King Features Syndicate is a unit of Hearst Holdings, Inc., which combines the Hearst Corporation's cable-network partnerships, television programming and distribution activities, and syndication companies. King Features' affiliate syndicates are North America Syndicate and Cowles Syndicate.
History
Historic logo, used until the 1960s
William Randolph Hearst's newspapers began syndicating material in 1895 after receiving requests from other newspapers. The first official Hearst syndicate was called Newspaper Feature Service, Inc., established in 1913.[1] In 1914, Hearst and his manager Moses Koenigsberg consolidated all of Hearst's syndication enterprises under one banner (although Newspaper Feature Service was still in operation into at least the 1930s).[2] Koenigsberg gave it his own name (the German word König means king) when he launched King Features Syndicate on November 16, 1915.[3]
Production escalated in 1916 with King Features buying and selling its own staff-created feature material. A trade publication — Circulation — was published by King Features between 1916 and 1933. In January 1929, the world-famous Popeye character was introduced in King Features' Thimble Theater comic strip.
King Features had a series of hits during the 1930s with the launch of Blondie (1930–present), Flash Gordon (1934–2003 Note: Relaunched again in October 2023 by Dan Schkade as a daily and Sunday strip), Mandrake the Magician (1934–2013), and The Phantom (1936–present). In March 1936, a fictional, magical animal called Eugene the Jeep was added to Popeye, and trademarked.[4]
King Features remained a "powerhouse" syndicate throughout the 1950s and the 1960s.[5] In 1965 it launched a children's comic and coloring page.[6]
In November 2015, King Features released a book, entitled "King of the Comics: One Hundred Years of King Features Syndicate" to commemorate its 100th anniversary. The book features a compilation of strips and the histories behind King Features strips.[12][13]
As of 2016, with 62 strips being syndicated, Hearst was considered the second-largest comics service, second only to Uclick[14] (now known as Andrews McMeel Syndication).
In December 2017, King Features appointed CJ Kettler as president of the company. Kettler previously was CEO of Sunbow Entertainment and the executive producer of the Netflix series Carmen Sandiego.[15]
In 1941, King Features manager Moses Koenigsberg wrote an autobiographical history of the company entitled King News. William Randolph Hearst paid close attention to the comic strips, even in the last years of his life, as is evident in these 1945–46 correspondence excerpts, originally in Editor & Publisher (December 1946), about the creation of Dick's Adventures in Dreamland — a strip that made its debut on Sunday, January 12, 1947; written by former Daily News reporter Max Trell and illustrated by Neil O'Keefe (who also drew for King Features a strip based on Edgar Wallace's Inspector Wade of Scotland Yard):[16]
Hearst to King Features president J. D. Gortatowsky (December 28, 1945): "I have had numerous suggestions for incorporating some American history of a vivid kind in the adventure strips of the comic section. The difficulty is to find something that will sufficiently interest the kids… Perhaps a title — "Trained by Fate" — would be general enough. Take Paul Revere and show him as a boy making as much of his boyhood life as possible, and culminate, of course, with his ride. Take Betsy Ross for a heroine, or Barbara Fritchie… for the girls."
King Features editor Ward Greene to Hearst: "There is another way to do it, which is somewhat fantastic, but which I submit for your consideration. That is to devise a new comic… a dream idea revolving around a boy we might call Dick. Dick, or his equivalent, would go in his dream with Mad Anthony Wayne at the storming of Stony Point or with Decatur at Tripoli… [This would] provide a constant character… who would become known to the kids."
Hearst to Greene: "The dream idea for the American history series is splendid. It gives continuity and personal interest, and you can make more than one page of each series… You are right about the importance of the artist."
Greene to Hearst (enclosing samples): "We employed the dream device, building the comic around a small boy."
Hearst: "I think the drawing of Dick and His Dad is amazingly good. It is perfectly splendid. I am afraid, however, that similar beginning and conclusion of each page might give a deadly sameness to the series… Perhaps we could get the dream idea over by having only the conclusion on each page. I mean, do not show the boy going to sleep every time and then show him waking up, but let the waking up come as a termination to each page… Can you develop anything out of the idea of having Dick the son of the keeper of the Liberty Statue in New York Harbor? I do not suggest this, as it would probably add further complications, but it might give a spiritual tie to all the dreams. The main thing, however, is to get more realism."
Greene: "We do not have to show the dream at the beginning and end of every page… If we simply call the comic something like Dreamer Dick, we would have more freedom… Some device other than the dream might be used… A simple method would be to have him curl up with a history book."
