Theresa Berkley or Berkeley (died September 1836) was a 19th-century English dominatrix who ran a brothel in Hallam Street, just to the east of Portland Place, Marylebone, London, specialising in flagellation. She is notable as the inventor of the "chevalet" or "Berkley Horse", a BDSM apparatus.
Theresa Berkley ran a high-class flagellation brothel at 28 Charlotte Street [1] (which is today's 84–94 Hallam Street). [2] She was a "governess", i.e. she specialised in chastisement, whipping, flagellation, and the like. [3] She invented the "Berkley Horse", an apparatus that reportedly earned her a fortune in flogging wealthy men and women of the time. [4]
There are no artworks depicting what Theresa Berkley looked like, and occasional descriptions usually report that she was attractive, with a strong disposition. An expert with all instruments of torture, her talents became highly sought after by the aristocracy of the day. She was a master of the art of inflicting pain for pleasure, and practised absolute privacy to protect her clientele. Her clients were said to have been both men and women of wealth, and her career was financially lucrative. [5] Berkley's fame was such that the pornographic novel Exhibition of Female Flagellants was attributed to her, probably falsely. [6]
One writer [7] said of her:
She possessed the first requisite of a courtezan, viz., lewdness; for without a woman is positively lecherous she cannot keep up the affectation of it, and it will soon be perceived that she moves her hands or her buttocks to the tune of pounds, shillings, and pence. [8]
According to an unnamed source quoted by Henry Spencer Ashbee, she used a wide variety of torture instruments, including cat-o'-nine-tails, leather straps, holly brushes, green nettles, and a hook and pulley. Berkley enjoyed a certain amount of torture inflicted on her by her clients, given that they were willing to pay her price, but she also employed a number of women for that task if indeed her clients wished to inflict more pain than she was willing to take herself. [9] [10]
Shortly after her death in 1836, her brother, who had been a missionary for 30 years in Australia, arrived in England. When he learned the source from which the property she had left him had been derived, he renounced all claim, and immediately went back to Australia. In default, the property was bequeathed to Dr Vance, her medical attendant and executor; but he refused to administer, and the whole estate, valued at £100,000(equivalent to about £11,890,600 in 2023), [11] was escheated to the crown. [10]
Dr Vance came into possession of her correspondence, several boxes, which was said to have contained letters from the highest aristocracy, both male and female, in the land. The letters were eventually destroyed.[ citation needed ]
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: CS1 maint: location missing publisher (link)A dominatrix, or domme, is a woman who takes the dominant role in BDSM activities. A dominatrix can be of any sexual orientation, but this does not necessarily limit the genders of her submissive partners. Dominatrices are popularly known for inflicting physical pain on their submissive subjects, but this is not done in every case. In some instances erotic humiliation is used, such as verbal humiliation or the assignment of humiliating tasks. Dominatrices also make use of other forms of servitude. Practices of domination common to many BDSM and other various sexual relationships are also prevalent. A dominatrix is typically a paid professional (pro-domme) as the term dominatrix is little-used within the non-professional BDSM scene.
Flagellation, flogging or whipping is the act of beating the human body with special implements such as whips, rods, switches, the cat o' nine tails, the sjambok, the knout, etc. Typically, flogging has been imposed on an unwilling subject as a punishment; however, it can also be submitted to willingly and even done by oneself in sadomasochistic or religious contexts.
Memoirs of a Woman of Pleasure—popularly known as Fanny Hill—is an erotic novel by the English novelist John Cleland first published in London in 1748. Written while the author was in debtors' prison in London, it is considered "the first original English prose pornography, and the first pornography to use the form of the novel". It is one of the most prosecuted and banned books in history.
The role of sadism and masochism in fiction has attracted serious scholarly attention. Anthony Storr has commented that the volume of sadomasochist pornography shows that sadomasochistic interest is widespread in Western society; John Kucich has noted the importance of masochism in late-19th-century British colonial fiction. This article presents appearances of sadomasochism in literature and works of fiction in the various media.
Flagellants are practitioners of a form of mortification of the flesh by whipping their skin with various instruments of penance. Many Christian confraternities of penitents have flagellants, who beat themselves, both in the privacy of their dwellings and in public processions, to repent of sins and share in the Passion of Jesus.
The Berkley Horse is a BDSM apparatus, designed for, and by, Theresa Berkley in 1828. She referred to it as a "chevalet".
Erotic literature comprises fictional and factual stories and accounts of eros intended to arouse similar feelings in readers. This contrasts erotica, which focuses more specifically on sexual feelings. Other common elements are satire and social criticism. Much erotic literature features erotic art, illustrating the text.
Impact play is a human sexual practice in which one person is struck by another person for the gratification of either or both parties which may or may not be sexual in nature. It is considered a form of BDSM.
Rosa Coote is a fictional dominatrix appearing as a stock character in a number of works of Victorian erotica, including The Convent School, or Early Experiences of A Young Flagellant by William Dugdale and "Letters to a Lady Friend" or "Miss Coote's Confession" in The Pearl. Henry Spencer Ashbee writes of The Convent School that "The book is not altogether badly written; no part of the narrative however is attractive".
