Rip Off Press

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Rip Off Press
RipOffPress-logo.jpg
Founded1969
FoundersFred Todd, Dave Moriaty, Gilbert Shelton, Jack Jackson
Headquarters location San Francisco (1969–1987)
Auburn, California (1987–present)
Publication types Comics
Nonfiction topics Politics, Recreational drugs
Fiction genres Underground comix
Imprints Iguana Comics [1] (changed to Magnecom in 1993) [2]
Official website www.ripoffpress.com

Rip Off Press Inc. is a comic book mail order retailer and distributor, better known as the former publisher of adult-themed series like The Fabulous Furry Freak Brothers and Rip Off Comix , as well as many other seminal publications from the underground comix era. Founded in 1969 in San Francisco by four friends from Austin, Texas — cartoonists Gilbert Shelton and Jack Jackson, and Fred Todd and Dave Moriaty — Rip Off Press is now run in Auburn, California, by Todd.

Contents

Rip Off Press is notable for being the first company to publish the fourth edition of the Principia Discordia , a Discordian religious text written by Gregory Hill and Kerry Thornley. It was also an early publisher of a booklet on drug manufacturing, Psychedelic Chemistry.

History

Origins

In January 17, 1969, the company was founded in San Francisco by four Texans: Fred Todd, Dave Moriaty, and cartoonists Gilbert Shelton and Jack Jackson. The initial plan was to print rock band promotional posters on an old press and do comics on the side — in some ways the company was formed as a sort of cartoonists' cooperative, as an alternative publishing venue to other Bay Area publishers like Apex Novelties, Print Mint, and Company & Sons. [3] The four men purchased a used Davidson 233 offset printing press and set up shop in the same space as Apex Novelties, located on the third-floor ballroom of the former Mowry's Opera House, at 633 Laguna Street in Hayes Valley. [4]

The first comics Rip Off Press published, in 1969, were R. Crumb's Big Ass Comics (June '69), a reprint of Jaxon's God Nose (originally published in 1964), Jaxon's Happy Endings Comics (August '69), and the first issue of Fred Schrier and Dave Sheridan's Mother's Oats Comix (October '69).

After a fire almost destroyed the opera house in late 1969, Rip Off moved to the decaying former headquarters of the Family Dog psychedelic rock music promotion collective [4] (which Jaxon had been a member of starting in 1966). Rip Off Press was located at 1250 17th Street in San Francisco from 1970 until 1985.

By 1972, the poster printing business had faded away and the company had become a publishing house. Other works the company published during this period included comics by Frank Stack, Sheridan (all co-published with Gary Arlington's San Francisco Comic Book Company), The Rip Off Review of Western Culture omnibus, and Shelton's The Fabulous Furry Freak Brothers .

Changing times

As the underground comix market began to peter out in the early 1970s, Rip Off Press shifted its focus to other cartoonists and other comics. By this point, Rip Off Press co-founders Moriaty and Jackson had gone back to Texas, leaving the running of the company to Shelton and Todd. [5]

The company started a syndication service, managed by Shelton, that sold weekly content to alternative newspapers and student publications. [5] Each Friday, the company sent out a distribution sheet with the strips it was selling, by such cartoonists as Shelton, Joel Beck, Dave Sheridan, Ted Richards, Bill Griffith, and Harry Driggs (as R. Diggs). The Rip Off Press Syndicate, never really a profitable operation, was discontinued by 1979. [5] (Griffith's Zippy, which had debuted in 1976 as a weekly strip with Rip Off's syndicate, [6] was picked up for daily syndication in 1986 by King Features Syndicate.) Much of the material produced for the syndicate was eventually published in the company's long-running anthology Rip Off Comix , which had debuted in 1977.

In 1979, Universal Studios paid Shelton and Rip Off Press $250,000 for the rights to make a live-action Fabulous Furry Freak Brothers film. [5] Rip Off used its share of the rights fees to buy a new typesetting machine and a computer system, [5] which enabled it in turn to launch the mail order business that later became integral to the company's survival. (The Universal-produced Freak Brothers film never made it to production.) [5]

The future Kathe Todd, who first came to the company in 1975 for a college summer job, married co-founder Fred Todd in 1980; by the mid-1980s she had assumed co-management of the company. [7]

Cartoonist Jay Kinney joined the company as an editor in 1981, [8] but left after a few months. [9] Cartoonist Guy Colwell began freelancing for Rip Off Press in the production department beginning in 1980; he worked on-and-off for the company through c.1990. [10]

After bouncing back and forth between Europe and the Bay Area in the late 1970s and early 1980s (thanks to the money he received from Universal), [5] co-founder Shelton and his wife permanently relocated to France in 1984. [11]

In mid-1985, the company moved from 17th Street to a smaller space on San Jose Avenue near the city's southern border, with warehouse space across town at the Bayview Industrial Park. This three-story, block-square building, which housed over a hundred other businesses, burned to the ground on April 6, 1986, following an explosion in an illegal fireworks factory in the basement. [12]

