Industry | Comics |
---|---|
Founded | 1982 |
Founder | Bill Marks |
Headquarters | Toronto, Ontario, Canada |
Vortex Comics is a Canadian independent comic book publisher that began operation in 1982. Under the supervision of president, publisher, and editor Bill Marks, Vortex was known for such titles as Dean Motter's Mister X , Howard Chaykin's Black Kiss , and Chester Brown's Yummy Fur , the last of which was a pioneer of alternative comics. [1] Vortex also earned a reputation for publishing Canadian comic book creators such as Brown, Ty Templeton, Ken Steacy, and Jeffrey Morgan.
Vortex was founded by 20-year-old high school dropout William P. "Bill" Marks of Toronto in 1982, with its first title being an anthology comic of the same name. Marks recalled, "[Comic books] had a lot of potential for growth that I could see. I could see a revolution happening. By this time Cerebus was doing extremely well. Elfquest was a runaway success in the bookstores and on the best-seller lists. Eclipse was starting up and shortly thereafter Pacific Comics started to get quite big." [2] Vortex received good distribution in both the U.S. and Canada. The company proved to be a major force in Canadian comics publishing throughout the 1980s.
Early issues of Vortex were edited by Marks himself (who later described them as "quite primitive") and received limited exposure. [2] In 1983 Vortex redesigned their approach, employed Ken Steacy as editor, [2] and added new titles like Mister X and Templeton's Stig's Inferno , as well as Templeton & Klaus Schoenefeld's Kelvin Mace and Matt Howarth's Those Annoying Post Bros. The first four issues of Mister X featured work by the Los Bros Jaime and Gilbert Hernandez.
In 1986–1987, Vortex again expanded, adding titles such as Ted McKeever's Transit, Bill White's Kaptain Keen & Kompany, Howarth's Savage Henry, and the two-issue Peter Milligan series Paradax. More significantly, Vortex began publishing a full-sized version of Chester Brown's mini-comic Yummy Fur, bringing Brown's surreal, black-humor stories to a wider audience. In 1990, Yummy Fur was nominated for a Harvey Award (Special Award for Humor category). Around this time Vortex also began publishing book-length graphic novels and compilations.
However, hard times hit the comics industry in 1988, and Vortex, like many other small publishers, suffered. The company launched a few new titles in 1988, most notably Howard Chaykin's erotic thriller Black Kiss . Black Kiss became one of the most controversial North American comics of the late 1980s, due to the comic having the sort of explicit scenes of sex and violence unseen in most comics published at the time. In addition, Vortex's printer at the time, Ronald's Printing, refused to print the book due to its content. [3] To help retailers who had worries over selling what could be described as pornography, Vortex released the series sealed in a plastic bag. (This meant that casual browsers could not open the comic, or obviously see the internal content.) The publicity over Black Kiss didn't necessarily lead to strong sales, however, and by the end of 1988 Vortex's publishing schedule was erratic. Nonetheless, in January 1989, Vortex declared itself the third largest North American independent comic book publisher. [4]
Reflecting publisher Marks' interest in car racing, Vortex survived until 1994 with an odd mixture of alternative titles and NASCAR-themed comics. (In 1991 and 1992 Vortex sponsored the 'Rookie of the Year' award in NASCAR's Grand National series; the 1991 prize was won by future superstar Jeff Gordon.)
In May 1994 Matt Howarth officially moved Those Annoying Post Bros. to rival publisher Aeon. [5] Shakeups in the comics industry that year hit the small press hard, and Vortex was no exception. [6] The last comic published by the company was Nocturnal Emissions #4, in March 1994, until a resurgence in 2021 with the titles Chaos Breaker and Queen of Skulls.
After a brief career as a race car driver, publisher Marks went on to produce and direct numerous feature films. Vortex was re-branded by Marks in 2009 as Vortex Words + Pictures, and most recently Vortex has produced the George Hickenlooper film Casino Jack , starring Kevin Spacey, A Dark Truth with Andy Garcia and Forest Whitaker, Compulsion , starring Heather Graham (with cinematography by the legendary Vilmos Zsigmond), as well as Trailer Park Boys , and the indy hit WolfCop .
Ongoing titles
| Specials and one-shots
|
Chester William David Brown is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Joe Matt and Seth, and the autobiographical comics trend. Two graphic novels came from this period: The Playboy (1992) and I Never Liked You (1994). Surprise mainstream success in the 2000s came with Louis Riel (2003), a historical-biographical graphic novel about rebel Métis leader Louis Riel. Paying for It (2011) drew controversy as a polemic in support of decriminalizing prostitution, a theme he explored further with Mary Wept Over the Feet of Jesus (2016), a book of adaptations of stories from the Bible that Brown believes promote pro-prostitution attitudes among early Christians.
Matt Howarth is an American comic book writer/artist known for such series as Those Annoying Post Bros, Savage Henry, Star Crossed, and Bugtown.
Tyrone Templeton is a Canadian comic book artist and writer who has drawn a number of mainstream titles, TV-associated titles, and his own series.