Self-flagellation is the disciplinary and devotional practice of flogging oneself with whips or other instruments that inflict pain. In Christianity, self-flagellation is practiced in the context of the doctrine of the mortification of the flesh and is seen as a spiritual discipline. It is often used as a form of penance and is intended to allow the flagellant to share in the sufferings of Jesus, bringing his or her focus to God.
Charles Carrington (1857–1921) was a leading British publisher of erotica in late-19th- and early-20th-century Europe. Born Paul Harry Ferdinando in Bethnal Green, England on 11 November 1867, he moved in 1895 from London to Paris where he published and sold books in the rue Faubourg Montmartre and rue de Chateaudun; for a short period he moved his activities to Brussels. Carrington also published works of classical literature, including the first English translation of Aristophanes' "Comedies," and books by famous authors such as Oscar Wilde and Anatole France, in order to hide his "undercover" erotica publications under a veil of legitimacy. His books featured the erotic art of Martin van Maële. He published a French series La Flagellation a Travers le Monde mainly on English flagellation, identifying it as an English predilection.
Edward Sellon (1818–1866) was an English writer, translator, and illustrator of erotic literature.
The Convent School, or Early Experiences of A Young Flagellant is a 19th-century work of sado-masochistic pornography, written under the pseudonym Rosa Coote and published by William Dugdale in London in 1876. Henry Spencer Ashbee catalogues it with the comment that "the numerous flagellations, supplemented by filthy tortures, are insuperably tedious and revolting". The principal character and ostensible author Rosa Coote also appears in a series of related stories in The Pearl magazine.
The Mysteries of Verbena House, or, Miss Bellasis Birched for Thieving is a pornographic novel of flagellation erotica set in a girls' school, written under the pseudonym Etonensis by George Augustus Sala and completed by James Campbell Reddie. It was published in 1882 in a limited edition of 150 copies at the price of 4 guineas.
George Cannon (1789–1854) was an English solicitor, radical activist and publisher and pornographer who also used the pseudonyms Erasmus Perkins and Philosemus.
Exhibition of Female Flagellants is an 1830 pornographic novel published by George Cannon in London and attributed, probably falsely, to Theresa Berkley. The principal activity described is flagellation, mainly of women by women, described in a theatrical, fetishistic style. It was republished around 1872 by John Camden Hotten in his series The Library Illustrative of Social Progress, attributed to Theresa Berkley.
The Library Illustrative of Social Progress was a series of pornographic books published by John Camden Hotten around 1872. They were mainly reprints of eighteenth-century pornographic works on flagellation. Hotten claimed to have found them in the library of Henry Thomas Buckle (1821–1862) but Henry Spencer Ashbee counterclaimed that they were in fact from his collection.
Fashionable Lectures: Composed and Delivered with Birch Discipline was a pornographic book originally published in the 18th century and republished by John Camden Hotten as volume 7 of his series The Library Illustrative of Social Progress around 1872. Hotten claimed to have found them in the library of Henry Thomas Buckle (1821–1862) but Henry Spencer Ashbee claimed that they were in fact from his collection. The first edition was published around 1750 and again with illustrations by William Holland in the 1780s.
Experimental Lecture is an English pornographic book published in 1878 by the pseudonym "Colonel Spanker" for the "Cosmopolitan Society of Bibliophiles", an imprint of Charles Carrington. The Colonel and his circle have a house in Park Lane where genteel young ladies are kidnapped, humiliated, and flagellated.
Victorian erotica is a genre of sexual art and literature which emerged in the Victorian era of 19th-century Britain. Victorian erotica emerged as a product of a Victorian sexual culture. The Victorian era was characterized by paradox of rigid morality and anti-sensualism, but also by an obsession with sex. Sex was a main social topic, with progressive and enlightened thought pushing for sexual restriction and repression. Overpopulation was a societal concern for the Victorians, thought to be the cause of famine, disease, and war. To curb the threats of overpopulation and to solve other social issues that were arising at the time, sex was socially regulated and controlled. New sexual categories emerged as a response, defining normal and abnormal sex. Heterosexual sex between married couples became the only form of sex socially and morally permissible. Sexual pleasure and desire beyond heterosexual marriage was labelled as deviant, considered to be sinful and sinister. Such deviant forms included masturbation, homosexuality, prostitution and pornography. Procreation was the primary goal of sex, removing it from the public, and placing it in the domestic. Yet, Victorian anti-sexual attitudes were contradictory of genuine Victorian life, with sex underlying much of the cultural practice. Sex was simultaneously repressed and proliferated. Sex was featured in medical manuals such as The Sexual Impulse by Havelock Ellis and Functions and Disorders of Reproductive Organs by William Acton, and in cultural magazines like The Penny Magazine and The Rambler. Sex was popular in entertainment, with much of Victorian theatre, art and literature including and expressing sexual and sensual themes.