Malia Pendant | |
---|---|
Χρυσό κόσμημα των Μαλίων | |
Material | gold |
Height | 4.6 centimetres (1.8 in) |
Width | 4.4 centimetres (1.7 in) |
Created | c. 1800-1700 BC |
Discovered | 1930 Chrysolakkos, Malia, Crete, Greece |
Present location | Heraklion Archaeological Museum, Heraklion |
Culture | Minoan civilisation |
The Malia Pendant is a gold pendant found in a tomb in 1930 at Chrysolakkos, Malia, Crete. [1] It dates to the Minoan civilization, 1800-1650 BC. The pendant was excavated by French archaeologists and was first described by Pierre Demargne. [2] [3] The pendant is commonly called "The Bees of Malia."
The pendant, which may have originally been part of a necklace, earring, or pin, [3] takes the form of two insects, which are identical (mirror images) joined head-to-head with the tips of their abdomens almost touching in a symmetrical or heraldic arrangement. The insects’ wings spread backwards. From the lower edges of the wings and a point close to the tip of the abdomen dangle three discs. With their legs, the insects are "grasping" a centrally placed circular disc and there is a second, smaller, smooth globule placed above this and between the insects' heads as if they were eating it. [2] [3] The Malia Pendant is on display at the Heraklion Archaeological Museum, on the island of Crete in Greece. It is probably the single most famous piece of Minoan jewellery.
The insects resemble wasps or bees. The belief that the pendant displays bees is the reason the pendant is also known as the “bee pendant”. One paper states that the insects are not bees, but definitely from the wider grouping of Hymenoptera. [3] [4] It has been proposed that the goldsmith used the mammoth wasp Megascolia maculate as the model. [3] For the three suspending discs, a plant is proposed as the model, and in particular the fruits of Tordylium apulum. [3] Archaeologists point out that Minoan art often distorts forms for artistic effect. The insects also resemble the way in which the Egyptians, with whom the Minoans share many artistic conventions, portray bees, [5] with an elongated thorax and abdomen much like wasps. [6]
Thematically, the presence of honey is significant, since it was important in Minoan culture. According to archive tablets found at Knossos, offerings of honey were made to the goddess Eleuthia. The kernos (offering table) in the temple at Malia was used to offer small amounts of grains and other farm produce, including honey, to the deity. [6] Honey also had a presence in Minoan perceptions of the afterlife, with some objects from tombs resembling or including honeycomb imagery. The Malia Pendant, assuming the insects are bees, would then depict an abbreviated version of the production cycle of honey. [7] Bees were also important in the Minoan economy. The honey produced was the Minoan’s main source of sugar, [6] and provided them with a food source with a high nutritional index. [7] Honey may also have been used as an additive to alcoholic drinks such as mulled wine, making honey important to several aspects of life within Minoan culture. [6]
Insects, bees in particular, also carried a particular symbolism within the Minoan religion. Much like Egyptian religion, albeit with the sun as a symbol rather than insects, Minoan religion contains an emphasis on renewal, leading to a fascination with the life cycle of insects as their growth is made tangible not through growth in size but through their changes in form. With insects, the continuation of the cycle of life and death is performed through regeneration, a concept important to the Minoan belief system. [5] Bees were also an attribute or symbol of a Minoan goddess, referencing her role in regeneration. Bees’ habit of swarming as well as their production of honey also contributed to their use as a symbol, such as in the Malia Pendant. [8]
The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and energetic art, it is often regarded as the first civilization in Europe. The ruins of the Minoan palaces at Knossos and Phaistos are popular tourist attractions.
Knossos is a Bronze Age archaeological site in Crete. The site was a major center of the Minoan civilization and is known for its association with the Greek myth of Theseus and the minotaur. It is located on the outskirts of Heraklion, and remains a popular tourist destination.
The ankh or key of life is an ancient Egyptian hieroglyphic symbol used to represent the word for "life" and, by extension, as a symbol of life itself.
Phaistos, also transliterated as Phaestos, Festos and Latin Phaestus, is a Bronze Age archaeological site at modern Faistos, a municipality in south central Crete. It is notable for the remains of a Minoan palace and the surrounding town.
Malia is a coastal town and municipal unit situated in the northeast corner of the Heraklion region of Crete, Greece. It is part of the municipality of Hersonissos and is located approximately 34 kilometers east of Heraklion. As of 2021, the population of the municipal unit was recorded at 5,501. The area also encompasses the villages of Mochos, Krasi, and Stalida, covering a total area of 60.720 square kilometers. Malia is renowned as a tourist destination, particularly known for its vibrant nightlife. Additionally, the town is home to Minoan ruins located three kilometers to the east, spanning an area of approximately 1 square kilometer.
In Ancient Egyptian religion, Taweret is the protective ancient Egyptian goddess of childbirth and fertility. The name "Taweret" means "she who is great" or simply "great one", a common pacificatory address to dangerous deities. The deity is typically depicted as a bipedal female hippopotamus with feline attributes, pendulous female human breasts, the limbs and paws of a lion, and the back and tail of a Nile crocodile. She commonly bears the epithets "Lady of Heaven", "Mistress of the Horizon", "She Who Removes Water", "Mistress of Pure Water", and "Lady of the Birth House".
Aegean art is art that was created in the lands surrounding, and the islands within, the Aegean Sea during the Bronze Age, that is, until the 11th century BC, before Ancient Greek art. Because is it mostly found in the territory of modern Greece, it is sometimes called Greek Bronze Age art, though it includes not just the art of the Mycenaean Greeks, but also that of the Cycladic and Minoan cultures, which converged over time.