Hearst: "If we find [the first series] is not a success, of course we can brief it, but if it is a success it should be a long series."
Greene: "I am sending you two sample pages of Dick's Adventures in Dreamland which start a series about Christopher Columbus."
Hearst: "In January, I am told, we are going to 16 pages regularly on Puck, the Comic Weekly. That would be a good time to introduce the Columbus series, don't you think so?"
In the 1940s, Ward Greene (1893–1956) was King Features' editor, having worked his way up through the ranks. He was a reporter and war correspondent for the Atlanta Journal for four years (1913–17), moving to the New-York Tribune in 1917 and then returning to the Atlanta Journal as correspondent in France and Germany (1918–19). He joined King Features in 1920, became a writer and editor of the magazine section in 1925, advancing to executive editor and general manager.[18]
Vice president Bradley Kelly (1894–1969) was a comics editor during the 1940s.
Sylvan Byck (1904–1982) was head editor of the syndicate's comics features for several decades, from the 1950s until his retirement in 1978. A King Features employee for more than 40 years and comics editor for 33 years, Byck was 78 when he died July 8, 1982. Comic-strip artist John Celardo (1918–2012) began as a King comics editor in 1973.
In 1973, Tom Pritchard (1928–1992) joined King Features, and became executive editor in 1990, overseeing daily editorial operations and the development of political cartoons, syndicated columns, and editorial services for King Features and North America Syndicate. Born in Bronxville, New York, Pritchard arrived at King Features after work as a reporter at The Record-Journal (Meriden, Connecticut), as feature writer with The Hartford Times, as editor-publisher of Connecticut's weekly Wethersfield Post, and as executive editor of The Manchester Journal Inquirer in Connecticut. He died of a heart attack in December 1992 at his home in Norwalk.[19]
In 1978, cartoonist Bill Yates (1921–2001) took over as King Features' comics editor. He had previously edited Dell Publishing's cartoon magazines (1000 Jokes, Ballyhoo, For Laughing Out Loud) and Dell's paperback cartoon collections. Yates resigned from King Features at the end of 1988 to spend full-time on his cartooning, and he died March 26, 2001.
In 1988, Yates was replaced by Jay Kennedy — author of The Official Underground & Newave Comix Price Guide (Norton Boatner, 1982). Kennedy was King Features' lead editor until March 15, 2007, when he drowned in a riptide while vacationing in Costa Rica.[20]
Brendan Burford, who attended the School of Visual Arts, was employed for a year as an editorial assistant at DC Comics before joining King Features as an editorial assistant in January 2000. Working closely with Jay Kennedy over a seven-year span, he was promoted to associate editor and then, after Kennedy's death, to the position of comics editor on April 23, 2007.
In November 2018, Tea Fougner was promoted to editorial director for comics after working as an editor at King Features for nine years.[21] She is the first female-assigned and first genderqueer person to oversee comics editorial at King Features.[22]
When asked to speak in public, Byck made a point of telling audiences that King Features received more than 1,000 strip proposals annually, but chose only one each year. However, in Syd Hoff's The Art of Cartooning (Stravon, 1973), Byck offered some tips regarding strip submissions, including the creation of central characters with warmth and charm and the avoidance of "themes that are too confining," as he explained:
Although characterization is the most important element of a comic, the cartoonist also must cope with the problem of choosing a theme for his new strip. What will it be about? Actually, it is possible to do a successful comic strip about almost anything or anybody if the writing and drawing are exactly right for the chosen subject. In general, though, it is best to stay away from themes that are too confining. If you achieve your goal of syndication, you want your strip to last a long time. You don't want to run out of ideas after a few weeks or months. In humor strips, it is better to build around a character than around a job. For example, it is possible to do some very funny comic strip gags about a taxi driver. But a strip that is limited to taxi driver gags is bound to wear thin pretty fast. I'd rather see a strip about a warmly funny man who just happens to earn his living as a cabbie and whose job is only a minor facet of his potential for inspiring gags. Narrative strips can be and often are based on the central character's job. For example, the basis of a private eye strip is the work he does. But even here the strip will only be as successful as the characterization in it. The big question is: what kind of a man is this particular private eye?[23]
Content distribution
King Features Syndicate's content distribution division distributes more than 150 different comics, games, puzzles, and columns, in digital and print formats, to nearly 5,000 daily, Sunday, weekly and online newspapers and other publishers. Comic properties include Beetle Bailey, Blondie, Dennis the Menace, The Family Circus, Curtis, Rhymes with Orange, Arctic Circle, Macanudo, and Zits.[24] The division additionally offers services for smaller publishers and community papers, including pagination and colorization services through its sister company, RBMA.[25]
In April 2020, Bianca Xunise became the first black woman to join the team of female creators behind King Features strip Six Chix.[27] Six Chix was first syndicated by King Features in May 2019, after King Features saw strip creator Maritsa Patrinos' work online.[28]
In September 2020, King Features relaunched comic strip Mark Trail, originally launched in 1946, with cartoonist Jules Rivera, author of comic strip Love, Joolz, at the helm.[32]
Animation, comic books, and licensing
Many King characters were adapted to animation, both theatrical and television cartoons.[33] Strips from King Features were often reprinted by comic book publishers. In 1967, King Features made an effort to publish comic books of its own by establishing King Comics. This short-lived comic-book line showcased King's best-known characters in seven titles:
The comics imprint existed for a year-and-a-half, with titles cover-dated from August 1966 to December 1967. When it ended, the books were picked up and continued by Gold Key Comics, Harvey Comics, and Charlton Comics.
