The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and energetic art, it is often regarded as the first civilization in Europe. The ruins of the Minoan palaces at Knossos and Phaistos are popular tourist attractions.
Eileithyia or Ilithyia was the Greek goddess of childbirth and midwifery, and the daughter of Zeus and Hera. In the cave of Amnisos (Crete) she was related with the annual birth of the divine child, and her cult is connected with Enesidaon, who was the chthonic aspect of the god Poseidon. It is possible that her cult is related with the cult of Eleusis. In his Seventh Nemean Ode, Pindar refers to her as the maid to or seated beside the Moirai (Fates) and responsible for the creation of offspring. Her son was Sosipolis, who was worshiped at Elis.
Knossos is a Bronze Age archaeological site in Crete. The site was a major center of the Minoan civilization and is known for its association with the Greek myth of Theseus and the minotaur. It is located on the outskirts of Heraklion, and remains a popular tourist destination.
Potnia is an Ancient Greek word for "Mistress, Lady" and a title of a goddess. The word was inherited by Classical Greek from Mycenean Greek with the same meaning and it was applied to several goddesses. A similar word is the title Despoina, "the mistress", which was given to the nameless chthonic goddess of the mysteries of Arcadian cult. She was later conflated with Kore (Persephone), "the maiden", the goddess of the Eleusinian Mysteries, in a life-death rebirth cycle which leads the neophyte from death into life and immortality. Karl Kerenyi identifies Kore with the nameless "Mistress of the labyrinth", who probably presided over the palace of Knossos in Minoan Crete.
The Heraklion Archaeological Museum is a museum located in Heraklion on Crete. It is one of the largest museums in Greece and the best in the world for Minoan art, as it contains by far the most important and complete collection of artefacts of the Minoan civilization of Crete. It is normally referred to scholarship in English as "AMH", a form still sometimes used by the museum in itself.
Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence of such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.
Despoina or Despoena was the epithet of a goddess worshiped by the Eleusinian Mysteries in Ancient Greece as the daughter of Demeter and Poseidon and the sister of Arion. Surviving sources refer to her exclusively under the title Despoina alongside her mother Demeter, as her real name could not be revealed to anyone except those initiated into her mysteries and was consequently lost with the extinction of the Eleusinian religion. Writing during the second century A.D., Pausanias spoke of Demeter as having two daughters; Kore being born first, before Despoina was born, with Zeus being the father of Kore and Poseidon as the father of Despoina. Pausanias made it clear that Kore is Persephone, although he did not reveal Despoina's proper name.
"Horns of Consecration" is a term coined by Sir Arthur Evans for the symbol, ubiquitous in Minoan civilization, that is usually thought to represent the horns of the sacred bull. Sir Arthur Evans concluded, after noting numerous examples in Minoan and Mycenaean contexts, that the Horns of Consecration were "a more or less conventionalised article of ritual furniture derived from the actual horns of the sacrificial oxen".
A snake goddess is a goddess associated with a snake theme.
Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art, and in later periods came for a time to have a dominant influence over Cycladic art. Since wood and textiles have decomposed, the best-preserved surviving examples of Minoan art are its pottery, palace architecture, small sculptures in various materials, jewellery, metal vessels, and intricately-carved seals.
The Prince of the Lilies, or the Lily Prince or Priest-King Fresco, is a celebrated Minoan painting excavated in pieces from the palace of Knossos, capital of the Bronze Age Minoan civilization on the Greek island of Crete. The mostly reconstructed original is now in the Heraklion Archaeological Museum (AMH), with a replica version at the palace which includes flowers in the background.
The Great Goddess hypothesis theorizes that, in Palaeolithic, Mesolithic, and/or Neolithic Europe and Western Asia and North Africa, a singular, monotheistic female deity was worshipped.
The name poppy goddess is often used for a famous example of a distinctive type of large female terracotta figurine in Minoan art, presumably representing a goddess, but not thought to be cult images, rather votive offerings. It was discovered in a sanctuary of the Post-palace period at Gazi, Crete, and is now in the Heraklion Archaeological Museum.
The Palaikastro Kouros is a chryselephantine statuette of a male youth (kouros) excavated in stages in the modern-day town of Palaikastro on the Greek island of Crete. It has been dated to the Late Minoan 1B period in the mid-15th century BC, during the Bronze Age. It is now on display in the Archaeological Museum of Siteia. Standing roughly 50 cm tall, its large size by the standards of other figurines in Minoan art, and the value of its materials may indicate that it was a cult image for worship, the only one known from the Minoan civilization.
Louis Émile Emmanuel Gilliéron (1850–1924), often known as Émile Gilliéronpère to distinguish him from his son, was a Swiss artist and archaeological draughtsman best known for his reconstructions of Mycenaean and Minoan artefacts from the Bronze Age. From 1877 until his death, he worked with archaeologists such as Heinrich Schliemann, Arthur Evans and Georg Karo, drawing and restoring ancient objects from sites such as the Acropolis of Athens, Mycenae, Tiryns and Knossos. Well-known discoveries reconstructed by Gilliéron include the "Harvester Vase", the "Priest-King Fresco" and the "Bull-Leaping Fresco".
The religious element is difficult to identify in Mycenaean Greece, especially as regards archaeological sites, where it remains very problematic to pick out a place of worship with certainty. John Chadwick points out that at least six centuries lie between the earliest presence of Proto-Greek speakers in Hellas and the earliest inscriptions in the Mycenaean script known as Linear B, during which concepts and practices will have fused with indigenous Pre-Greek beliefs, and—if cultural influences in material culture reflect influences in religious beliefs—with Minoan religion. As for these texts, the few lists of offerings that give names of gods as recipients of goods reveal little about religious practices, and there is no other surviving literature.
The Minoan Moulds of Palaikastro are two double-sided pieces of schist, formed in the Minoan period as casting moulds for plaques with figures and symbols. These include female figures with raised arms, labrys double axes and opium poppy flowers or capsules, two double axes with indented edges, the Horns of Consecration symbol, and a sun-like disc with complex markings, which has been claimed by some researchers to be for making objects to use in astronomical predictions of solar and lunar eclipses.
Nanno (Ourania) Marinatos is Professor Emerita of Classics and Ancient Mediterranean Studies at the University of Illinois Chicago, whose research focuses on the Minoan civilisation, especially Minoan religion.
Minoan snake tubes are cylindrical ceramic tubes with a closed, splayed out bottom. Sir Arthur Evans interpreted them as "snake tubes", that is vessels for carrying or housing snakes used in Minoan religion. They are now usually interpreted as "offering stands", on which kalathoi, or offering bowls were placed in shrines. They are described as varying in material and construction despite sharing a common purpose. In the context of domestic shrines snake tubes are believed to have sat on top of or adjacent to a cult bench. In between the tubes would have been a goddess figurine and plaque which featured animal depictions.
Christine E. Morris is an Irish classical scholar, who is the Andrew A. David Professor in Greek Archaeology and History at Trinity College Dublin. An expert on religion in the Aegean Bronze Age, her work uses archaeological evidence to examine the practice and experience of belief. She is a member of the Standing Committee for Archaeology for the Royal Irish Academy.
