Theseus and the Minotaur is a 1781-1782 white marble sculpture by Antonio Canova, now in the Victoria and Albert Museum in London, which bought it in 1962. [1]
The work was commissioned by Girolamo Zulian, Venetian ambassador to Rome and one of Canova's patrons, who also gave him the marble block for it, one of his earliest works after settling in Rome. [2] Zulian left the choice of subject up to Canova, to whom Canova's friend Gavin Hamilton suggested Theseus just after killing the Minotaur from Ovid's Metamorphoses . [3] The subject is also intended as an Enlightenment allegory of reason triumphing over irrationality. [4]
Its physical and spiritual tranquility and Theseus' anatomy both directly refer to the "noble simplicity and quiet grandeur" which contemporary art critic Johann Joachim Winckelmann held to be the unique characteristic of Hellenistic art. [5] So great is its debt to that era of art that its first viewers initially thought it to be a copy of a Greek original and were shocked to learn it was a contemporary work. [6] The work was widely disseminated via an engraving by Raffaello Sanzio Morghen and helped establish Canova's reputation.
By the time it was completed Zulian had left Rome for Constantinople and he released the work to Canova, who sold it to the Austrian collector Count Moritz von Fries, who took it to Vienna. It was next acquired sometime before 1822 by Charles Vane, 3rd Marquess of Londonderry, who installed it in his London residence of Londonderry House, most likely sometime in the 1820s. It remained there until that house's contents were sold just before its demolition in the 1960s, at which time it was acquired by its present owner for £3000, a third of which was provided by the National Art-Collections Fund. [7]
Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
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CavaliereGirolamo Zulian was a Venetian nobleman, ambassador, patron of the arts, art collector and Senatore Amplissimo. A member of the House of Zulian, he is best known for his leading art collection and for being one of the earliest patrons of Canova, a great friend of his, from whom he commissioned the Theseus and the Minotaur in 1781, while serving as ambassador to Rome. Zulian is credited as having played a fundamental role in Canova's rise to fame.
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