In 1967, Al Brodax, then the president of King Features, pitched The Beatles manager Brian Epstein on turning their hit song "Yellow Submarine" into an animated movie. The film was widely considered to be the first animated film for adult audiences, despite its G-rating in United States.[34]
In addition to extensive merchandising and licensing of such iconic characters as Betty Boop, Felix the Cat, and Popeye, King Features has diversified to handle popular animation and TV characters (from "Kukla, Fran and Ollie" and "Howdy Doody" to "Mr. Bill" and "Mr. Magoo"), plus publicly displayed, life-sized art sculptures — "CowParade", "Guitarmania" and "The Trail of the Painted Ponies." King Features also represents David and Goliath, an apparel and accessories line popular with teenagers.
As a sales tool, the King Features design team created colorful strip sample folders resembling movie press kits. With rising paper costs and the downsizing of newspapers, the comic-strip arena became increasingly competitive, and by 2002, King salespeople were making in-person pitches to 1,550 daily newspapers across America. King was then receiving more than 6,000 strip submissions each year, yet it accepted only two or three annually. Interviewed in 2002 by Catherine Donaldson-Evans of Fox News, Kennedy commented:
It is difficult for cartoonists to break into syndication, but contrary to popular understanding, there's more new product being pitched now than 30 years ago. In that regard, there are more opportunities for new cartoonists. There's a finite amount of space to run comic strips—less now than 50 years ago. There are fewer two-paper cities and a lot of papers have shrunk their page size. New strips can succeed. The new cartoonists just have to be that much better.[38]
One of the first original animation projects of King Features Animation is The Cuphead Show! for Netflix, an animated series based on the video game Cuphead by Studio MDHR, known for its use of fully hand-drawn characters and animations in the style of Fleischer Studios. The series had started development since July 2019,[39] and was released on February 18, 2022.
On May 11, 2020, it was announced that a Popeye movie is in development at King Features Syndicate with Genndy Tartakovsky coming back to the project.[41]
Confronted by newspaper cutbacks, King Features has explored new venues, such as placing comic strips on mobile phones. In 2006, it launched DailyINK. On a web page and via email, the DailyINK service made available more than 90 vintage and current comic strips, puzzles, and editorial cartoons.[43] The vintage strips included Bringing Up Father, Buz Sawyer, Flash Gordon, Krazy Kat, The Little King, The Phantom, and Rip Kirby. King Features editor-in-chief Jay Kennedy introduced the service early in 2006, commenting:
Comics are consistently ranked among the most popular sections by newspaper readers. However, because of space, newspapers are not able to offer as vast a selection as many readers would like, and therefore millions of comic lovers are often not exposed to some of the most creative strips. In creating DailyINK, we wanted to ensure that fans had a destination where they could experience our complete lineup of award-winning comic artists and writers. DailyINK really sets the standard for comics online. By offering all of our current favorites updated daily, along with access to our archives of beloved characters as well as political humor and games, we have designed DailyINK.com as a destination fans will want to visit every day for something new.[44]
With 11,000 subscribers by June 2010, more vintage strips were added to DailyINK, including Barney Google, Beetle Bailey, Big Ben Bolt, Brick Bradford, The Heart of Juliet Jones, Jackys Diary, The Katzenjammer Kids, Little Iodine, Mandrake the Magician, Office Hours, Quincy and Radio Patrol. On November 15, 2010, a subscription rate increase to $19.99 was announced, effective December 15, 2010, with applications available on iPhone, iPad, and iPod Touch, plus a "new and improved" DailyINK in 2011. The redesign was by Blenderbox.[45] Added features included original publication dates, a forum, and a blog, mostly promotional, but also with "Ask the Archivist" posts exploring comic-strip history. The "Last 7" feature enables the reader to see a week's worth of comics on one page.
