| Industry | Entertainment |
|---|---|
| Founded | 1930s |
| Defunct | Mid-1950s |
| Headquarters | Massachusetts |
Key people | Victor S. Fox |
| Products | Comic books |
Fox Feature Syndicate [1] (also known as Fox Comics, Fox Publications, and Bruns Publications, Inc.) was a comic book publisher from early in the period known to fans and historians as the Golden Age of Comic Books. Founded by entrepreneur Victor S. Fox, it produced such titles as Blue Beetle , Fantastic Comics and Mystery Men Comics .
It is not related to the company Fox Publications (a Colorado publisher of railroad photography books), nor 20th Century Fox (formed from Fox Studios and later renamed 20th Century Studios in 2020) and its associated companies.
Victor S. Fox and business associate Bob Farrell launched Fox Feature Syndicate at 480 Lexington Avenue in New York City in the late 1930s. For content, Fox contracted with comics packager Eisner & Iger, one of a handful of companies creating comic books on demand for publishers entering the field. Writer-artist Will Eisner, at Victor Fox's request for a hero to mimic the newly created hit Superman, created the superhero Wonder Man for Fox's first publication, Wonder Comics #1 (May 1939), signing his work "Willis". Eisner said in interviews throughout his later life that he had protested the derivative nature of the character and story, and that when subpoenaed after National Periodical Publications, the company that would evolve into DC Comics, sued Fox, alleging Wonder Man was an illegal copy of Superman, Eisner testified that this was so, undermining Fox's case; [2] Eisner even depicts himself doing so in his semi-autobiographical graphic novel The Dreamer . [3] However, a transcript of the proceeding, uncovered by comics historian Ken Quattro in 2010, indicates Eisner in fact supported Fox and claimed Wonder Man as an original Eisner creation. [4]
After losing at trial, Victor Fox dropped Eisner and Iger, and hired his own stable of comic creators, beginning with a New York Times classified ad on December 2, 1939. Joe Simon became Fox Publications' editor.
As one of the earliest companies in the emerging field, it employed or bought the packaged material of a huge number of Golden Age greats, many at the start of their careers. Lou Fine created the superhero The Flame in Wonderworld Comics; Dick Briefer created Rex Dexter of Mars in the eponymous series. George Tuska did his first comics work here with the features "Zanzibar" ( Mystery Men Comics #1, Aug. 1939) and "Tom Barry" (Wonderworld Comics #4). Fletcher Hanks wrote and drew Stardust the Super Wizard in Fantastic Comics in 1939 and 1940. Matt Baker, one of the few African-American comic book artists of the Golden Age, revamped – in more than one sense – the newly acquired Quality Comics character Phantom Lady in 1947, creating one of the most memorable and controversial examples of superhero "good girl art".
Future comics legend Jack Kirby, brought on staff here after freelancing for Eisner & Iger, wrote and drew the syndicated newspaper comic strip The Blue Beetle (starting Jan. 1940), starring a character created by Charles Nicholas Wojtkowski in Mystery Men Comics #1 (Aug. 1939). Kirby retained the house name "Charles Nicholas" for the comic strip, which lasted three months. Kirby, additionally, created and did one story each of the Fox features "Wing Turner" (Mystery Men #10, May 1940) and "Cosmic Carson" (Science Comics #4, same month).
Fox Feature Syndicate sponsored a "Blue Beetle Day" at the 1939 New York World's Fair on August 7, 1940, beginning at 10:30 a.m. and including 300 children in relay-race finals at the Field of Special Events, following preliminaries in New York City parks. The race was broadcast over radio station WMCA. [5]
Throughout the 1940s, Fox produced comics in a typically wide variety of genres, but was best known for superheroes and humor. With the post-war decline in superheroes' popularity, Fox, like other publishers, concentrated on horror and crime comics, including some of the most notorious of the latter. Following the establishment of Comics Code Authority in the mid-1950s, Fox went out of business, selling the rights to the Blue Beetle to Charlton Comics.