Relocation to Auburn

Freed of a 17-year accumulation of comics and other paraphernalia, Fred Todd (at this point the only original partner still working in the business) decided to relocate Rip Off Press to Auburn, California (part of the Sacramento metropolitan area), where he and Kathe continued to run the company while raising their two small children. [5] The move was made in June 1987.[ citation needed ]

During this era, Rip Off Press continued to publish Shelton's The Fabulous Furry Freak Brothers and the Rip Off Comix anthology; the popularity of erotic comics in the late 1980s/early 1990s led to the publication of such titles as Strips by Chuck Austen, The Girl by Kevin J. Taylor, Doll by Guy Colwell, and SS Crompton's Demi the Demoness .[ citation needed ]

The company published two music-related indy comics titles by Matt Howarth Savage Henry and Those Annoying Post Bros. , from 1989 to 1994. Rip Off Press also took over the publication of the long-running all-female underground anthology Wimmen's Comix with issue #14 (1989) of that title, publishing it through 1993.[ citation needed ]

Shift from publishing to retailing

After the collapse of the direct market in the early 1990s [13] (fueled by Marvel Comics' withdrawal of its 40% market share from the distribution system), [14] [15] Rip Off Press began cutting costs and gradually retreated from publishing. [16] [17]

By 1997, it had shifted its business to selling backlist comics in its store and to mail-order customers, plus to the fans finding them online. [18] The Todds moved the business to much smaller quarters adjoining their home in 1999, where they continue to sell comics, mostly through the company website.[ citation needed ]

The website was disabled for a time in 2011–2012, during which time it was completely redesigned and a large number of collectors' items (including historic ad pieces, rare press sheets, publisher's overlay proofs from the company's publishing history, and more) were added to its offerings.[ citation needed ]

Selected titles and artists

Syndication service strips

Comics

Related Research Articles

<span class="mw-page-title-main">Underground comix</span> Comics genre

Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.

<i>The Fabulous Furry Freak Brothers</i> American comic book

The Fabulous Furry Freak Brothers is an underground comic about a fictional trio of stoner characters, created by the American artist Gilbert Shelton. The Freak Brothers first appeared in The Rag, an underground newspaper published in Austin, Texas, beginning in May 1968, and were regularly reprinted in underground papers around the United States and in other parts of the world. Later their adventures were published in a series of comic books.

<span class="mw-page-title-main">Gilbert Shelton</span> American cartoonist, born 1940

Gilbert Shelton is an American cartoonist and a key member of the underground comix movement. He is the creator of the iconic underground characters The Fabulous Furry Freak Brothers, Fat Freddy's Cat, and Wonder Wart-Hog.

<span class="mw-page-title-main">Fat Freddy's Cat</span> Comics character

Fat Freddy's Cat is a fictional orange Tabby cat, nominally belonging to Fat Freddy Freekowtski, one of The Fabulous Furry Freak Brothers, a trio featured in Gilbert Shelton's underground comix.

Paul Mavrides is an American artist, best known for his critique-laden comics, cartoons, paintings, graphics, performances and writings that encompass a disturbing yet humorous catalog of the social ills and shortcomings of human civilization. Mavrides worked with underground comix pioneer Gilbert Shelton on The Fabulous Furry Freak Brothers from 1978 to 1992. Mavrides has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.

Frank Huntington Stack is an American underground cartoonist and fine artist. Working under the name Foolbert Sturgeon to avoid persecution for his work while living in the Bible Belt, Stack published what is considered by many to be the first underground comic, The Adventures of Jesus, in 1964.

Knockabout Comics is a UK publisher and distributor of underground and alternative books and comics. They have a long-standing relationship with underground comix pioneer Gilbert Shelton.

Jack Edward Jackson, better known by his pen name Jaxon, was an American cartoonist, illustrator, historian, and writer. He co-founded Rip Off Press, and some consider him to be the first underground comix artist, due to his most well-known comic strip God Nose.

<span class="mw-page-title-main">Wonder Wart-Hog</span> Comics character

Wonder Wart-Hog is an underground comic book character, a porcine parody of Superman, created by American cartoonist Gilbert Shelton and first published in 1962. Over the years, Shelton has worked on the strip in collaboration with various writers and artists, including fellow UT Austin alums Tony Bell, Bill Killeen, and Joe E. Brown Jr.

Jay Kinney is an American author, editor, and former underground cartoonist. Kinney has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.

<i>Rip Off Comix</i> Underground comix anthology

Rip Off Comix was an underground comix anthology published between 1977 and 1991 by Rip Off Press. As time passed, the sensibility of the anthology changed from underground to alternative comics.

Up in Flames is a 1978 pornographic film and unauthorized adaptation of the underground comix The Fabulous Furry Freak Brothers by Gilbert Shelton and Mr. Natural by Robert Crumb. The film's title also parodies the contemporaneous Cheech & Chong movie Up in Smoke.

<span class="mw-page-title-main">Dave Sheridan (cartoonist)</span> American cartoonist (1943–1982)

Dave Sheridan was an American cartoonist and underground comix artist. He was the creator of Dealer McDope and collaborated with Gilbert Shelton and Paul Mavrides on The Fabulous Furry Freak Brothers. As creative partner with fellow underground creator Fred Schrier, using the name "Overland Vegetable Stagecoach," they worked on Mother's Oats Funnies, published by Rip Off Press from 1970 to 1976.

