The Women | |
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Written by | Clare Boothe Luce |
Characters |
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Date premiered | December 26, 1936 |
Place premiered | Ethel Barrymore Theatre |
Series |
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Genre | Comedy of manners |
Setting | New York and Reno |
The Women is a 1936 American play, a comedy of manners by Clare Boothe Luce. Only women comprise the cast.
The original Broadway production, directed by Robert B. Sinclair, opened on December 26, 1936, at the Ethel Barrymore Theatre, where it ran for 657 performances with an all-female cast that included Margalo Gillmore, Ilka Chase, Betty Lawford, Jessie Busley, Phyllis Povah, Marjorie Main, and Arlene Francis. [2] [3]
The play is a commentary on the pampered lives and power struggles of various wealthy Manhattan socialites and up-and-coming women and the gossip that propels and damages their relationships. While men frequently are the subject of their lively discussions and drive the action on-stage, they never are seen or heard.
Following a premiere December 7, 1936, at the Forrest Theatre in Philadelphia, [4] The Women opened December 26, 1936, at the Ethel Barrymore Theatre in New York City. Produced by Max Gordon, the original Broadway production was directed by Robert B. Sinclair with settings by Jo Mielziner and costumes by John Hambleton. [5] [6]
The play was revived on Broadway in 1973 at the 46th Street Theatre, running April 25-June 17, with 63 performances. It was directed by Morton Da Costa, with scenic design by Oliver Smith, costume design by Ann Roth, and lighting design by John Gleason. Other supporting staff included: production stage manager Victor Straus; stage managers Nick Malekos and Suzanne Egan; costume supervisor Ray Diffen; press representatives Shirley Herz and Stuart Fink. [7]
A second revival opened November 8, 2001, at the American Airlines Theatre and closed January 13, 2002, after a 77 performances. Production staff included Director Scott Elliott, with assisting direction by Marie Masters; production stage manager Peter Hanson; stage manager Valerie A. Peterson; scenic designer Derek McLane; costume designer Isaac Mizrahi; lighting designer Brian MacDevitt; and sound designer Douglas J. Cuomo. Jeff Francis did hair design, and Gary Arave designed the wigs. [8]
The 1939 film version was directed by George Cukor and starred Norma Shearer and Joan Crawford. Supporting cast included Rosalind Russell, Paulette Goddard, Joan Fontaine and Mary Boland.
In 1956, the story was made into a musical film titled The Opposite Sex , starring June Allyson and Joan Collins.
Diane English co-wrote and directed the 2008 remake that was in development for 15 years. It starred Meg Ryan, Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Carrie Fisher, Cloris Leachman, Debi Mazar, Bette Midler, and Candice Bergen.
On February 7, 1955, the NBC anthology drama series Producers' Showcase broadcast an adaptation of the play, starring Ruth Hussey as Mary. Paulette Goddard and Mary Boland, who had each appeared in the 1939 film, also appeared in this production, as Sylvia Fowler and the Countess, respectively. Shelley Winters played the part of Crystal Allen, [9] while Mary Astor portrayed Nancy Blake and Bibi Osterwald was Edith Potter.
On June 18, 2002, the PBS anthology theatre series Stage on Screen broadcast a recording of the 2001 Broadway revival.
Year | Award | Category | Nominee | Result |
---|---|---|---|---|
2002 | Drama Desk Awards | Outstanding Featured Actress in a Play | Jennifer Coolidge | Nominated |
Outstanding Set Design in a Play | Derek McLane | Nominated | ||
Outstanding Costume Design | Isaac Mizrahi | Won |
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Emmerich Kálmán was a Hungarian composer of operettas and a prominent figure in the development of Viennese operetta in the 20th century. Among his most popular works are Die Csárdásfürstin (1915) and Gräfin Mariza (1924). Influences on his compositional style include Hungarian folk music, the Viennese style of precursors such as Johann Strauss II and Franz Lehár, and, in his later works, American jazz. As a result of the Anschluss, Kálmán and his family fled to Paris and then to the United States. He eventually returned to Europe in 1949 and died in Paris in 1953.
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The Ethel Barrymore Theatre is a Broadway theater at 243 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1928, it was designed by Herbert J. Krapp in the Elizabethan, Mediterranean, and Adam styles for the Shubert family. The theater, named in honor of actress Ethel Barrymore, has 1,058 seats and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.
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