On January 13, 2012, the DailyINK app was voted as the People's Champ in the Funny category in the 2011 Pixel Awards. Established in 2006, the Pixel Awards honor sites and apps displaying excellence in web design and development. Other nominees in the Funny category: JibJab Media Inc, Threaded, Snowball of Duty: White Opps and SoBe Staring Contest.[46]
In 2012, Jackys Diary was dropped from DailyINK, and the Archivist explained: "Unfortunately, we no longer have the rights to publish the strip."[47]
In December 2013, Daily INK was relaunched as part of King Feature's Comics Kingdom.[48][49]
Comics Kingdom (2008–present)
In November 2008, King Features introduced Comics Kingdom, a digital platform that newspapers can embed on their sites. Comics Kingdom splits advertising revenue with newspapers carrying the feature; those papers make local sales, while King handles national sales. During the 30-day period in which strips are made available on the newspaper sites, readers can post comments on local community forums.[50]
In January 2019, to commemorate Popeye's 90th birthday, multiple King Features cartoonists drew their own versions of the comic and published those strips on Comics Kingdom. One comic included the cast of Netflix's Queer Eye giving Popeye a makeover.[51]
In November 2019, Comics Kingdom launched a YouTube channel featuring classic cartoons from King Features archives.[52] Before launching the channel, in December 2018, King Features launched a series of animated Popeye shorts to its primary YouTube channel, in celebration of the character's 90th "birthday."[53]
As of January 2022, Comics Kingdom features comic strips and editorial cartoons which can be accessed and read online. This website also features some interactive puzzles. Comics are updated every day, plus a one-year archive is available. Older comics can be accessed by being a Comics Kingdom Royal (a paid member, subscribed to their premium subscription service). Comics Kingdom also features over 30 of comic strips in Spanish.[55][56]
A la Carte Online Comics
King's A la Carte Online Comics offers syndication of specific strips aimed at "precisely defined audiences" of specialized websites. These are available in such categories as Animals, Environmental, Military, and Technology.[57]
King Features Weekly Planet
King Features Weekly Planet was created as an online newspaper of King's columns, comics, and puzzles.[58]
Dennis the Menace by Hank Ketcham, currently by Scott Ketcham, Marcus Hamilton and Ron Ferdinand (began 1951, moved from News America Syndicate in 1986)
Dustin by Steve Kelley and Jeff Parker (began 2010)
Archie by Bob Montana, Stan Goldberg, Dan De Carlo, Greg Scarpelli and Craig Boldman (1946—2011, moved from McClure Syndicate in c. 1955 and moved in c. 1995 to Creators Syndicate, currently in reruns)
A comic strip is a sequence of cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics.
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.
The Katzenjammer Kids is an American comic strip created by Rudolph Dirks in 1897 and later drawn by Harold Knerr for 35 years. It debuted on December 12, 1897, in the American Humorist, the Sunday supplement of William Randolph Hearst's New York Journal. The comic strip was turned into a stage play in 1903. It inspired several animated cartoons and was one of 20 strips included in the Comic Strip Classics series of U.S. commemorative postage stamps.
An editorial cartoonist, also known as a political cartoonist, is an artist who draws editorial cartoons that contain some level of political or social commentary. Their cartoons are used to convey and question an aspect of daily news or current affairs in a national or international context. Political cartoonists generally adopt a caricaturist style of drawing, to capture the likeness of a politician or subject. They may also employ humor or satire to ridicule an individual or group, emphasize their point of view or comment on a particular event.
Mutt and Jeff is a long-running and widely popular American newspaper comic strip created by cartoonist Bud Fisher in 1907 about "two mismatched tinhorns". It is commonly regarded as the first daily comic strip. The concept of a newspaper strip featuring recurring characters in multiple panels on a six-day-a-week schedule had previously been pioneered through the short-lived A. Piker Clerk by Clare Briggs, but it was Mutt and Jeff as the first successful daily comic strip that staked out the direction of the future trend.
Print syndication distributes news articles, columns, political cartoons, comic strips and other features to newspapers, magazines and websites. The syndicates offer reprint rights and grant permissions to other parties for republishing content of which they own and/or represent copyrights. Other terms for the service include a newspaper syndicate, a press syndicate, and a feature syndicate.