According to Nicky Wright: "Competing well in the 'most sexy, sadistic, and violent' category, Victor Fox's Murder Incorporated and Blue Beetle are noteworthy.... When historians describe sleaze, sex, and violence as Fox's obsession, they are masters of understatement. His best artists, Jack Kamen and Matt Baker, are much revered and collected for their good girl art. Of special note is the company's breasty crime-fighter-in-bedroom-lingerie, Phantom Lady...along with the wild and scantily attired Rulah, Jungle Goddess". [6]
Boyd Magers said of the publisher: "Never one to overlook a secondary sale, Fox often repackaged four remaindered (unsold) comics into a 25¢ Giant with a new cover, hence Hoot Gibson's Western Roundup, 132 pages dated 1950. However, since Fox always started their stories on the inside front cover (where other publishers ran an ad), these repackaged comics are always missing the first page of story content. Also, since Fox used remaindered issues, contents will vary from copy to copy of Hoot Gibson's Western Roundup". [7]
Fox Feature Syndicate, located at 60 East 42nd Street, filed for Chapter 11 bankruptcy reorganization in July 1950, listing liabilities of $721,448 and assets of $932,878, which included $567,800 in uncollected accounts receivables. Central Color Press of the same address filed likewise, listing liabilities of $513,587 and assets of $603,427. Fox was listed as president of both corporations. [8]
Fox Publications founder Victor Fox was born Samuel Victor Joseph Fox on July 3, 1893, in Nottinghamshire, England, the fourth of six children born to Russian emigres Joseph and Bessie Fox. [9] He had older sisters Annie (b. July 1884), Rosie (b. September 1885), Fanny E. (b. April 1892), and younger sisters Etta G. (b. March 1898) and Marrion (b. May 1900). [9] The family relocated to the United States in March 1898, and within two years were living in Fall River, Massachusetts. [9] By 1917, patriarch Joseph, a storekeeper, moved the family to New York City, where he opened a women's clothing business; the family lived at 555 West 151st Street. [9]
U.S. Attorney Charles H. Tuttle in 1929 arrested several individuals including a Victor S. Fox for illegal "boiler-room" stock-trading. Reports of Fox's September 4 arraignment said his Allied Capital Corporation had offices at 49 Broadway and 331 Madison Avenue, and that Fox also had "desk room" at 230 Park Avenue as Fox Motor and Bank Stock, Inc., and as American Common Stocks, Inc. His hearing was set for September 18. Another individual, J.A. Sachs, was named in the same warrant. [10] A report the following month gave the latter's name as John A. Sacks and identified him as president of Allied Capital and Fox as a director; the two were temporarily enjoined from continuing sales of securities. [11] On November 27, Fox and three other individuals connected with Allied Capital — Fred H. Hallen, I. Lloyd Zimmer, and William McManus — were indicted on charges of mail fraud. [12] In 1944, an individual named Victor S. Fox, identified as a former partner of the Cornwall Shipbuilding Company, testified in the prosecution of U.S. Army Captain Joseph Gould [13] who was convicted for conspiracy to accept bribes to award $1,000,000 worth of army contracts to the Cornwall Shipbuilding Company. [14]
It is unclear if the individual(s) in these accounts may be future comics publisher Victor Fox. However, a 1946 New York Times real-estate article identifies "Victor S. Fox" as a "magazine publisher" who purchased for occupancy a five-story residential building at 59 E. 82nd Street. [15] In October 1947, a syndicate headed by Fox and also including Central Color Press of Wilkes-Barre, Pennsylvania, purchased Potsdam Paper Mill, Inc., of Potsdam, New York, in order to have what one report called "a completely integrated operation". [16]
Historian Jon Berk has written that Fox was an accountant/bookkeeper at the publishing firm that would become DC Comics, where he was privy to sales figures that convinced him to launch his own comic book company. [17] Fellow historian Gerard Jones, writing in his book Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book, was unable to find documentation of this, [18] and Christopher Irving wrote that Fox learned about DC's success while with another magazine distributed by Independent News, DC's distributor. [19]
Artist Jack "King" Kirby said of the employer who gave him his start drawing superhero comics: "Victor Fox was a character. He'd look up at the ceiling with a big cigar, this little fellow, very broad, going back and forth with his hands behind his back saying, 'I'm the King of Comics! I'm the King of Comics!' and we would watch him and, of course, smile a little because he was a genuine type". [20]
Writer/artist Joe Simon commented on Fox: "He was an accountant for DC Comics. He was doing the sales figures and he liked what he saw. So, he moved downstairs and started his own company.... I happened to get a job; I went over to Fox and became editor there, which was just an impossible job, because ... there were no artists, no writers, no editors, no letterers – nothing there. Everything came out of the Eisner and Iger shop. ... He was a very strange character. He had kind of a British accent; he was like 5'2", told us he was a former ballroom dancer. He was very loud, menacing, and really a scary little guy. He used to say, 'I'm the King of the Comics. I'm the King of the Comics. I'm the King of the Comics'. We couldn't stop him". [21]
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William Erwin Eisner was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book A Contract with God. He was an early contributor to formal comics studies with his book Comics and Sequential Art (1985). The Eisner Award was named in his honor and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.