Psychro Cave is an ancient Minoan sacred cave in Lasithi plateau in the Lasithi district of eastern Crete. Psychro is associated with the Diktaean Cave, one of the putative sites of the birth of Zeus. Other legends place Zeus' birthplace as Idaean Cave on Mount Ida. According to Hesiod, Theogony, Rhea gave birth to Zeus in Lyctus and hid him in a cave of Mount Aegaeon. Since the late nineteenth century the cave above the modern village of Psychro has been identified with Diktaean Cave, although there are other candidates, especially a cave above Palaikastro on Mount Petsofas.
Phourni is the archaeological site of an ancient Minoan cemetery in Crete, established in 2400 BC and lasted until 1200 BC. Phourni is Greek for "furnace, oven" and the name of the hill on which the cemetery is located. Phourni is located at 70100 Epano Archanes, Heraklion, Greece—located on a hill in north-central Crete. Phourni can be seen from Mount Juktas. It is a small hill situated northwest of Archanes, between Archanes and Kato Archanes. Phourni is reachable from a signed scenic path that starts at Archanes. It was an important site for Minoan burials. The burials consistently and proactively engaged the community of the Minoans. The largest cemetery in the Archanes area was discovered in 1957 and excavated for 25 years by Yiannis Sakellarakis, beginning in 1965. The 6600 sq m cemetery includes 26 funerary buildings of varying shapes and sizes. The necropolis of Phourni is of primary importance, both for the duration of its use and for the variety of its funerary monuments. All the pottery and much of the skeletal material was collected, unlike many other pre-palatial tombs. The cemetery was founded in the Ancient Minoan IIA, and continued to be used until the end of the Bronze Age. The occupation reached its peak during the Middle Minoan AI, just before the palaces of Knossos and Malia appeared. The proximity of Archanes to the important religious centres of Mount Iuktas probably contributed to the prominence of the site.
The Heraklion Archaeological Museum is a museum located in Heraklion on Crete. It is one of the largest museums in Greece and the best in the world for Minoan art, as it contains by far the most important and complete collection of artefacts of the Minoan civilization of Crete. It is normally referred to scholarship in English as "AMH", a form still sometimes used by the museum in itself.
Two Minoan snake goddess figurines were excavated in 1903 in the Minoan palace at Knossos in the Greek island of Crete. The decades-long excavation programme led by the English archaeologist Arthur Evans greatly expanded knowledge and awareness of the Bronze Age Minoan civilization, but Evans has subsequently been criticised for overstatements and excessively speculative ideas, both in terms of his "restoration" of specific objects, including the most famous of these figures, and the ideas about the Minoans he drew from the archaeology. The figures are now on display at the Heraklion Archaeological Museum (AMH).
Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence of such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.
Cultural transformation theory proposes that societies used to follow a “partnership model” of civilization but over time, it gave way to today's current “dominator model” of civilization. This theory was first proposed by Riane Eisler, a cultural scholar, in her book The Chalice and the Blade. Eisler affirms that societies exist on a partnership-domination continuum but we as a species have moved away from our former partnership orientation to a more domination orientation by uplifting masculine ideals over feminine ideals. She insists that people do not have to live in a society based on the rule of one gender class over the other. There is historical evidence that another type of society, where all individuals are equal, is possible.
Chryssolakkos means the "pit of gold". This is where the ancient necropolis in Malia, an ancient Minoan town in Crete, Greece is located. As well as the famous Malia Pendant, it is commonly thought that the so-called Aegina Treasure of Minoan jewellery in the British Museum was excavated here by local people in the 19th century.
"Horns of Consecration" is a term coined by Sir Arthur Evans for the symbol, ubiquitous in Minoan civilization, that is usually thought to represent the horns of the sacred bull. Sir Arthur Evans concluded, after noting numerous examples in Minoan and Mycenaean contexts, that the Horns of Consecration were "a more or less conventionalised article of ritual furniture derived from the actual horns of the sacrificial oxen".
Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art, and in later periods came for a time to have a dominant influence over Cycladic art. Since wood and textiles have decomposed, the best-preserved surviving examples of Minoan art are its pottery, palace architecture, small sculptures in various materials, jewellery, metal vessels, and intricately-carved seals.
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Minoan snake tubes are cylindrical ceramic tubes with a closed, splayed out bottom. Sir Arthur Evans interpreted them as "snake tubes", that is vessels for carrying or housing snakes used in Minoan religion. They are now usually interpreted as "offering stands", on which kalathoi, or offering bowls were placed in shrines. They are described as varying in material and construction despite sharing a common purpose. In the context of domestic shrines snake tubes are believed to have sat on top of or adjacent to a cult bench. In between the tubes would have been a goddess figurine and plaque which featured animal depictions.
Malia is a Minoan and Mycenaean archaeological site on the northern coast of Crete in the Heraklion regional unit. It is about 35 kilometers east of the ancient site of Knossos and 40 kilometers east of the modern city of Heraklion. The site lies about 3 kilometers east and inland from the modern village of Malia. It was occupied from the middle 3rd millennium BC until about 1250 BC. During the Late Minoan I period it had the third largest Minoan palace, destroyed at the end of the Late Minoan IB period. The other palaces are at Hagia Triada, Knossos, Phaistos, Zakros, and Gournia. It has been excavated for over a century by the French School of Athens and inscriptions of the undeciphered scripts Cretan hieroglyphs, Linear A, and the deciphered script Linear B have been found there.
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