The Aphrodite of Syracuse is a statue of the Greek goddess Aphrodite in the National Archaeological Museum of Athens (NAMA) with the inventory number 3524 is dated to the second century AD. [1]
The Aphrodite of Syracuse is a statue of the Greek goddess Aphrodite in the National Archaeological Museum of Athens (NAMA) with the inventory number 3524 is dated to the second century AD. [1]
The statue was found in South Italian Baiae and received her name on account of the connection to Magna Graecia. It is made of Parian marble and has a height of 1.8 m. The statue initially belonged to the collection of Lord Hope and was later acquired by Michael Embeirikos, who gave it to the National Archaeological Museum of Athens in 1924. [1]
The statue was restored by the sculptor Antonio Canova, since it initially lacked head, neck and right arm. [1] Aphrodite is depicted largely naked, with only a himation slung over her buttocks and held in place over her genitals with her left hand. The rest of the garment falls to the ground behind and beside her. The wide stream of cloth also fulfills the function of a statue support. The two feet are close together on a plinth, with the left leg made to serve as the supporting leg and the right leg as the loose one. With her right hand, the goddess attempts to cover her left breast. The head is twisted to the left. Thus the statue belongs to the Venus pudica type, which derives from a statue of the famous sculptor Praxiteles, the Aphrodite of Cnidus. [1] The statue is a Roman copy of a Greek original.
The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC. It was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.
The Lemnian Athena, or Athena Lemnia, was a classical Greek statue of the goddess Athena. According to geographer Pausanias (1.28.2), the original bronze cast was created by the sculptor Phidias circa 450–440 BCE, for Athenians living on the island of Lemnos to dedicate on the Acropolis of Athens.
The Capitoline Venus is a type of statue of Venus, specifically one of several Venus Pudica types, of which several examples exist. The type ultimately derives from the Aphrodite of Cnidus. The Capitoline Venus and her variants are recognisable from the position of the arms—standing after a bath, Venus begins to cover her breasts with her right hand, and her groin with her left hand.
The Funerary naiskos of Aristonautes is a funerary monument dating to around 320 BC, on display in the National Archaeological Museum of Athens (NAMA) with the inventory number 738.
The Kore of Lyons is a Greek statue of Pentelic marble depicting a bust of a young girl of the kore type, conserved at the musée des beaux-arts de Lyon, France. Deriving from the Athenian Acropolis, it is generally dated to the 540s BC. Considered the centrepiece of the museum's antiquities department, the statue was acquired between 1808 and 1810.
The Stele of Aristion dates from around 510 BC. It was created by sculptor Aristokles out of Pentelic marble and shows traces of polychrome. It was found at Velanideza near Marathon in Attica.
The Lenormant Athena is the name given to a small Greek statuette which was made in the first century CE.
The Poseidon of Melos is a statue of Poseidon in the National Archaeological Museum, Athens (NAMA), with an inventory number 235, which is dated to the last quarter of the second century BC, thus to the Hellenistic Period.
The Statue of the priestess Aristonoe in the National Archaeological Museum Athens (NAMA), with the inventory number 232, dates from the third century BC.
The Great Eleusinian Relief is a large marble relief kept in the National Archaeological Museum, Athens in Greece. It depicts a scene of the Eleusinian Mysteries with the principal deities, Demeter, Persephone and the hero Triptolemus. The large relief was unearthed in the town of Eleusis, which was an important center for the worship of Demeter and Persephone, in 1859.
The Atalante Hermes or Hermes of Atalante is a marble funerary statue of a youth depicted as Hermes, the god of messengers and psychopomp of the dead. It was excavated in the town of Atalante in Phthiotis, in Greece. It is now kept in the Archaeological Museum of Athens with accession number 240.
Hermes Criophorus is a marble sculpture of the second century AD depicting the Greek god Hermes, as god of pasture and shepherds, carrying away a young ram. The sculpture is a Roman copy of a Greek original of the fifth century BC. It was discovered in Troezenia in southern Greece in late nineteenth century, and it is now part of the collection of the National Archaeological Museum in Athens.
Hermes of Aegium is a lifesize Roman sculpture of the Greek messenger god Hermes found in the town of Aegium in southern Greece in mid nineteenth century. It is now housed in the National Archaeological Museum in the capital Athens under accession number 241. It is nearly intact with minor damage.
The Hermes of Andros is a large Roman marble sculpture of the Greek god Hermes, god of commerce and messengers, unearthed in the Aegean island of Andros, Greece. The sculpture was discovered in 1832, just two years following Greece's independence from the Ottoman Empire, and originally displayed in the National Archaeological Museum of Athens. Today it is housed in Andros, in the Archaeological Museum of Andros.
The Apollo Omphalos is an ancient Roman marble copy of a Greek original bronze sculpture in typical early Archaic period style, depicting Apollo, the Greek god of music, medicine, and prophecy. Today it is housed in the National Archaeological Museum of Athens, in Greece. The sculpture was found in several fragments which were put together, and bears several signs of damage.
Armed Aphrodite is a first-century AD Roman marble sculpture depicting Aphrodite Areia, or the war-like aspect of the Greek goddess Aphrodite, who was more commonly worshipped as a goddess of beauty and love. It is modelled after a lost Greek original of the fourth century BC made by Polykleitos the Younger, and is now kept in the National Archaeological Museum of Athens in Greece with accession number 262.
Aphrodite Hypolympidia is a second-century BC smaller than lifesize Greek marble sculpture depicting Aphrodite, the Greek goddess of beauty and desire. It was discovered in the Temple of Isis in Dion, a town in the region of Macedonia in northern Greece. It is now exhibited in the Archaeological Museum of Dion with accession number 383.
The Group of Aphrodite, Pan and Eros is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully. It was found on the Aegean island of Delos in the early twentieth century, and is now housed in the National Archaeological Museum of Athens with inventory number 3335.
The Nike of Epidaurus is an ancient Greek marble statuette of Nike, the Greek goddess of victory, by the sculptor Timotheos, a renowned sculptor of antiquity. The Nike was once part of the west pediment of the temple of Asclepius, the Greek god of medicine and healing, in ancient Epidaurus. It is now kept in the National Archaeological Museum of Athens with inventory number 155 in Room 22.
The Aphrodite Rhithymnia, also known as Aphrodite of Lappa, is an ancient Roman statue of the first century AD found at the site of ancient Lappa, in modern-day Argyroupoli, western Crete, Greece. The marble statue is lifesize and depicts Aphrodite, the Greek goddess of love and sensuality, and copies an earlier lost ancient Greek sculptural type. It is now exhibited in the Archaeological Museum of Rethymno in Rethymno with inventory number Λ 181.
Major exhibits at the National Archaeological Museum of Athens | ||
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| Neolithic |  | |
| Cycladic | ||
| Minoan | ||
| Mycenaean | ||
| Archaic | ||
| Classical | ||
| Hellenistic | ||
| Roman | ||