| Ninnion Tablet | |
|---|---|
 | |
| Material | Clay |
| Height | 44.5 cm |
| Width | 33 cm |
| Created | c. 370 BC |
| Discovered | 1895 Elefsina, Attica, Greece |
| Present location | Athens, Attica, Greece |
The Ninnion Tablet, dated to approximately 370 BC, is a red clay tablet depicting the ancient Greek Eleusinian Mysteries (religious rites connected to Greek mythology). It was rediscovered in Eleusis, Attica in 1895, and is kept in the National Archaeological Museum of Athens.
The tablet depicts Iacchus leading a procession of initiates into the Mysteries. Receiving this group are the deities Demeter and Persephone. Above the artifact's main scene are multiple representations of The Moon. The Ninnion Tablet is the only known original representation of the Mysteries' initiation rites.
In ancient Greek religion and mythology, Demeter is the Olympian goddess of the harvest and agriculture, presiding over crops, grains, food, and the fertility of the earth. Although she is mostly known as a grain goddess, she also appeared as a goddess of health, birth, and marriage, and had connections to the Underworld. She is also called Deo. In Greek tradition, Demeter is the second child of the Titans Rhea and Cronus, and sister to Hestia, Hera, Hades, Poseidon, and Zeus. Like her other siblings but Zeus, she was swallowed by her father as an infant and rescued by Zeus.
Hades, in the ancient Greek religion and mythology, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed joint rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard-dog of the underworld, standing at his side.
In ancient Greek mythology and religion, Persephone, also called Kore or Cora, is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by her uncle Hades, the king of the underworld, who would later also take her into marriage.
Mystery religions, mystery cults, sacred mysteries or simply mysteries, were religious schools of the Greco-Roman world for which participation was reserved to initiates (mystai). The main characterization of this religion is the secrecy associated with the particulars of the initiation and the ritual practice, which may not be revealed to outsiders. The most famous mysteries of Greco-Roman antiquity were the Eleusinian Mysteries, which predated the Greek Dark Ages. The mystery schools flourished in Late Antiquity; Emperor Julian, of the mid 4th century, is believed by some scholars to have been associated with various mystery cults—most notably the mithraists. Due to the secret nature of the school, and because the mystery religions of Late Antiquity were persecuted by the Christian Roman Empire from the 4th century, the details of these religious practices are derived from descriptions, imagery and cross-cultural studies. Much information on the Mysteries comes from Marcus Terentius Varro.
The Eleusinian Mysteries were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece. They are considered the "most famous of the secret religious rites of ancient Greece". Their basis was a Bronze Age agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period. The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the descent (loss), the search, and the ascent, with the main theme being the ascent of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. Similar religious rites appear in the agricultural societies of the Near East and in Minoan Crete.
Triptolemus also known as Buzyges, was a hero in Greek mythology, central to the Eleusinian Mysteries. He was either a mortal prince and the eldest son of King Celeus of Eleusis, or according to Pseudo-Apollodorus' Bibliotheca (I.V.2), either the divine son of Gaia and Oceanus, or the grandson of Hermes through Eleusis. He was the ancestor to a royal priestly caste of the Eleusinian Mysteries, who claimed to be Buzygae (Βουζύγαι), that taught agriculture and performed secret rites and rituals, of which Pericles was its most famous descendant.
In ancient Greek religion and mythology, Iacchus was a minor deity, of some cultic importance, particularly at Athens and Eleusis in connection with the Eleusinian mysteries, but without any significant mythology. He perhaps originated as the personification of the ritual exclamation Iacche! cried out during the Eleusinian procession from Athens to Eleusis. He was often identified with Dionysus, perhaps because of the resemblance of the names Iacchus and Bacchus, another name for Dionysus. By various accounts he was a son of Demeter, or a son of Persephone, identical with Dionysus Zagreus, or a son of Dionysus.
The Eumolpidae were a family of priests at Eleusis who maintained the Eleusinian Mysteries during the Hellenic era. As hierophants, they popularized the cult and allowed many more to be initiated into the secrets of Demeter and Persephone.
Elefsina or Eleusis is a suburban city and municipality in Athens metropolitan area. It belongs to West Attica regional unit of Greece. It is located in the Thriasio Plain, at the northernmost end of the Saronic Gulf. North of Elefsina are Mandra and Magoula, while Aspropyrgos is to the northeast.
In ancient Greek religion and Greek mythology, Minthe is an Underworld Naiad nymph associated with the river Cocytus. She was beloved by Hades, the King of the Underworld, and became his mistress, but she was transformed into a mint plant by either his wife Persephone or her mother Demeter. The plant was also called by some as hedyosmos, which means "sweet-smelling".