Elzie Crisler Segar, known by the pen name E. C. Segar, was an American cartoonist best known as the creator of Popeye, a pop culture character who first appeared in 1929 in Segar's comic strip Thimble Theatre.
Barney Google and Snuffy Smith, originally Take Barney Google, for Instance, is an American comic strip created by cartoonist Billy DeBeck. Since its debut on June 17, 1919, the strip has gained a large international readership, appearing in 900 newspapers in 21 countries. The initial appeal of the strip led to its adaptation to film, animation, popular song, and television. It added several terms and phrases to the English language and inspired the 1923 hit tune "Barney Google " with lyrics by Billy Rose, as well as the 1923 record "Come On, Spark Plug!"
Henry is a comic strip created in 1932 by Carl Thomas Anderson. The title character is a young bald boy who is mostly mute in the comics. Except in a few early episodes, when the comic strip character communicates, he does so largely but not entirely through pantomime. He also spoke in a comic book series of 1946–1961 and in at least one Betty Boop cartoon from 1935 in which Betty Boop has a pet shop and Henry speaks to a dog in the window.
A daily strip is a newspaper comic strip format, appearing on weekdays, Monday through Saturday, as contrasted with a Sunday strip, which typically only appears on Sundays. They typically are smaller, 3–4 grids compared to the full page Sunday strip and are black and white.
The Little King is an American gag-a-day comic strip created by Otto Soglow, which ran from 1930 to 1975. Its stories are told in a style using images and very few words, as in pantomime.
Darrin Bell is a Pulitzer Prize-winning American editorial cartoonist and comic strip creator known for the syndicated comic strips Candorville and Rudy Park. He is a syndicated editorial cartoonist with King Features.
Radio Patrol is a police comic strip carried in newspapers from August 7, 1933, to December 16, 1950, in the dailies, with a Sunday strip that ran from November 25, 1934, to October 20, 1946. It was created by artist Charles Schmidt and writer Eddie Sullivan, who both worked for the Boston American. Sullivan was a newspaper reporter who specialized in crime reporting.
Jay Malcolm Kennedy was an American editor and writer. The author of The Official Underground and Newave Comix Price Guide, he was a long-time editor at King Features Syndicate, eventually rising to the position of editor-in-chief.
A comic strip syndicate functions as an agent for cartoonists and comic strip creators, placing the cartoons and strips in as many newspapers as possible on behalf of the artist. A syndicate can annually receive thousands of submissions, from which only two or three might be selected for representation. In some cases, the work will be owned by the syndicate as opposed to the creator. The Guinness World Record for the world's most syndicated strip belongs to Jim Davis' Garfield, which at that point (2002) appeared in 2,570 newspapers, with 263 million readers worldwide.
Popeye the Sailor is a fictional cartoon character created by Elzie Crisler Segar. The character first appeared on January 17, 1929, in the daily King Features comic strip Thimble Theatre. The strip was in its tenth year when Popeye made his debut, but the one-eyed sailor quickly became the lead character, and Thimble Theatre became one of King Features' most popular properties during the 1930s. Following Segar's death in 1938, Thimble Theatre was continued by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip continues to appear in first-run installments on Sundays, written and drawn by R. K. Milholland. The daily strips are reprints of old Sagendorf stories.
Andrews McMeel Syndication is an American content syndicate which provides syndication in print, online and on mobile devices for a number of lifestyle and opinion columns, comic strips and cartoons and various other content. Some of its best-known products include Dear Abby, Doonesbury, Ziggy, Garfield, Ann Coulter, Richard Roeper and News of the Weird. A subsidiary of Andrews McMeel Universal, it is headquartered in Kansas City, Missouri. It was formed in 2009 and renamed in January 2017.
Ollie and Quentin is a British comic strip created by the British cartoonist Piers Baker in 2002 and later distributed by King Features Syndicate.
DailyINK was an online service created by King Features Syndicate to email many classic and current comic strips directly to subscribers for an annual fee of $19.99. King Features described it as "the all-inclusive subscription service for the true comics fan." On a web site and via email, the DailyINK service made available more than 90 vintage and current comic strips, panels, games, puzzles and editorial cartoons.
Sylvan S. Byck was an American editor and cartoonist, who was the comic strip editor for King Features Syndicate for over 30 years, in which position he evaluated "up to 2000 comics submissions a year."
↑ A Directory of Newspaper Syndicates in the United States (compiled from the Ayer Newspaper Directory for 1936 and Editor and Publisher International Year Book for 1936.)
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