Wall Paintings of Thera

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Akrotiri Frescos of Boxing Boys (Possibly Girls) and Gazelles in the National Archaeological Museum of Athens. 0020MAN-Akrotiri frescoes.jpg
Akrotiri Frescos of Boxing Boys (Possibly Girls) and Gazelles in the National Archaeological Museum of Athens.

The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art, although the culture of Thera was somewhat different from that of Crete, and the political relationship between the two islands at the time is unclear. They have the advantage of mostly being excavated in a more complete condition, still on their walls, than Minoan paintings from Knossos and other Cretan sites.

Contents

Most of the frescos are now in the Prehistoric Museum of Thera on Santorini, or theNational Archaeological Museum of Athens, which has several of the most complete and famous scenes.

Importance

Excavated from 1967 to 1974, the wall paintings provide a crucial window into Santorini's history, depicting the early Aegean world as a highly developed society. Of all the findings unearthed at Akrotiri, these frescoes constitute the most significant contribution to present-day knowledge of Aegean art and culture. In their technique, style, and thematic content, the paintings are invaluable objects of study for archaeologists, art historians, zoologists, botanists, and chemists. Originally displayed on the walls of ancient Theran houses, the paintings render ancient figures, customs and historical events.

Ship Procession Fresco, Akrotiri, Thera. Akrotiri minoan town.jpg
Ship Procession Fresco, Akrotiri, Thera.

Technique and palette

To prepare the stone walls of the buildings for frescoes, the walls were first covered with a mixture of mud and straw, then thinly coated with lime plaster and lastly layers of fine plaster. The palette of the paintings consists of white (from the lime plaster), red (derived from ferrous earths and haematite), yellow (from yellow ochre), blue (either Egyptian blue, purple, or possibly azurite), and mineral black. The ancient Theran artists made full use of their colors: yellow was used for the golden fur of lions or the skin of youths, and as a stand-in for light green for painted plants such as myrtle. Blue was used as a dark gray to indicate birds, animal pelts, fish scales, and the shaven heads of young figures. Deep blue was also used to suggest the deep green of ivy, papyrus, lily, reeds, and palm trees. White indicated the pale skin of female figures while red was used for the darker, sun-tanned skin of males. [1]

Saffron gatherer in fresco from Akrotiri, Thera. Cueilleuse de safran, fresque, Akrotiri, Grece.jpg
Saffron gatherer in fresco from Akrotiri, Thera.

Reproductions

3-D reproductions of the paintings were sponsored by the Thera Foundation as a commission to Kodak Pathé of France. The Kodak Pathé technique has also been used in the reproductions of the Lascaux cave paintings and the Tomb of Sennefer.

Exhibitions

Past

Present

The reproductions are currently on display at Santozeum, a museum in Santorini that doubles as a private residence. The reproductions are featured on the house's inner walls, presented as they were intended to be viewed in antiquity, as interior embellishments for Aegean homes.

Further reading

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Theras was a regent of Sparta, a son of Autesion and the brother of Aristodemos' wife Argeia, a Cadmid of Theban descent. He served as regent for his nephews Eurysthenes and Procles.

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<span class="mw-page-title-main">Akrotiri Boxer Fresco</span> Historical fresco on Santorini, Greece

The Akrotiri Boxer Fresco, discovered in 1967, is one of the Wall Paintings of Thera and a leading example of Minoan painting. It is a fresco depicting two young boys wearing boxing gloves and belts and dates back to the Bronze Age, 1700 BCE. Around 1600 BCE, a disastrous earthquake, followed by a volcanic eruption, covered Akrotiri, Greece in a thick layer of pumice and ash, which resulted in the remarkable conservation of frescoes, including the Akrotiri Boxer Fresco, from multiple buildings throughout the town. This particular fresco was found in room B1 of Building Beta along with the Antelope Fresco. The boys' shaved heads and stray locks indicate their youth, while their darker skin tone indicates their gender. The boy on the right is completely nude except for a belt, whereas the boy on the left has jewellery; most likely markers of a higher status. They appear to be slightly over life-size at roughly 5'10". To create such vibrant frescoes, a smooth lime plaster was applied to the walls and then painted over. It is impossible to know whether the match was a competitive one or simply a routine sport.

References

  1. Christos Doumas, The Wall-Paintings of Thera (Athens: Thera Foundation, 1992), 18.