Author | Marie Corelli |
---|---|
Country | United Kingdom |
Language | English |
Genre | Drama |
Publication date | 1918 |
Media type |
The Young Diana is a 1918 romantic novel by the British writer Marie Corelli. [1] A scientist develops a new rejuvenation technique that turns an older woman into a beautiful but completely heartless young woman.
In 1922 it was adapted into an American silent film of the same title produced by Paramount Pictures and starring Marion Davies.
Stolen Life is a 1939 British drama film directed by Paul Czinner and starring Michael Redgrave, Elisabeth Bergner and Wilfrid Lawson.
Chanel Solitaire is a 1981 British-French-American historical drama film directed by George Kaczender and starring Marie-France Pisier, Timothy Dalton, Rutger Hauer, Brigitte Fossey, Karen Black, Lambert Wilson. The film's subject was Coco Chanel. Its budget was around £7 million. The film was based on the novel of the same title by Claude Delay. It was shot at the Billancourt Studios and location shooting in Deauville and Le Meux. The film's sets were designed by the art director Jacques Saulnier.
Woman to Woman is a 1947 British drama film directed by Maclean Rogers and starring Douglass Montgomery, Joyce Howard and Adele Dixon. It is based on the 1921 play Woman to Woman by Michael Morton which had previously been made into films twice during the 1920s. A Canadian officer and a French dancer engage in a doomed romance.
The Woman Tempted is a 1926 British silent drama film directed by Maurice Elvey and starring Juliette Compton, Warwick Ward and Nina Vanna. It was based on a novel by Vera, Countess Cathcart. The film was shot at Cricklewood Studios, and was backed by John Maxwell's Wardour Films which was dramatically increasing its role in the film industry. It was first given a trade show screening in June 1926, but did not go on full release until the following March. By that time Elvey had departed to work for Maxwell's rival Gaumont-British.
Summer Bachelors is a 1926 American silent romantic comedy film produced and directed by Allan Dwan. The film is based on the 1926 novel Summer Widowers by Warner Fabian and stars Madge Bellamy, Matt Moore, Allan Forrest, and Hale Hamilton.
Second Chance is a 1950 American black-and-white drama film directed by William Beaudine and produced by Paul F. Heard for the Protestant Film Commission. It stars Ruth Warrick, John Hubbard, and Hugh Beaumont. The story centers on a middle-aged woman who has received a dire health prognosis from her doctor and proceeds to look back on her life in flashback, seeing herself change from a sweet and idealistic young bride into a brittle and disillusioned older woman. In the end, the wake-up call is really a dream, but the woman realizes that only by reconnecting with her Christian faith and with God will she manage to improve her life and relationships. The film was not released commercially, but was widely distributed to Protestant denominational churches in the United States and Canada.
The Winding Stair is a lost 1925 American silent drama film directed by John Griffith Wray and starring Alma Rubens, Edmund Lowe, and Warner Oland. It is based on the 1923 novel of the same name by the British writer A.E.W. Mason.
Tilly Lauenstein (1916–2002) was a German film and television actress. She appeared as Gerda Hofer in the b/w TV series "Alle Meine Tiere" as wife of veterinary surgeon Dr. Karl Hofer.
Hearts and Spurs is a 1925 American silent Western film directed by W.S. Van Dyke and starring Buck Jones, Carole Lombard, and William B. Davidson. The film was partly shot on location in San Bernardino County. It received mixed reviews on its release.
Playing with Souls is a 1925 American silent drama film directed by Ralph Ince and starring Jacqueline Logan, Mary Astor, and Clive Brook.
The Splendid Road is a 1925 American historical drama film directed by Frank Lloyd and starring Anna Q. Nilsson, Robert Frazer, and Lionel Barrymore. Based upon the novel of the same name by Vingie E. Roe, the film is set during the 1849 California Gold Rush.
Silas Marner is a 1922 American silent historical drama film directed by Frank P. Donovan and starring Crauford Kent, Marguerite Courtot, and Robert Kenyon. It is an adaptation of the 1861 novel of the same name by George Eliot.
American Love is a 1931 French comedy film directed by Claude Heymann and Pál Fejös and starring Andrée Spinelly, André Luguet and Suzet Maïs. Based on a play of the same name, it portrays the romantic escapades of a young American woman in France who falls in love with a married man. The film's sets were designed by the art director Gabriel Scognamillo.
The Remittance Woman is a 1923 American silent drama film directed by Wesley Ruggles and starring Ethel Clayton, Rockliffe Fellowes, and Mario Carillo. A remittance man was one sent away from home to avoid shame on the family. The following year a book of the same title appeared, by American pulp author Achmed Abdullah.
Her Man o' War is a 1926 American silent war drama film directed by Frank Urson and starring Jetta Goudal, William Boyd and Jimmie Adams.
Letty Lynton is a 1931 novel by the British writer Marie Belloc Lowndes. It is loosely inspired by the case of Madeleine Smith, a young woman accused of murder.
Darling Caroline is a 1947 historical novel by the French writer Jacques Laurent. It portrays the adventures of a daring young woman at the time of the French Revolution. A popular hit, it was followed by several sequels.
A Woman's Woman is a 1922 American silent drama film directed by Charles Giblyn and starring Mary Alden, Dorothy Mackaill and Holmes Herbert.
Adam Is Eve is a 1954 French comedy film directed by René Gaveau and starring Michèle Carvel, Jean Carmet and Thérèse Dorny. It is based on Francis Didelot's 1952 novel of the same name and was the first French film that covered sex change.
Schützenliesel is a 1954 West German period comedy film directed by Rudolf Schündler and starring Herta Staal, Helmuth Schneider and Joe Stöckel. It is based on an operetta of the same title. It was shot at the Spandau Studios in West Berlin and on location at Mittenwald, Garmisch-Partenkirchen and the Lautersee in Bavaria. The film's sets were designed by the art directors Karl Weber and Helmut Nentwig.