean Hollander. Inferno. 1st Anchor Books ed. New York: Anchor Books, 2002.[ ISBN missing ]
  4. 1 2 3 4 Quinones, Ricardo (1990). "Lectura Dantis: "Purgatorio" Viii". Lectura Dantis. 7 (7): 47–59. JSTOR   44803616.
  5. 1 2 Parker, Deborah (1993). "Ideology and Cultural Practice: The Case of Dante's Treatment of Beatrice d'Este". Dante Studies, with the Annual Report of the Dante Society. 11 (111): 131–147. JSTOR   40166472.

Further reading


Preceded by Giudice of Gallura
1275–1298
Succeeded by