The Sunday Funnies

Last updated
The Sunday Funnies
Sundaylogo.jpg
Editor Russ Cochran
Categories Comic strips
FrequencyMonthly
PublisherRuss Cochran Publishing
Founded2011
Country United States of America
LanguageEnglish

The Sunday Funnies is a publication reprinting vintage Sunday comic strips at a large size (16"x22") in color. The format is similar to that traditionally used by newspapers to publish color comics, yet instead of newsprint, it is printed on a quality, non-glossy, 60-pound offset stock for clarity and longevity. Featured are classic American comic strips from the late 19th century to the 1930s. [1] [2] The publication's title is taken from the generic label ("Sunday funnies") often used for the color comics sections of Sunday newspapers.

Contents

Publisher

It was launched December 2011 by editor-publisher Russ Cochran, who was associated with the classic comics reprints of Another Rainbow Publishing, Gladstone Publishing and Gemstone Publishing. [2] Cochran stated, "These are full-size, full-page comics from the greatest years of newspaper comics. Initial print runs will be very small and early issues are likely to sell out." [3]

The source of the strips is the Billy Ireland Cartoon Library & Museum [1] at Ohio State University, which houses Bill Blackbeard's collection of comic strips, the largest and most comprehensive in the world. [2] Design and production is by Michael Kronenberg, who previously designed the EC Archives for Cochran. [4]

Comic strips

The front cover of The Sunday Funnies' first issue features the comic strip Crazy Quilt (April 19, 1914), a collaboration of six different cartoonists: Everett Lowry, Frank King, Quin Hall, Dean Cornwell, Lester J. Ambrose and Charles Lederer. Sundayfuncochran.jpg
The front cover of The Sunday Funnies' first issue features the comic strip Crazy Quilt (April 19, 1914), a collaboration of six different cartoonists: Everett Lowry, Frank King, Quin Hall, Dean Cornwell, Lester J. Ambrose and Charles Lederer.

The Sunday Funnies was originally planned as a 32-page monthly. Budget considerations, however, led Cochran to instead publish it as a 96-page quarterly, divided into three separate 32-page sections. [3] Section one (labeled "Section A") of the first issue features Alley Oop , Bronc Peeler , Crazy Quilt, Gasoline Alley , Krazy Kat and Wee Willie Winkie's World , plus brief notes on the strips by Cochran. [1] Section B features the above strips, plus Dudley Fisher's Right Around Home . Section C introduces George Herriman's Stumble Inn. The daily Gasoline Alley strips of February 14–15, 1921, are added on The Sunday Funnies' editorial page to show the arrival of Skeezix as a newborn baby on the doorstep of Walt Wallet. Also featured in the third section is an essay by Cochran, "The Vanishing Newspaper", decrying libraries' destruction of newspapers once they had been microfilmed and praising Blackbeard's role in comics preservation.

Comic strips announced as forthcoming are Frank King's Bobby Make-Believe, Buck Rogers , Frank Godwin's Connie , Flash Gordon , Billy Ireland's The Passing Show, Polly and Her Pals , Winsor McCay's A Tale of the Jungle Imps by Felix Fiddle and Terry and the Pirates . [5]

Reaction

Captain Comics reviewed the debut issue of The Sunday Funnies:

Gasoline Alley: The current Walt and Skeezix series (volume five of which shipped recently and covers 1929-1930) reprints dailies only. There was a single volume of color Sundays released a couple of years ago, but it is not comprehensive. Frank King is known equally for his innovative Sunday layout and design as he is for his ongoing narrative in which the characters age in real time. The earliest strips are printed in duotone red and white, but full color was added after a while. This is easily my favorite feature. Alley Oop: There isn’t a comprehensive collection of Alley Oop dailies or Sundays. My second favorite feature... Stumble Inn: A thematic precursor to Berke Breathed’s Bloom County (the early days, anyway). Herriman must have been an influence on Breathed, because certain aspects of later Bloom Country, and especially its follow-up, Outland, greatly resembled Krazy Kat... These strips are reprinted in the original size, a Sunday broadsheet. The paper stock is thick, non-glossy and brilliantly white, beautifully showcasing the original colors (as well as the slight yellowing of the source paper)... Editor Russ Cochran also provides his e-mail address for feedback regarding future features. [6]

See also

Related Research Articles

<span class="mw-page-title-main">Comic strip</span> Short serialized comics

A comic strip is a sequence of cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics.

<i>Gasoline Alley</i> Comic strip created by Frank King

Gasoline Alley is a comic strip created by Frank King and distributed by Tribune Content Agency. It centers on the lives of patriarch Walt Wallet, his family, and residents in the town of Gasoline Alley, with storylines reflecting traditional American values.

<span class="mw-page-title-main">George Herriman</span> American cartoonist (1880–1944)

George Joseph Herriman III was an American cartoonist best known for the comic strip Krazy Kat (1913–1944). More influential than popular, Krazy Kat had an appreciative audience among those in the arts. Gilbert Seldes' article "The Krazy Kat Who Walks by Himself" was the earliest example of a critic from the high arts giving serious attention to a comic strip. The Comics Journal placed the strip first on its list of the greatest comics of the 20th century. Herriman's work has been a primary influence on cartoonists such as Elzie C. Segar, Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

<i>Alley Oop</i> American comic strip

Alley Oop is a syndicated comic strip created December 5, 1932, by American cartoonist V. T. Hamlin, who wrote and drew the strip through four decades for Newspaper Enterprise Association. Hamlin introduced a cast of colorful characters and his storylines entertained with a combination of adventure, fantasy, and humor. Alley Oop, the strip's title character, is a sturdy citizen in the prehistoric kingdom of Moo. He rides his pet dinosaur Dinny, carries a stone axe, and wears only a fur loincloth.

