This Beautiful City | |
---|---|
Music | Michael Friedman |
Lyrics | Michael Friedman |
Book | Steve Cosson and Jim Lewis |
Premiere | March 2008: Humana Festival of New American Plays Actors Theatre of Louisville Louisville, Kentucky |
Productions | 2009 Off-Broadway |
This Beautiful City is a play with music by the investigative theatre company The Civilians. The play engages with "the expansion of the Evangelical movement in Colorado Springs" [1] as well as the gulf between the Evangelical and secular communities in the region. It was written by Steve Cosson and Jim Lewis from interviews conducted by Associate Artists Emily Ackerman, Marsha Stephanie Blake, Brad Heberlee, Brandon Miller, Stephen Plunkett, and Alison Weller, with music and lyrics by Michael Friedman (composer), and directed by Steve Cosson. The play first opened in March 2008 at the Actors Theatre of Louisville Humana Festival of New American Plays, followed by successful runs at Studio Theatre in Washington, D.C., and the Center Theatre Group in Los Angeles, California. The piece premiered in New York City in the winter of 2009 at the Vineyard Theatre. This Beautiful City was nominated for Drama Desk, Drama League, and Lucille Lortel Awards [2]
When asked why he had become interested in this topic, Artistic Director Steve Cosson said "one of the things I wanted to do was to go work on a subject that was very different from us in our company and one of the first ideas was to do something about conservative Christianity. After the 2004 election, the subject seemed more and more important and our company had grown and had more resources, so it seemed like the time had come… And there's no better place to do this project than Colorado Springs because of New Life, Ted and his relationship to politics, his presidency of the NAE during the Bush Presidency … Three of us came out in June and went to New Life and I think the first time we really sort of got it, like "Oh! this really seems to be the center of America right now. I mean, you're in the middle of this church with 7,000 people and the minister is talking about his relationship to George Bush and Ariel Sharon and other world leaders. I think the world we come from knows that the evangelical movement is this big influential thing in politics, but they don't really have an understanding of the scope of it or what it means, or what that kind of Christianity really means, or what it is beyond its political effect on the national elections. And other than that they find it kind of scary and freaky." [3]
Rather than focusing on a specific narrative, This Beautiful City instead endeavors to illuminate the thoughts of the "dozens of characters—conservative Christians, secular progressives, city employees and a Celtic Wiccan—all vying to describe the place of religion in their community." [4] A narrative structure is built around the discovery and progression of the Ted Haggard scandal, the news of which broke during the research period for the show.
This Beautiful City had its New York premiere at the Vineyard Theatre, with previews beginning on February 3, 2009, opening on February 22, 2009, and running to March 15, 2009. At one notable performance, Ted Haggard, whose homosexual relationship and methamphetamine scandal was depicted in the play, was a member of the audience along with his wife, Gayle, and filmmaker Alexandra Pelosi and her husband. [5]
Lucille Lortel was an American actress, artistic director, and theatrical producer. In the course of her career Lortel produced or co-produced nearly 500 plays, five of which were nominated for Tony Awards: As Is by William M. Hoffman, Angels Fall by Lanford Wilson, Blood Knot by Athol Fugard, Mbongeni Ngema's Sarafina!, and A Walk in the Woods by Lee Blessing. She also produced Marc Blitzstein's adaptation of Bertolt Brecht and Kurt Weill's Threepenny Opera, a production which ran for seven years and according to The New York Times "caused such a sensation that it...put Off-Broadway on the map."
The Vineyard Theatre is an Off-Broadway non-profit theatre company, located at 108 East 15th Street in Manhattan, New York City, near Union Square. Its first production was in 1981. It is best known for its productions of the Tony award-winning musical Avenue Q, Paula Vogel's Pulitzer Prize-winning play How I Learned to Drive, and Jeff Bowen and Hunter Bell's Obie Award-winning musical [title of show]. The Vineyard describes itself as "dedicated to new work, bold programming and the support of artists." The company is the recipient of special Obie, Drama Desk and Lucille Lortel awards for Sustained Excellence, and the 1998 Jonathan Larson Performing Arts Foundation Grant. It celebrated its 25th anniversary in 2007.
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The Civilians is an investigative theatre company in New York City founded in 2001 by Artistic Director, Steve Cosson. The Civilians artists pursue their inquiries using interviews, community residencies, research, and other methods. Working with a combination of journalism and art, the Civilians creates theatrical events that seek to promote inquisitions of current issues. According to Variety Magazine, The Civilians "travels far and wide researching a piece around a given subject, conducting interviews and comparing notes along the way, sometimes for years."
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John Michael Friedman was an American composer and lyricist. He was a Founding Associate Artist of theater company The Civilians.
Steven Cosson is a writer and director specializing in the creation of new theater work inspired by real life. He is the founding Artistic Director of the New York-based investigative theater company The Civilians.
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