Pauline Bonaparte as Venus Victrix | |
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Artist | Antonio Canova |
Year | 1805–1808 |
Type | White Marble |
Location | Galleria Borghese, Rome |
Pauline Bonaparte as Venus Victrix ("Venus Victorious") is a semi-nude life-size reclining neo-Classical portrait sculpture by the Italian sculptor Antonio Canova. Reviving the ancient Roman artistic traditions of portrayals of mortal individuals in the guise of the gods, and of the beautiful female form reclining on a couch (as most often seen in reclining portrayals of Hermaphroditi), it was commissioned by Pauline Bonaparte's husband Camillo Borghese and executed in Rome from 1805 to 1808, after the subject's marriage into the Borghese family. It then moved to Camillo's house in Turin, then to Genoa, only arriving in its present home (the Galleria Borghese in Rome) around 1838.
Nude portraits were unusual, with subjects of high rank usually having strategically placed drapery (though Canova did produce another of the Bonaparte family, with his 1806 Napoleon as Mars the Peacemaker ). It is a matter of debate as to whether she actually posed naked for the sculpture, since only the head is a realistic (if slightly idealised) portrait, whilst the nude torso is a neo-classically idealised female form. When asked how she could pose for the sculptor wearing so little, she reputedly replied that there was a stove in the studio that kept her warm, though this may be apocryphal or a quip deliberately designed by her to stir up scandal. [1]
She holds an apple in her hand evoking Aphrodite's victory in the Judgement of Paris. The room in which the sculpture is exhibited at the Galleria Borghese also has a ceiling painting portraying the judgement, painted by Domenico de Angelis in 1779 and inspired by a famous relief on the façade of the Villa Medici.
Canova was first instructed to depict Pauline Bonaparte fully clothed as the chaste goddess Diana, hunter and virgin, but Pauline started to laugh and said that nobody would have believed she was a virgin. She had an international reputation for easy promiscuity, in France and in Italy, and may have enjoyed the provocation of posing naked in the Catholic Rome. Further, when Pauline was asked whether she really posed naked in front of Canova, she replied that in fact she was naked, and that it did not constitute a problem because Canova "was not a real man", and that the room was too warm to pose dressed. The subject of the sculpture may have also been affected by the Borghese family's mythical ancestry: they traced their descent to Venus, through her son Aeneas, the founder of Rome. [2]
The wooden base, draped like a catafalque, once contained a mechanism for rotating the sculpture, as in the case of other works by Canova and in the adapted bases of ancient sculpture in galleries, so that a viewer could observe it from all angles without moving him/herself. In the era of its production, viewers would also admire the sculpture by candlelight. The sculpture's lustre was not only due to the fine quality of the marble but also to the waxed surface, which has been recently restored.
The Museo Canova has the plaster cast of Venus Victrix, originally used as a model for the marble, in its gipsoteca , the museum's plaster cast gallery. During the first Battle of Monte Grappa in 1917, a Christmas-time bombing severed the head of the plaster and damaging parts of the hands, feet, and cloth. A 2004 restoration repaired this damage. In 2020, a tourist broke some of the toes as he sat on the plaster while posing for a selfie. [3] [4]
Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.
Borghese is the surname of a princely family of Italian noble and papal background, originating as the Borghese or Borghesi in Siena, where they came to prominence in the 13th century and held offices under the commune. During the 16th century, the head of the family, Marcantonio, moved to Rome, where they rose in power and wealth following the election of his son Camillo as Pope Paul V in 1605. They were one of the leading families of the Black Nobility and maintain close ties to the Vatican.
Scipione Borghese was an Italian Cardinal, art collector and patron of the arts. A member of the Borghese family, he was the patron of the painter Caravaggio and the artist Bernini. His legacy is the establishment of the art collection at the Villa Borghese in Rome.
Pauline Bonaparte was the first sovereign Duchess of Guastalla in Italy, an imperial French princess and the princess consort of Sulmona and Rossano. She was the sixth child of Letizia Ramolino and Carlo Buonaparte, Corsica's representative to the court of King Louis XVI of France. Her elder brother, Napoleon, was the first emperor of the French. She married Charles Leclerc, a French general, a union ended by his death in 1802. Later, she married Camillo Borghese, 6th Prince of Sulmona. Her only child, Dermide Leclerc, born from her first marriage, died in childhood. She was the only Bonaparte sibling to visit Napoleon in exile on his principality, Elba.
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Events in the year 1808 in Art.
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The Sleeping Hermaphroditus is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus. It represents a subject that was much repeated in Hellenistic times and in ancient Rome, to judge from the number of versions that have survived. Discovered at Santa Maria della Vittoria, Rome, the Sleeping Hermaphroditus was immediately claimed by Cardinal Scipione Borghese and became part of the Borghese Collection. The "Borghese Hermaphroditus" was later sold to the occupying French and was moved to The Louvre, where it is on display.
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Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heroes, deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is the subject of scholarly argument.
Olimpia Aldobrandini was a member of the Aldobrandini family of Rome, and the sole heiress to the family fortune.
Prince Paolo Borghese, Duke of Bomarzo, Prince of Sant Angelo of San Paolo was an Italian nobleman of the Borghese family. He was born in Cafaggiolo. His father and mother were Marco Borghese, Duca di Bomarzo, and Isabel Fanny Louise Porges.
Napoleon as Mars the Peacemaker is a colossal heroic nude statue by the Italian artist Antonio Canova, of Napoleon I of France in the guise of the Roman god Mars. He holds a gilded Nike or Victory standing on an orb in his right hand and a staff in his left. It was produced between 1802 and 1806 and stands 3.45 metres to the raised left hand. Once on display in the Louvre in Paris, it was purchased from Louis XVIII in 1816 by the British government, which granted it to the Duke of Wellington. It is now on display in Robert Adam's stairwell at the Duke's London residence, Apsley House.
Imperial Venus is a 1962 French-Italian historical film directed by Jean Delannoy and starring Gina Lollobrigida, Stephen Boyd and Raymond Pellegrin. It depicts the life of Pauline Bonaparte, the sister of Napoleon. For her performance Lollobrigida won the David di Donatello for best actress and the Nastro d'Argento for the same category.
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Adamo Tadolini was an Italian sculptor. One of a family of sculptors, he studied in Rome with the neo-classical sculptor Antonio Canova and is linked to him in style.
Venus Victorious or Venus Victrix is a c.1914 plaster sculpture of Venus by the French artist Pierre-Auguste Renoir, based on his image of the goddess in his painting The Judgement of Paris. It shows her holding the golden apple she has just won by being judged the most beautiful of three goddesses by Paris. It is now in the Museo Soumaya in Mexico City.
The Museo Canova is a museum established in 1833 at the birthplace of the Italian sculptor Antonio Canova (1757-1822) in Possagno in the province of Treviso in the Veneto, Italy. The museum is dedicated to the life and work of the sculptor and is composed of several parts.
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