The World of Lucha Libre

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The World of Lucha Libre
Cover - The World of Lucha Libre.jpg
Cover, The World of Lucha Libre
Author Heather Levi
Cover artist Sergio Arau
CountryUnited States
LanguageEnglish
SeriesAmerican Encounters/Global Interactions
Genre Book
Publisher Duke University Press
Publication date
October 3, 2008
Media typePrint
Pages288
ISBN 978-0-8223-4214-4
OCLC 226361814

The World of Lucha Libre: Secrets, Revelations, and Mexican National Identity is a book, published in 2008, by Heather Levi. The book is an account of lucha libre, a term used in Mexico for a form of professional wrestling. [1]

Contents

Synopsis

From Levi's perspective of the inner workings of lucha libre, Levi observes this form of wrestling as a cultural performance, an occupational subculture, and a set of symbols that circulate through Mexican culture and politics. [1] Additionally, Levi “argues that lucha libre stages the contradictions at the heart of Mexican national identity,” which include “the rural and the urban, tradition and modernity, ritual and parody, machismo and feminism, politics and spectacle.” [1] The World of Lucha Libre is split into six chapters, described below.

Chapter 1: Staging Contradiction

Levi begins with an introductory chapter emphasizing lucha libre to be a practice of staging contradictions. [2] In this section, Levi argues that lucha libre “occupies a space somewhere between sport, ritual, and theater and is thus capable of drawing its power from all of those genres.” [3] The chapter offers a simple view of lucha libre; two or more wrestlers enter a boxing ring to put on a fighting show that ends only when one of them is pinned down or surrenders. [3] Levi, however, expands lucha libre to be a “complex performance that integrates a range of ideas about agency, power, modernity, gender, and national culture.” [3]

live match Lucha Libre, Tlahuac 5.jpg
live match

Chapter 2: Trade Secrets and Revelations

In this chapter, Levi explains that by immersing herself in the practice of lucha libre the secrecy of how a luchador is made was revealed to her. [2] In this section she observes that everyone seems to know that outcomes of lucha libre matches are predetermined, yet emphasizes a secretive element that is said to be unplanned. [2] In her practice as a luchadora, she continues the discussion of lucha libre being fixed, while expressing that she felt the wrestling was real. In the end of the chapter, Levi explains that “secrecy itself is a structuring feature of lucha libre,” [3] and concluded that it is not the secrets, but the secrecy itself that is important in the sport. [2]

Chapter 3: Of Charros and Jaguars: The Moral and Social Cosmos of Lucha Libre

This chapter looks at the perspectives of lucha libre as both an athletic sport and as a spectacle of good vs. evil, or tecnicos (good guys) vs. rudos (bad guys). [2] Levi addresses that lucha libre is a complex cultural performance consisting of three levels: the life world, the performance, and the played out "socially marked characters." [3] The chapter proceeds to discuss the life of lucha libre within the context of the body and self-representation of a luchador/a. The aspects of the performance involve play-roles that range from socially marked characters to animals (e.g. jaguars) and elemental forces (Tinieblas or Darkness), but also mass media cultural images, such as El Zorro. [3]

Lucha libre ring Lucha libre arena.JPG
Lucha libre ring

Chapter 4: The Wrestling Mask

In this chapter Levi presents the mask as a national culture embodiment and contributor to the idea of culture and nation. [2] The mask, Levi explains, offers a liberty for the luchador/a to “embody a critical role” of empowerment. [3] Without the mask the luchador/a would be unable to “convert to a national or regional” symbol. [3] The empowerment of the mask reflects a “political theater” for the social wrestler, termed the “lucha social”. The idea is that the social wrestler acts as an agency for a lucha, or struggle within Mexican politics, in secrecy, and behind a hidden mask. [3]

Chapter 5: A Struggle Between Two Strong Men?

This chapter discusses machismo and “marianismo” as forms of gendered representation that are contested in the ring. [2] Levi critiques the idea of traditional roles that depict “ a romantic notion of the macho as the real, earthly Mexican, indifferent to risk, indifferent to death.” [3] In lucha libre male representation is extended to homosexuality, and women fought for acceptance as "luchadoras." [3] The chapter discusses one distinction between Mexican professional wrestling and wrestling in the U.S.; females are less sexualized and are more often regarded as professional athletes. [4]

Chapter 6: Mediating the Mask: Lucha Libre and Circulation

In this chapter Levi addresses what it means for "professional wrestling to be vulgarized" as a televised sport. [2] Televised matches were short lived after they reached the courts and were banned to protect underaged viewers. [3] Levi implies that there may have been other reasons for the banning, but the ban expanded luche libre into cinema. [3] Once luche libre reentered the televised spectrum it entered a popular tradition that conflicted with "neoliberal economics or cultural authenticity" and opposed the once vulgar and corrupt aspects luche libre had among a less mass audience. [3]

Publication

Duke University Press published The World of Lucha Libre in October 2008 as part of the American Encounters/Global Interactions series, edited by Gilbert M. Joseph and Penny Von Eschen. [5] The book is available in Kindle, hardback and paperback formats. [6]

Related Research Articles

Wrestling mask Professional wrestling ring gear

A wrestling mask is a fabric based mask that some professional wrestlers wear as part of their in-ring persona or gimmick. Professional wrestlers have been using masks as far back as 1915 and they are still widely used today, especially in Lucha Libre in Mexico.