Howard Victor Chaykin is an American comic book artist and writer. Chaykin's influences include his one-time employer and mentor, Gil Kane, and the mid-20th century illustrators Robert Fawcett and Al Parker.
JaimeHernandez is the co-creator of the alternative comic book Love and Rockets with his brothers Gilbert and Mario.
Mister X was a series of comic books first published in 1983–1990 by Canadian company Vortex Comics. Created by album and book cover designer Dean Motter, it was developed for a year in close collaboration with comic artist and illustrator Paul Rivoche, whose series of poster illustrations stirred up great interest in the project. The series published early work by comic artists who would later emerge as important alternative cartoonists, including Jaime Hernandez, Gilbert Hernandez, Mario Hernandez, Seth, Shane Oakley and D'Israeli.
Black Kiss is a hardboiled erotic American comic book limited series written and drawn by Howard Chaykin, which was originally published in 1988 by Vortex Comics.
Yummy Fur (1983–1994) was a comic book by Canadian cartoonist Chester Brown. It contained a number of different comics stories which dealt with a wide variety of subjects. Its often-controversial content led to one printer and one distributor refusing to handle it.
Ken Steacy is a Canadian comics artist and writer best known for his work on the NOW Comics comic book series of Astro Boy and of the Comico comic series of Jonny Quest, as well as his graphic novel collaborations with Harlan Ellison and Dean Motter. Steacy was a member of the Royal Canadian Air Cadets 386 Comox Squadron.
Dean Motter is an illustrator, designer and writer who has worked for many years in Canada (Toronto) and the United States. He is best known for his album cover designs, two of which won Juno Awards. He is also the creator and designer of Mister X, one of the most influential "new-wave" comics of the 1980s.
Savage Henry is the title of a comic book series written and illustrated by Matt Howarth. The stories center on Savage Henry, lead guitarist of the "insect rock" band the Bulldaggers. Howarth regularly drew "guest appearances" by real world musicians in the comic book, including The Residents, Moby, Foetus, Hawkwind, Nash the Slash, and others.
The Playboy is a graphic novel by the Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013. It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models.
I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel.
Ed the Happy Clown is a graphic novel by Canadian cartoonist Chester Brown. Its title character is a large-headed, childlike children's clown who undergoes one horrifying affliction after another. The story is a dark, humorous mix of genres and features scatological humour, sex, body horror, extreme graphic violence, and blasphemous religious imagery. Central to the plot are a man who cannot stop defecating; the head of a miniature, other-dimensional Ronald Reagan attached to the head of Ed's penis; and a female vampire who seeks revenge on her adulterous lover who had murdered her to escape his sins.
Mario Hernandez is an American writer, artist, and sometime publisher of comics. He is one of the Hernandez brothers, along with his younger brothers Gilbert and Jaime, with whom he co-created the acclaimed independent comic book Love and Rockets.
Canadian cartoonist Chester Brown attracted the attention of critics and peers in the early 1990s alternative comics world when he began publishing autobiographical comics in his comic book Yummy Fur. During this period Brown produced a number of short strips and two graphic novels: The Playboy (1992) and I Never Liked You (1994). The personal and revealing deal with Brown's social awkwardness and introversion, and the artwork and page layouts are minimal and organic. In 2011 Brown returned to autobiography with Paying for It, an account of his experience with prostitutes.
MU Press was an independent comic book publisher based in Seattle, Washington, which operated from 1990 until c. 2006. MU Press was one of the industry's most prolific "furry" comic publishers, while its mid-1990s imprint Aeon Publications specialized in alternative fare. MU Press was founded by writer/editor Edd Vick. Notable creators associated with MU/Aeon included Donna Barr, Ed Brubaker, Matt Howarth, Milton Knight, David Lasky, Colin Upton, Taral Wayne and Nicola Cuti.
Canadian comics refers to comics and cartooning by citizens of Canada or permanent residents of Canada regardless of residence. Canada has two official languages, and distinct comics cultures have developed in English and French Canada. The English tends to follow American trends, and the French, Franco-Belgian ones, with little crossover between the two cultures. Canadian comics run the gamut of comics forms, including editorial cartooning, comic strips, comic books, graphic novels, and webcomics, and are published in newspapers, magazines, books, and online. They have received attention in international comics communities and have received support from the federal and provincial governments, including grants from the Canada Council for the Arts. There are comics publishers throughout the country, as well as large small press, self-publishing, and minicomics communities.
Those Annoying Post Bros. is an independent comic mostly by Matt Howarth about two fun-loving bad boys, Ron Post and Russ Post, from the fictional Bugtown. Equally inspired by H. P. Lovecraft, Philip K. Dick, and ambient electronic music, the series ran for 63 issues from 1985–1998, making it one of the longest-running indy comics titles.
The very first Harvey Awards ceremony was presented on July 9, 1988, at the Chicago Comicon convention. This event took place at the Ramada O'Hare Hotel in Rosemont, Illinois. The Harvey Awards ceremony was a notable part of the convention, recognizing excellence in comic book creation and honoring outstanding creators and works from the comic book industry.