Industry | Print syndication |
---|---|
Founded | 1910 |
Founder | Virgil Venice McNitt |
Defunct | 1971 |
Fate | absorbed into King Features Syndicate |
Headquarters | , |
Key people | Leslie Eichel Frank McLearn Murray Rosenblatt |
Products | features, columns, comic strips, photographs |
Owners | Virgil Venice McNitt (1910–1930) King Features Syndicate (1930–1971) |
Subsidiaries | North American Press Syndicate Editors Feature Service |
The Central Press Association was American newspaper syndication company based in Cleveland, Ohio. It was in business from 1910 to 1971. Originally independent, it was a subsidiary of King Features Syndicate from 1930 onwards. At its peak, the Central Press supplied features, columns, comic strips, and photographs to more than 400 newspapers and 12 million daily readers. Notable comic strips that originated with Central Press include Brick Bradford , Etta Kett , and Muggs McGinnis (later titled Muggs and Skeeter ).
Virgil Venice McNitt (1881–1964), the managing editor of the Cleveland Press , founded the Central Press Association in Cleveland in 1910. [1] [2] In 1912, McNitt acquired the Chicago-based North American Press Syndicate and merged it into the Central Press. [1] [3] That same year, McNitt entered into arrangements to publish works authored by William Jennings Bryan and Jane Addams. Other early features were Bob Satterfield's cartoons, Edna K. Wooley's column, and a sports column by Ed Bang. [4]
He hired Bryan to cover the 1912 Republican and Democratic National Conventions for the Central Press. [1] [5] [6] He also made a deal with Addams to circulate her Progressive Party Platforms to newspaper across the country. [7]
In 1920, McNitt founded a separate, New York City-based Central Press Association, which was soon absorbed by his new McNaught Syndicate (founded in 1922). [8]
By 1925, the original Central Press's features had 12 million daily readers and was the largest newspaper picture service in the United States. [9] In 1927, the Central Press also took over the Editors Feature Service [8] and in August 1929 it acquired control of Johnson Features.
Also in 1929, the company constructed a mechanical production plant in New York, again forming a Central Press Association of New York, Inc. to operate the new plant. [10]
Virgil McNitt remained the president and general manager of the Central Press from its founding in 1910 until 1930, when he sold the service to King Features Syndicate, part of the Hearst newspaper syndicate, which retained the Central Press as a separate division. [10] Frank McLearn was managing editor of the Central Press at the time of the sale, eventually becoming president and general manager of King Features Syndicate. [11]
William H. Ritt wrote sports features and comic strips for the Central Press Association, including the strips Brick Bradford and Chip Collins Adventures, and possibly ghosting for Gilbert Patten on Frank Merriwell's Schooldays. [12]
Central Press didn't introduce any new comic strips after circa 1934; King Features took over syndication of all Central Press's strips circa 1937.[ citation needed ]
Murray Rosenblatt was the managing editor of the Central Press from 1946 to 1961. [13]
The Central Press Association continued to operate as a separate division specializing in producing material for small-town newspapers [14] until ceasing operations in 1971. [15]
Strips and panels that originated with the Central Press Association, the North American Press Syndicate, or Editors' Feature Services:
United Feature Syndicate, Inc. (UFS) is a large American editorial column and comic strip newspaper syndication service based in the United States and established in 1919. Originally part of E. W. Scripps Company, it was part of United Media from 1978 to 2011, and is now a division of Andrews McMeel Syndication. United Features has syndicated many notable comic strips, including Peanuts, Garfield, Li'l Abner, Dilbert, Nancy, and Marmaduke.
The Newspaper Enterprise Association (NEA) is an editorial column and comic strip newspaper syndication service based in the United States and established in 1902. The oldest syndicate still in operation, the NEA was originally a secondary news service to the Scripps Howard News Service; it later evolved into a general syndicate best known for syndicating the comic strips Alley Oop, Our Boarding House, Freckles and His Friends, The Born Loser, Frank and Ernest, and Captain Easy / Wash Tubbs; in addition to an annual Christmas comic strip. Along with United Feature Syndicate, the NEA was part of United Media from 1978 to 2011, and is now a division of Andrews McMeel Syndication. The NEA once selected college All-America teams, and presented awards in professional football and professional basketball.
Frances Edwina Dumm was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina.
Feature Comics, originally Feature Funnies, was an American comic book anthology series published by Quality Comics from 1939 until 1950, that featured short stories in the humor genre and later the superhero genre.