<i>Lucha libre</i> Mexican style professional wrestling

Lucha libre is the term used in Mexico for professional wrestling. Since its introduction to Mexico in the early 20th century, it has developed into a unique form of the genre, characterized by colorful masks, rapid sequences of holds and maneuvers, as well as "high-flying" maneuvers, some of which have been adopted in the United States and elsewhere. The wearing of masks has developed special significance, and matches are sometimes contested in which the loser must permanently remove his mask, which is a wager with a high degree of weight attached. Tag team wrestling is especially prevalent in lucha libre, particularly matches with three-member teams, called trios.

Blue Demon

Alejandro Muñoz Moreno, better known by the ring name Blue Demon, was a Mexican film actor and luchador enmascarado. Blue Demon is considered a legend of lucha libre, partially from starring in a series of Lucha films between 1961 and 1979, often alongside in-ring rival El Santo. His in-ring career began in 1948 and stretched for 41 years until his retirement in 1989.

Luchador films Lucha Libre based films

Luchador films are Mexican professional wrestling/action/science-fiction/horror films starring some of the most popular masked luchadores in Lucha Libre. The luchadores are portrayed as superheroes engaging in battles against a range of characters from spies, to vampires and Martians. These films were low-budget and produced quickly. Nearly all lucha films included fist-fighting and wrestling action sequences in and out of the ring which were choreographed and performed by the stars themselves without the aid of stunt doubles. The genre's popularity peaked during the mid-1960s to early-1970s. At least 150 luchador films were produced starting with the 1952 film Huracán Ramírez.

Máximino Linares Moreno was a Mexican luchador and lucha film star, better known under the ring name Rayo de Jalisco. He is considered to be one of the best wrestlers of his generation. Linares' son followed in his footsteps and is working under the name Rayo de Jalisco Jr., wearing the same distinctive black mask with silver lightning bolt on it when wrestling. One of Linares' grandsons is also a wrestler, known as "Rayman".

Mano Negra (wrestler)

Jesús Reza Rosales is a Mexican Luchador, or professional wrestler, best known under the ring name Mano Negra. Mano Negra is Spanish for "The Black Hand" and is taken from the Spanish anarchist organisation La Mano Negra. Rosales is a former two time holder of the NWA World Welterweight Championship, two time holder of the NWA World Light Heavyweight Championship, and the Mexican National Light Heavyweight Championship while working for Empresa Mexicana de Lucha Libre (EMLL). He also worked for the Universal Wrestling Association (UWA) where he held the UWA World Junior Light Heavyweight Championship and for the World Wrestling Association (WWA) where he held the WWA Lightweight Championship. Mano Negra was originally an Enmascarado, or masked wrestler, but lost a Lucha de Apuesta, bet match, to Atlantis in the main event of CMLL's 60th Anniversary Show and was forced to unmask.

¡Que viva la lucha! is a 2007 film directed and produced by Gustavo Vazquez about Lucha libre in Tijuana, Mexico, considered to be a form of extreme lucha libre. The film follows Extreme Tiger, an up-and-coming professional luchador from Tijuana, on a journey that places him in a mask vs. hair match against Joe Líder. In addition, he follows other new talent, Angel Negro Jr. and Pancho Cachondo. In the process, the film also interviews other luchadores, promoters, commissioners, families, and fans who discuss the cultural significance of lucha libre as sport, ritual, and spectacle. The film includes music by Carne Cruda, Marziano, White Pine, and Nortec Collective. ¡Que viva la lucha! premiered at the 30th annual Mill Valley Film Festival on Saturday, Oct. 13, 2007, and has won two awards; at the Latino Film Festival and at the San Francisco International Film Festival.

<i>Exótico</i> Professional wrestling genre

In lucha libre, an exótico is a luchador fighting/performing in drag. The exótico’s movement vocabulary is campy, often silly, and seldom dignified. Exóticos are male wrestlers who appropriate feminine aspects in their wrestling personas or "gimmicks" – through feminine costumes, for example, ‘contesting the dramatic representation of machismo’ and successfully unmanning their opponents in the ring while also ‘rejecting the outward signs of manhood’. Though exoticos may not necessarily be gay, they often are, and their sexual ambiguity is undeniable. Attired with feather boas, headdresses, sequins or stockings, they defy a religious Latin culture that is ardently macho.

Heather Levi is an American anthropologist best known for her research in lucha libre. Levi was born in Massachusetts and became an Assistant professor of Anthropology at Temple University. She received her Bachelor of Arts degree in Anthropology from the University of Massachusetts in 1990 and went on to receive a PhD in Anthropology in 2001 from New York University. She currently lives in Philadelphia.

