An Attic funerary relief, sometimes also known as the Mithridates funerary relief is displayed at the National Archaeological Museum of Athens (NAMA), with the inventory number 4464. Its date is uncertain.
The Pentelic marble relief consists of two plates and there must have been a third piece on the left hand side, containing at least the tail of the horse. The central figure of the relief is a horse moving to the right, with its head pulled upwards away from the right edge of the relief. A portion of the horses nose is missing, the only substantial damage to the piece. Its left foreleg is raised and bent, the right is stretched out and planted firmly in the ground. The hind legs reinforce the horse's position, the left hind leg is in very low relief, only barely extending out of the surface. On the horse's back is a panther pelt, which is attached around its front. At the front, to its left, stands a stable boy who reaches up to strike the horse with a whip, as the pained posture of the horse's head makes clear. The boy wears a chiton. His hair is cut short, but the pattern of the locks indicates that he is an exotic foreigner. It is probably that he is an African slave, most likely from Ethiopia.
Arabs and Africans were depicted in Greek art from the fourth century BC. In addition to this example, the 2-metre-high (6.6 ft), 1.9-metre-wide (6.2 ft) relief found in 1948 near the Larisa metro-station must date to near the end of the fourth century BC. Other datings assign the relief to the first century BC. If one takes the earlier dating it is assumed that the relief belonged to a large grave naiskos; supporters of the later dating often connect it with the funerary monument of King Mithridates VI of Pontus.
Pantikapaion was an ancient Greek city on the eastern shore of Crimea, which the Greeks called Taurica. The city lay on the western side of the Cimmerian Bosporus, and was founded by Milesians in the late 7th or early 6th century BC, on a hill later named Mount Mithridat. Its ruins now lie in the modern city of Kerch.
The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university.
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
The Heraion of Samos was a large sanctuary to the goddess Hera, on the island of Samos, Greece, 6 km southwest of the ancient city of Samos. It was located in the low, marshy basin of the Imbrasos river, near where it enters the sea. The late Archaic temple in the sanctuary was the first of the gigantic free-standing Ionic temples, but its predecessors at this site reached back to the Geometric Period of the 8th century BC, or earlier. The ruins of the temple, along with the nearby archeological site of Pythagoreion, were designated UNESCO World Heritage Sites in 1992, as a testimony to their exceptional architecture and to the mercantile and naval power of Samos during the Archaic Period.
The Temple of Ares was a Doric hexastyle peripteral temple dedicated to Ares, located in the northern part of the Ancient Agora of Athens. Fragments from the temple found throughout the Agora enable a full, if tentative, reconstruction of the temple's appearance and sculptural programme. The temple had a large altar to the east and was surrounded by statues. A terrace to the north looked down on the Panathenaic Way. The northwest corner of the temple overlays one of the best-preserved Mycenaean tombs in the Agora, which was in use from ca. 1450-1000 BC.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
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The Dipylon was the main gate in the city wall of Classical Athens. Located in the modern suburb of Kerameikos, it led to the namesake ancient cemetery, and to the roads connecting Athens with the rest of Greece. The gate was of major ceremonial significance as the starting point of the procession of the Great Panathenaea, and accordingly it was a large, monumental structure, "the largest gate of the ancient world". Erected in 478 BC as part of Themistocles' fortification of Athens and rebuilt in the 300s BC, it remained standing and in use until the 3rd century AD.
The Jockey of Artemision is a large Hellenistic bronze statue of a young boy riding a horse, dated to around 150–140 BC. It is a rare surviving original bronze statue from Ancient Greece and a rare example in Greek sculpture of a racehorse. Most ancient bronzes were melted down for their raw materials some time after creation, but this one was saved from destruction when it was lost in a shipwreck in antiquity, before being discovered in 1926. It may have been dedicated to the gods by a wealthy person to honour victories in horse races, probably in the single-horse race. The artist is unknown.
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The Tomb of Menecrates or Monument of Menecrates is an Archaic-period cenotaph in Corfu, Greece, built around 600 BC in the ancient city of Korkyra. The tomb and the funerary sculpture of a lion were discovered in 1843 during demolition works by the British army in the United States of the Ionian Islands who were demolishing a Venetian-era fortress in the site of Garitsa hill in Corfu. The tomb is dated to the sixth century BC.
The Great Eleusinian Relief is a large marble relief kept in the National Archaeological Museum, Athens in Greece. It depicts a scene of the Eleusinian Mysteries with the principal deities, Demeter, Persephone and the hero Triptolemus. The large relief was unearthed in the town of Eleusis, which was an important center for the worship of Demeter and Persephone, in 1859.
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The Funerary naiskos of Demetria and Pamphile is a tomb memorial in honour of two deceased women named Demetria and Pamphile, erected in Athens in around 320 BC, shortly after Pamphile's death. It is made of marble and now kept at the Kerameikos Archaeological Museum in Athens, Greece, with inventory number P687, while a copy of it is found on the ancient site of the tomb.