Frank Merriwell is a fictional character appearing in a series of novels and short stories by Gilbert Patten, who wrote under the pseudonym Burt L. Standish. The character appeared in over 300 dime novels between 1896 and 1930, numerous radio dramas in 1934 and again from 1946 through 1949, a comic strip from 1928 through 1936, a comic book Frank Merriwell At Yale, and a 12-chapter serialized film in 1936. The book series was relaunched in 1965, but only three books were published.
Francis Godwin was an American illustrator and comic strip artist, notable for his strip Connie and his book illustrations for Treasure Island, Kidnapped, Robinson Crusoe, Robin Hood and King Arthur. He also was a prolific editorial and advertising illustrator.
The McNaught Syndicate was an American newspaper syndicate founded in 1922. It was established by Virgil Venice McNitt and Charles V. McAdam. Its best known contents were the columns by Will Rogers and O. O. McIntyre, the Dear Abby letters section and comic strips, including Joe Palooka and Heathcliff. It folded in September 1989.
Allan Holtz is an American comic strip historian who researches and writes about newspaper comics for his Stripper's Guide blog, launched in 2005. His research encompasses some 7,000 American comic strips and newspaper panels. In addition to his contributions to Hogan's Alley and other publications about vintage comic strips, he is the author of American Newspaper Comics: An Encyclopedic Reference Guide (2012). He is a resident of Tavares, Florida.
Frank M. Borth III was an American comic book artist.
McClure Newspaper Syndicate, the first American newspaper syndicate, introduced many American and British writers to the masses. Launched in 1884 by publisher Samuel S. McClure, it was the first successful company of its kind. It turned the marketing of comic strips, columns, book serials and other editorial matter into a large industry, and a century later, 300 syndicates were distributing 10,000 features with combined sales of $100 million a year.
The Bell Syndicate, launched in 1916 by editor-publisher John Neville Wheeler, was an American syndicate that distributed columns, fiction, feature articles and comic strips to newspapers for decades. It was located in New York City at 247 West 43rd Street and later at 229 West 43rd Street. It also reprinted comic strips in book form.
The Register and Tribune Syndicate was a syndication service based in Des Moines, Iowa, that operated from 1922 to 1986, when it was acquired by King Features to become the Cowles Syndicate affiliate. At its peak, the Register and Tribune Syndicate offered newspapers some 60 to 75 features, including editorial cartoonist Herblock, comic strips, and commentaries by David Horowitz, Stanley Karnow, and others.
Robert William Satterfield, also known as "Sat", was an American cartoonist known for his editorial cartoons; he also created the comic strips The Family Next Door, Oh Thunder, and The Bicker Family; as well as the daily panels Sat's Bear and Days We'll Never Forget, as well as Bizzy Bear.
Publishers Newspaper Syndicate was a syndication service based in Chicago that operated from 1925 to 1967, when it merged with the Hall Syndicate. Publishers syndicated such long-lived comic strips as Big Chief Wahoo/Steve Roper, Mary Worth, Kerry Drake, Rex Morgan, M.D., Judge Parker, and Apartment 3-G.
The Public Ledger Syndicate was a syndication company operated by the Philadelphia Public Ledger that was in business from 1915 to circa 1950. The Ledger Syndicate distributed comic strips, panels, and columns to the United States and the United Kingdom, Ireland, Canada, Sweden, New Zealand, and Australia. The syndicate also distributed material from the Curtis Publishing Company's other publications, including The Saturday Evening Post, Ladies' Home Journal, and The Country Gentleman.
The Frank Jay Markey Syndicate was a small print syndication service that distributed comic strips and columns from the mid-1930s to c. 1950. Although small in size, the syndicate distributed strips by a number of notable cartoonists, including Ed Wheelan, Rube Goldberg, Boody Rogers, and Frank Borth. The syndicate also provided material for the burgeoning comic book industry, for companies like Quality Comics and Columbia Comics.
Metropolitan Newspaper Service (MNS) was a syndication service based in New York City that operated from 1919 to 1932. At first the syndication service of Metropolitan Magazine, it soon became affiliated with the Bell Syndicate, and then was acquired and absorbed into United Feature Syndicate.
Muggs and Skeeter was an American gag-a-day daily comic strip by Wally Bishop which ran from 1927 to 1974. Originally titled Muggs McGinnis, it was syndicated by the Central Press Association and then King Features Syndicate.
Horace T. Elmo was an American comic strip cartoonist particularly active in the 1930s and 1940s; he also ran a comic strip syndication service whose main claim to fame was that it employed Jack Kirby in the late 1930s.