Aegean civilization is a general term for the Bronze Age civilizations of Greece around the Aegean Sea. There are three distinct but communicating and interacting geographic regions covered by this term: Crete, the Cyclades and the Greek mainland. Crete is associated with the Minoan civilization from the Early Bronze Age. The Cycladic civilization converges with the mainland during the Early Helladic ("Minyan") period and with Crete in the Middle Minoan period. From c. 1450 BC, the Greek Mycenaean civilization spreads to Crete, probably by military conquest. The earlier Aegean farming populations of Neolithic Greece brought agriculture westward into Europe before 5,000 BC.
Fresco is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.
Santorini, officially Thira and Classical Greek Thera, is an island in the southern Aegean Sea, about 200 km (120 mi) southeast from the Greek mainland. It is the largest island of a small circular archipelago, which bears the same name and is the remnant of a caldera. It is the southernmost member of the Cyclades group of islands, with an area of approximately 73 km2 (28 sq mi) and a 2011 census population of 15,550. The municipality of Santorini includes the inhabited islands of Santorini and Therasia, as well as the uninhabited islands of Nea Kameni, Palaia Kameni, Aspronisi and Christiana. The total land area is 90.623 km2 (34.990 sq mi). Santorini is part of the Thira regional unit.
The 17th century BC was the century that lasted from 1700 BC to 1601 BC.
The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and its energetic art, it is often regarded as the first civilization in Europe.
Cycladic culture was a Bronze Age culture found throughout the islands of the Cyclades in the Aegean Sea. In chronological terms, it is a relative dating system for artifacts which serves as a roughly contemporary dating system to Helladic chronology and Minoan chronology (Crete) during the same period of time.
Spyridon Nikolaou Marinatos was a Greek archaeologist who specialised in the Bronze Age Minoan and Mycenaean civilizations. He is best known for the excavation of the Minoan site of Akrotiri on Santorini, which he conducted between 1967 and 1974. A recipient of several honours in Greece and abroad, he was considered one of the most important Greek archaeologists of his day.
Aegean art is art that was created in the lands surrounding, and the islands within, the Aegean Sea during the Bronze Age, that is, until the 11th century BC, before Ancient Greek art. Because is it mostly found in the territory of modern Greece, it is sometimes called Greek Bronze Age art, though it includes not just the art of the Mycenaean Greeks, but also that of the non-Greek Cycladic and Minoan cultures, which converged over time.
The Minoan eruption was a catastrophic volcanic eruption that devastated the Aegean island of Thera circa 1600 BCE. It destroyed the Minoan settlement at Akrotiri, as well as communities and agricultural areas on nearby islands and the coast of Crete with subsequent earthquakes and paleotsunamis. With a Volcanic Explosivity Index (VEI) of between 6 and 7, it resulted in the ejection of approximately 28–41 km3 (6.7–9.8 cu mi) of dense-rock equivalent (DRE), the eruption was one of the largest volcanic events in human history. Since tephra from the Minoan eruption serves as a marker horizon in nearly all archaeological sites in the Eastern Mediterranean, its precise date is of high importance and has been fiercely debated among archaeologists and volcanologists for decades, without coming to a definite conclusion.
Minoan chronology is a framework of dates used to divide the history of the Minoan civilization. Two systems of relative chronology are used for the Minoans. One is based on sequences of pottery styles, while the other is based on the architectural phases of the Minoan palaces. These systems are often used alongside one another.
Dense-rock equivalent (DRE) is a volcanologic calculation used to estimate volcanic eruption volume. One of the widely accepted measures of the size of a historic or prehistoric eruption is the volume of magma ejected as pumice and volcanic ash, known as tephra during an explosive phase of the eruption, or the volume of lava extruded during an effusive phase of a volcanic eruption. Eruption volumes are commonly expressed in cubic kilometers (km3).
Akrotiri is the site of a Cycladic Bronze Age settlement on the volcanic Greek island of Santorini (Thera). The name comes from the nearby village of Akrotiri.
Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art, and in later periods came for a time to have a dominant influence over Cycladic art. Since wood and textiles have decomposed, the best-preserved surviving examples of Minoan art are its pottery, palace architecture, small sculptures in various materials, jewellery, metal vessels, and intricately-carved seals.
The Prince of the Lilies, or the Lily Prince or Priest-King Fresco, is a celebrated Minoan painting excavated in pieces from the palace of Knossos, capital of the Bronze Age Minoan civilization on the Greek island of Crete. The mostly reconstructed original is now in the Heraklion Archaeological Museum (AMH), with a replica version at the palace which includes flowers in the background.
Nilotic landscape is any artistic representation of landscapes that emulates or is inspired by the Nile river in Egypt. The term was coined to refer primarily to such landscapes created outside of Egypt, especially in the Aegean Sea, though it is occasionally used to refer to scenes of hunting and fishing in Egyptian art. A nilotic landscape is a river scene with rich and abundant plant and animal life, much of which is native to Egypt. Common iconographic elements include papyrus, palm trees, fish and water birds, and in some cases felines, monkeys, and/or crocodile.
The Minoan wall paintings at Tell el-Dab'a are of particular interest to Egyptologists and archaeologists. They are of Minoan style, content, and technology, but there is uncertainty over the ethnic identity of the artists. The paintings depict images of bull-leaping, bull-grappling, griffins, and hunts. They were discovered by a team of archaeologists led by Manfred Bietak, in the palace district of the Thutmosid period at Tell el-Dab'a. The frescoes date to the Eighteenth dynasty of Egypt, most likely during the reigns of either the pharaohs Hatshepsut or Thutmose III, after being previously considered to belong to the late Second Intermediate Period. The paintings indicate an involvement of Egypt in international relations and cultural exchanges with the Eastern Mediterranean either through marriage or exchange of gifts.
The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini. They are regarded as part of Minoan art, although the culture of Thera was somewhat different from that of Crete, and the political relationship between the two islands at the time is unclear. They have the advantage of mostly being excavated in a more complete condition, still on their walls, than Minoan paintings from Knossos and other Cretan sites.
Athletics were an important part of the cultural life of Ancient Greeks. Depictions of boxing and bull-leaping can be found back to the Bronze Age. Buildings were created for the sole use of athletics including stadia, palaestrae, and gymnasiums. Starting in the Archaic period, Panhellenic Games, including the Olympic Games, begin taking place each year. These games gave people from all over Greece the chance to gain fame for their athletic prowess. Athletics in Greece became one of the most commonly depicted scenes of everyday life in their art.
The Minoan civilization in the Bronze Age was located on the island of Crete. Focusing on the palatial periods between c. 1900 and c. 1300 b.c.. Art that focuses on just scenes of war alone is impossible as there are many other references that can be made not relating to war at all. There are various meanings that can be interpreted from different perspectives and that is what Molloy wants readers to understand. There could be an overlap of religion, politics, social meanings added to an iconography of warfare. “Practitioners of violence” are called warriors, just an identity who performed their social acts depending on their society. These social acts ranges from bull-leaping, boxing, hunting, sports, combat, fighting and more. Malloy divides the art relating to warfare in Bronze Age Crete into four categories “glyptic art circulating in both social and administrative contexts; stone and ceramic portable art for repeated intimate consumption (dining/processions); coroplastic/bronze figural art for religious activity; and frescoes and relief mouldings fixed in architectural settings”.