Fred Schrier is an artist, writer, and animator, best known as partner to the underground comic book artist Dave Sheridan. Together, using the name "Overland Vegetable Stagecoach," they worked on Mother's Oats Comix, published by Rip Off Press from 1970 to 1976.

<i>Bijou Funnies</i>

Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.

<i>The Rip Off Review of Western Culture</i>

The Rip Off Review of Western Culture was an underground comics magazine published by Rip Off Press and produced out of San Francisco, California. It published three issues in 1972. The publication was historically significant in that it brought together the work of many noteworthy underground artists and writers.

Theodore Richards was an American web designer and cartoonist, best known for his underground comix.

<i>Feds N Heads</i> Underground comic book by Gilbert Shelton

Feds 'N' Heads is an underground comic book, created and self-published by Gilbert Shelton, which introduced the world to the Shelton characters Wonder Wart-Hog and The Fabulous Furry Freak Brothers. In the spring of 1968, cartoonist Gilbert Shelton, already somewhat known in college humor and underground comix circles for his Superman parody Wonder Wart-Hog, self-published a 28-page one-shot, Feds 'N' Heads Comics, much of the material of which had previously appeared in the Austin, Texas, underground paper The Rag. Feds 'N' Heads was later reprinted an additional 13 times by the Bay Area underground publisher the Print Mint, selling over 200,000 total copies by 1980.

<i>Slow Death</i> Underground comix anthology series, 1970-1992

Slow Death is an underground comix anthology published by Last Gasp, the first title published by the San Francisco Bay Area-based press. Conceived as an ecologically themed comics magazine, the title's "underlying theme was always about what the human race was doing to damage the native planet." Frequent contributors to Slow Death included Greg Irons, Jaxon, Dave Sheridan, Richard Corben, Jim Osborne, Tom Veitch, and Dennis Ellefson. Released sporadically from 1970 to 1992, 11 issues were published in all.

Harry Driggs was an American artist, graphic designer, political activist, and underground cartoonist. Much of his comix work was published under the name R. Diggs. Driggs was a longtime resident of San Francisco, where he worked in advertising as a graphic designer and art director.

References

  1. "Newswatch: Show Them Your Lizard", The Comics Journal #160 (June 1993), p. 17.
  2. "Newswatch: Iguana Comics x 2," The Comics Journal #161 (Aug. 1993).
  3. Estren, Mark James (1993) [1974]. A History of Underground Comics (2 ed.). Ronin Publishing, p. 250. ISBN   978-0-914171-64-5.
  4. 1 2 Rosenkranz, Patrick. "Don Donahue @ Mowry’s" Archived 2017-01-09 at the Wayback Machine , The Comics Journal website (November 9th, 2010 ).
  5. 1 2 3 4 5 6 7 8 Fox, M. Steven. "Rip Off Comix — 1977-1991 / Rip Off Press," Comixjoint. Retrieved Dec. 5, 2022.
  6. "Zippy Congratulates Rip-Off Press," Rip Off Comix #21 (Winter 1988), p. 50.
  7. Kathe Todd entry, Self-Publishers Showcase website. Retrieved Dec. 6, 2022.
  8. "Jay Kinney Becomes Rip-Off Press Editor", The Comics Journal #63 (May 1981), p. 26.
  9. "Jay Kinney Resigns from Rip-Off Editorship", The Comics Journal #64 (July 1981), p. 18.
  10. Colwell, entry, Who's Who of American Comic Books, 1928–1999. Accessed Dec. 7, 2016.
  11. Elam, Elliot (February 15, 2013). "Gilbert Shelton in Conversation". The Comics Journal . No. #302. Retrieved February 22, 2013.
  12. "Rip Off Press Burns to the Ground", The Comics Journal #108 (May 1986), p. 17.
  13. Miller, John Jackson. "Nov. 17, 1992: A $30 Million Day — and the Days After", "The 1900s: 10 biggest events from 100 years in comics", CBGXtra.com (Dec. 12, 2005).
  14. Gray, Bob. "Newswatch: Marvel Buys 3rd Largest Distributor: Heroes World Purchase Signals Fundamental Changes in the Direct Market", The Comics Journal #174 (February 1995), p. 15-22.
  15. Gertler, Nat. "Marvel Buys Heroes World", Hogan's Alley, v. 1, no. 2 (1995), p. 17.
  16. Todd, Kathe. "Blood & Thunder: Disinformation," The Comics Journal #162 (Oct. 1993), p. 4.
  17. Fontes, Ron. "Rip Off Press," David Anthony Kraft's Comics Interview #150 (1995), pp. 71-85 — interview with Kathe Todd.
  18. "Newswatch: Rip Off Press Offers No-Risk", The Comics Journal #175 (Mar. 1995), pp. 29-30.
  19. Crumb, Robert (April 1993). The Life & Death of Fritz the Cat. Fantagraphics Books. ISBN   1-56097-117-7.
  20. Model by Day at Don Markstein's Toonopedia. Archived from the original on April 16, 2012.

Further reading