Quality Comics was an American comic book publishing company which operated from 1937 to 1956 and was a creative, influential force in what historians and fans call the Golden Age of Comic Books.
Notable events of 1939 in comics.
Notable events of 1940 in comics.
Samuel Maxwell "Jerry" Iger was an American cartoonist and art-studio entrepreneur. With business partner Will Eisner, he co-founded Eisner & Iger, a comic book packager that produced comics on demand for new publishers during the late-1930s and 1940s period known to fans and historians as the Golden Age of Comic Books.
"Charles Nicholas" is the pseudonymous house name of three early creators of American comic books for the Fox Feature Syndicate and Fox Comics: Chuck Cuidera (1915–2001), Jack Kirby (1917–1994), and Charles Wojtkoski (1921–1985). The name originated at Eisner & Iger, one of the first comic book packagers that created comics on demand for publishers entering the new medium during the 1930s–1940s Golden Age of comic books. The three creators are listed in order of birth year, below.
Wonder Man is a fictional superhero created by American cartoonist Will Eisner, whose only appearance was in the comic book Wonder Comics #1. The character is of some historical significance due to a lawsuit that resulted from his only appearance.
Louis Kenneth Fine was an American comic book artist known for his work during the 1940s Golden Age of comic books, where his draftsmanship became an influential model to a generation of fellow comics artists.
Everett M. Arnold, also known as Busy Arnold, was an American publisher and an early comic-book entrepreneur whose company Quality Comics published during the 1930s and 1940s period fans and historians call the Golden Age of Comic Books. He was also instrumental in the publishing arrangement that led to Will Eisner's newspaper Sunday-supplement comics series The Spirit.
The Dreamer is a 1985 thinly disguised autobiographical graphic novel by Will Eisner about his early years as a cartoonist for comic books in the 1930s, with a particular focus on his years as part of Eisner & Iger studios.
Luis "Louis" Cazeneuve was an Argentine-born American comic-book artist. He is best known for co-creating the Marvel Comics character Red Raven, and for his prolific work on the DC Comics characters Aquaman, Shining Knight, the Boy Commandos and others during the 1940s period fans and historians call the Golden Age of Comic Books.
Bernard Baily was an American comic book artist best known as co-creator of the DC Comics characters the Spectre and Hourman, and a comics publisher, writer, and editor.
Notable events of 1941 in comics.
Fred Schwab was an American cartoonist whose humor panels and short features were published in a wide variety of comic books from at least 1938 to 1950, during a period fans and historians call the Golden Age of Comic Books. His notable comic-book appearances include Timely Comics' Marvel Comics #1, the first publication of the company that would become Marvel Comics; and some of the earliest publications of the companies that would become DC Comics.
Audrey Anthony Blum was an American comic book writer active during the 1930s and 1940s "Golden Age of Comic Books", known for her work with Quality Comics and other publishers and as one of the first female comics professionals in what was then an almost entirely male industry.
Eisner & Iger was a comic book packager that produced comics on demand for publishers entering the new medium during the late-1930s and 1940s, a period fans and historians call the Golden Age of Comic Books. Founded by Will Eisner and Jerry Iger, many of comic books' most significant creators, including Jack Kirby, entered the field through its doors. Eisner & Iger existed from 1936 to 1939.
Farrell Publications is the name of a series of American comic book publishing companies founded and operated by Robert W. Farrell in the 1940s and 1950s, including Elliot Publishing Company, Farrell Comic Group, and Excellent Publications. Farrell is particularly known for its pre-Comics Code horror comics, mostly produced by the S. M. Iger Studio. Farrell also published romance, Western, adventure, superhero, and talking animal comics. Farrell acted as editor throughout. In addition to packaging art for Farrell from the beginning, Jerry Iger was the company's art director from 1955–1957.
Dan Garret or Dan Garrett is a fictional superhero appearing in American comic books published by Fox Comics, Holyoke Publishing, Charlton Comics, and DC Comics. Garret was created by Charles Wojtkoski, and made his first appearance in Fox's Mystery Men Comics #1 during the Golden Age of Comic Books. Garret is the first character to become the superhero Blue Beetle, predating Ted Kord and Jaime Reyes.
Jumbo Comics was an adventure anthology comic book published by Fiction House from 1938 to 1953. Jumbo Comics was Fiction House's first comics title; the publisher had previously specialized in pulp magazines. The lead feature for Jumbo Comics' entire run was Sheena, Queen of the Jungle.
Comics packaging is a publishing activity in which a publishing company outsources the myriad tasks involved in putting together a comic book — writing, illustrating, editing, and even printing — to an outside service called a packager. Once the comics packager has produced the comic, they then sell it to the final publishing company.