IWRG Ruleta de la Muerte (2012) 2012 International Wrestling Revolution Group event

Ruleta de la Muerte (2012) was an annual professional wrestling major event produced and scripted by the Mexican professional wrestling promotion International Wrestling Revolution Group (IWRG), which took place on September 6, 2012 in Arena Naucalpan, Naucalpan, State of Mexico, Mexico. The focal point of the event was the eponymous Ruleta de la Muerte eight-man tournament where all participants put their wrestling mask or hair on the line. The Ruleta de la Muerte tournament is a Lucha libre stable, a tournament which unlike traditional tournaments it is the loser that advances in the tournament, advancing to the final that is contested under Luchas de Apuestas or bet rules.

IWRG <i>Ruleta de la Muerte</i> (April 2015) 2015 International Wrestling Revolution Group event

Ruleta de la Muerte was an annual professional wrestling major event produced and scripted by the Mexican professional wrestling promotion International Wrestling Revolution Group (IWRG), which took place on May 5, 2015 in Arena Naucalpan, Naucalpan, State of Mexico, Mexico. The event was named after the Maine vent match, the Ruleta de la Muerte, a steel cage match where all four of the competitors were chained together. The last man in the cage would be forced to have his hair shaved off as a result. The four competitors risking their hair in the match were Ricky Cruz, Eterno, Veneno and X-Fly. The show featured four additional matches.

<i>Promo Azteca</i> Mexican professional wrestling promotion

Promo Azteca was a professional wrestling promotion that was founded in Tijuana, Mexico, by Fuerza Guerrera in 1995. It was taken over by Konnan and Jorge Rojas the following year and was home to many of the luchadors wrestling for World Championship Wrestling (WCW) during the late-1990s.

In Lucha libre, the Mexican version of professional wrestling, the Ruleta de la Muerte is a type of professional wrestling tournament where the loser or losers of a match would advance in the tournament instead of the winners. The finals of a Ruleta de la Muerte tournament featured the losing teams wrestle each other under Lucha de Apuestas, or "bet match" rules, where the loser would be forced to either unmask or have all their hair shaved off as a result. Various Mexican promotions have held Ruleta de la Muerte tournaments; some like International Wrestling Revolution Group have held these tournaments on a regular basis.

The Mexican professional wrestling promotion International Wrestling Revolution Group produced and scripted a Ruleta de la Muerte tournament on November 5, 2009. The show took place in Arena Naucalpan, in Naucalpan, State of Mexico, Mexico, IWRG's main venue and the site of the majority of all their major shows and tournaments.

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<i>Súper Luchas</i> Professional wrestling magazine

Súper Luchas is a Spanish-language publication covering lucha libre and other forms of professional wrestling. The publication began as a print magazine in 1991 and later became the largest lucha libre magazine in the world and remained one of the few professional wrestling magazines to survive to the 2000s but now operates mainly as an online website. The website is the number one Spanish-language professional wrestling website in the world.

<i>Box y Lucha</i> Spanish language magazine and website

Box y Lucha is a Spanish language magazine and website. It is the oldest lucha libre magazine still in existence and one of the first ones to be published. It also covers boxing and other martial arts.

Javier Márquez Gómez Is a Mexican professional wrestler, performing under the ring name Dulce Gardenia, currently working for Consejo Mundial de Lucha Libre (CMLL) as a tecnico/face. As Gardenia, Márquez portrays an exótico character, who is presented as effeminate and homosexual in the ring. Márquez's personal sexual preferences have not been made public and not all exótico are homosexuals. His ring name is in part an homage to Dizy Gardenia who was one of the earliest exótico wrestlers in the 1940s.

La Dama Enmascarada Mexican female professional wrestler

Magdalena Caballero was a Mexican luchadora, or professional wrestler commonly known under her ring name La Dama Enmascarada. Caballero was a relative of professional wrestler Irma González as well as González's daughter Irma Aguilar although it is unclear exactly how they were related.

References

  1. 1 2 3 "Book listing: The World of Lucha Libre: Secrets, Revelations, and Mexican National Identity". www.bibliovault.org. BiblioVault. Retrieved May 7, 2011.
  2. 1 2 3 4 5 6 7 8 Ferry, Elizabeth Emma (May 6, 2010). "The world of lucha libre: secrets, revelations, and Mexican national identity – By Heather Levi (a review)". Journal of the Royal Anthropological Institute. 16 (2): 453–454. doi:10.1111/j.1467-9655.2010.01632_44.x.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Levi, Heather (3 October 2008). The World of Lucha Libre . American Encounters/Global Interactions. Duke University Press. ASIN   0822342324. ISBN   978-0-8223-4214-4. OL   16900037M. Wikidata   Q7776145.CS1 maint: ASIN uses ISBN (link)
  4. Levi, Heather (3 October 2008). "Chapter 5". The World of Lucha Libre . American Encounters/Global Interactions. Duke University Press. p. 163. ASIN   0822342324. ISBN   978-0-8223-4214-4. OL   16900037M. Wikidata   Q7776145.CS1 maint: ASIN uses ISBN (link)
  5. "Series Overview of American Encounters/Global Interactions". www.dukeupress.edu. Duke University Press. Retrieved 17 October 2018.
  6. Amazon listing - The World of Lucha Libre: Secrets, Revelations, and Mexican National Identity. ISBN   978-0822342328.

Heather Levi departmental listing at Temple