<span class="mw-page-title-main">Frank King (cartoonist)</span> American cartoonist

Frank Oscar King was an American cartoonist best known for his comic strip Gasoline Alley. In addition to innovations with color and page design, King introduced real-time continuity in comic strips by showing his characters aging over generations.

<i>Comics Revue</i>

Comics Revue is a bi-monthly small press comic book published by Manuscript Press and edited by Rick Norwood. Don Markstein edited the publication from 1984 to 1987 and 1992 to 1996.

<span class="mw-page-title-main">Topper (comic strip)</span>

A topper in comic strip parlance is a small secondary strip seen along with a larger Sunday strip. In the 1920s and 1930s, leading cartoonists were given full pages in the Sunday comics sections, allowing them to add smaller strips and single-panel cartoons to their page.

<i>The Funnies</i> Comic character publication

The Funnies was the name of two American publications from Dell Publishing, the first of these a seminal 1920s precursor of comic books, and the second a standard 1930s comic book.

<span class="mw-page-title-main">Sunday comics</span>

The Sunday comics or Sunday strip is the comic strip section carried in most western newspapers. Compared to weekday comics, Sunday comics tend to be full pages and are in color. Many newspaper readers called this section the Sunday funnies, the funny papers or simply the funnies.

<span class="mw-page-title-main">Bill Blackbeard</span> Writer

William Elsworth Blackbeard, better known as Bill Blackbeard, was a writer-editor and the founder-director of the San Francisco Academy of Comic Art, a comprehensive collection of comic strips and cartoon art from American newspapers. This major collection, consisting of 2.5 million clippings, tearsheets and comic sections, spanning the years 1894 to 1996, has provided source material for numerous books and articles by Blackbeard and other researchers.

<i>Krazy Kat</i> American comic strip by George Herriman which ran from 1913 to 1944

Krazy Kat is an American newspaper comic strip, by cartoonist George Herriman, which ran from 1913 to 1944. It first appeared in the New York Evening Journal, whose owner, William Randolph Hearst, was a major booster for the strip throughout its run. The characters had been introduced previously in a side strip with Herriman's earlier creation, The Dingbat Family. The phrase "Krazy Kat" originated there, said by the mouse by way of describing the cat. Set in a dreamlike portrayal of Herriman's vacation home of Coconino County, Arizona, KrazyKat's mixture of offbeat surrealism, innocent playfulness and poetic, idiosyncratic language has made it a favorite of comics aficionados and art critics for more than 80 years.

<i>Nemo</i> (magazine) Magazine focusing on the history and creators of vintage comic strips

Nemo, the Classic Comics Library was a magazine devoted to the history and creators of vintage comic strips. Created by comics historian Rick Marschall, it was published between 1983 and 1990 by Fantagraphics.

<i>Toots and Casper</i> American comic strip by Jimmy Murphy

Toots and Casper is a family comic strip by Jimmy Murphy, distributed to newspapers for 37 years by King Features Syndicate, from December 17, 1918 to December 30, 1956. The strip spawned many merchandising tie-ins, including books, dolls, paper dolls, pins, bisque nodders and comic books.

Comic strip formats vary widely from publication to publication, so that the same newspaper comic strip may appear in a half-dozen different formats with different numbers of panels, different sizes of panels and different arrangement of panels.

<i>Polly and Her Pals</i> 1912–1958 American newspaper comic strip

Polly and Her Pals is an American comic strip, created by cartoonist Cliff Sterrett, which ran from December 4, 1912, until December 7, 1958. It is regarded as one of the most graphically innovative strips of the 20th century. It debuted as Positive Polly on December 4, 1912, in William Randolph Hearst's newspapers, initially the New York Journal, and was later distributed by King Features Syndicate. The title changed to Polly and Her Pals on January 17, 1913.

Baron Bean is a newspaper comic strip created by the cartoonist George Herriman. Baron Bean was distributed by King Features Syndicate.

Allan Holtz is a comic strip historian who researches and writes about newspaper comics for his Stripper's Guide blog, launched in 2005. His research encompasses some 7,000 American comic strips and newspaper panels. In addition to his contributions to Hogan's Alley and other publications about vintage comic strips, he is the author of American Newspaper Comics: An Encyclopedic Reference Guide (2012). He is a resident of Tavares, Florida.

Russ Cochran was a publisher of EC Comics reprints, Disney comics, and books on Hopalong Cassidy, Chet Atkins, Les Paul, and vacuum tubes. He was a publisher for over 30 years, after quitting his job as a physics professor.

The Sunday Funnies is a newspaper-sized anthology published by Russ Cochran, reprinting vintage syndicated Sunday comic strips.

The Dingbat Family is a comic strip by American cartoonist George Herriman that ran from June 20, 1910, to January 4, 1916. It introduced Herriman's most famous pair of characters: Krazy Kat and Ignatz Mouse, who later featured in Herriman's best-known strip Krazy Kat (1913–1944).

References

  1. 1 2 3 Bhob Stewart (2011-12-17). "Saturday, December 17, 2011". Potrzebie. Retrieved 2012-01-01.
  2. 1 2 3 "Russ Cochran launches Sunday Funnies". The Beat: The News Blog of Comics Culture. 2011-12-19. Retrieved 2011-12-31.
  3. 1 2 "Cochran's Sunday Funnies Mails Next Week". Diamond Comic Distributors. 2011-12-31. Archived from the original on January 21, 2013. Retrieved 2012-01-01.
  4. Grand Comics Database
  5. "Russ Cochran Launches The Sunday Funnies". Diamond Comic Distributors. 2011-12-31. Archived from the original on January 21, 2013. Retrieved 2012-01-01.
  6. Captain Comics, January 13, 2012.