In ancient Greek religion and mythology, Plutus is the god and the personification of wealth, and the son of the goddess of agriculture Demeter and the mortal Iasion.
Despoina or Despoena was the epithet of a goddess worshiped by the Eleusinian Mysteries in Ancient Greece as the daughter of Demeter and Poseidon and the sister of Arion. Surviving sources refer to her exclusively under the title Despoina alongside her mother Demeter, as her real name could not be revealed to anyone except those initiated into her mysteries and was consequently lost with the extinction of the Eleusinian religion. Writing during the second century A.D., Pausanias spoke of Demeter as having two daughters; Kore being born first, before Despoina was born, with Zeus being the father of Kore and Poseidon as the father of Despoina. Pausanias made it clear that Kore is Persephone, although he did not reveal Despoina's proper name.
In ancient Greek religion and myth, the epithet Brimo may be applied to any of several goddesses with an inexorable, dreaded and vengeful aspect that is linked to the land of the Dead: Hecate, Persephone, Demeter Erinyes—the angry, bereft Demeter—or Cybele. Brimo is the "furious" aspect of the Furies. In the solemn moment when Medea picks the dire underworld root for Jason, she calls seven times upon Brimo, "she who haunts the night, the Nursing Mother [Kourotrophos]. In black weed and murky gloom she dwells, Queen of the Dead".
Haloa or Alo (Ἁλῶα) was an Attic festival, celebrated principally at Eleusis, in honour of Demeter, protector of the fruits of the earth, of Dionysus, god of the grape and of wine, and Poseidon, god of the seashore vegetation. In Greek, the word hálōs (ἅλως) from which Haloa derives means “threshing-floor” or “garden.” While the general consensus is that it was a festival related to threshing—the process of loosening the edible part of cereal grain after harvest—some scholars disagree and argue that it was instead a gardening festival. Haloa focuses mainly on the “first fruits” of the harvest, partly as a grateful acknowledgement for the benefits the husbandmen received, partly as prayer that the next harvest would be plentiful. The festival was also called Thalysia or Syncomesteria.
The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus, as well as the phallic processions. Initiates worshipped him in the Dionysian Mysteries, which were comparable to and linked with the Orphic Mysteries, and may have influenced Gnosticism. Orpheus was said to have invented the Mysteries of Dionysus.
The Archeological Museum of Eleusis is a museum in Eleusis, Attica, Greece. The museum is located inside the archaeological site of Eleusis. Built in 1890, by the plans of the German architect Kaverau, to keep the findings of the excavations, and after two years (1892) was extended under the plans of the Greek architect J. Mousis.
In ancient Greek religion and myth, Eubuleus is a god known primarily from devotional inscriptions for mystery religions. The name appears several times in the corpus of the so-called Orphic gold tablets spelled variously, with forms including Euboulos, Eubouleos and Eubolos. It may be an epithet of the central Orphic god, Dionysus or Zagreus, or of Zeus in an unusual association with the Eleusinian Mysteries. Scholars of the late 20th and early 21st centuries have begun to consider Eubuleus independently as "a major god" of the mysteries, based on his prominence in the inscriptional evidence. His depiction in art as a torchbearer suggests that his role was to lead the way back from the Underworld.
The Eleusinian Mysteries hydria from Capua is a 4th-century BCE ancient Greek red-figure hydria, showing the reunion of Demeter and Persephone at the start of each spring. It was used to celebrate the Eleusinian Mysteries and the rebirth of nature in the secret cult of the two goddesses. The vase was found in 1883, along with another large vase, in a tomb in the Santa Maria necropolis in Capua in southern Italy. It dates back to between 375 BCE and 350 BCE. It is theorized that the vase had been buried with a former pilgrim to Eleusis. It is painted in the Kerch style and is held by the Museum of Fine Arts of Lyon.
The Lovatelli urn is an early Roman imperial period or 1st century CE marble funerary urn. It is thought to depict Persephone, Demeter and Triptolemus, the triad of the Eleusinian mysteries, however, there are several different competing interpretations about the figures and their meaning in the literature.
The Arcadian Cults of the Mistresses are ancient cults that were practised in the region of Arcadia. Religious cults across Greece took on regional characteristics according to their location. As such, though the Arcadian Mistresses, Demeter and Kore, were worshipped elsewhere in Greece, their worship in Arcadia was distinctive to the region, with the third Arcadian Mistress, Despoina, being a goddess whose cults were geographically limited to Arcadia.
Major exhibits at the National Archaeological Museum of Athens | ||
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| Cycladic | ||
| Minoan | ||
| Mycenaean | ||
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| Hellenistic | ||
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