Author | Helen Garner |
---|---|
Language | English |
Genre | True crime |
Publisher | Text Publishing |
Publication date | 20 August 2014 |
Publication place | Australia |
Pages | 288 |
ISBN | 978-1-92207920-6 |
This House of Grief is a 2014 non-fiction book by Helen Garner. [1] Subtitled "The story of a murder trial", its subject matter is the murder conviction of a man accused of driving his car into a dam resulting in the deaths of his three children in rural Victoria, Australia, and the ensuing trials. [2] The book has been critically lauded, with The Australian declaring it a "literary masterpiece". [3]
On 4 September 2005 a car driven by Robert Farquharson left the road and crashed into a dam outside Winchelsea, Victoria, resulting in the deaths of his three sons. A year before the incident, Farquharson's wife had left him for another man and taken their children, who he had access to on weekends or special occasions. He was convicted of their murder on 5 October 2007. [4] Farquharson appealed and, on 17 December 2009, the conviction was set aside and a new trial ordered. [5] The retrial commenced on 4 May 2010 before Lex Lasry. The jury retired to consider its verdict on 19 July 2010 after hearing 11 weeks of evidence and argument. On 22 July, after three days of deliberation, the second jury again found Farquharson guilty of murder. On 15 October 2010, he was sentenced to life imprisonment with a 33-year minimum.
The epigram to the book is "this treasury of pain, this house of power and grief", a quotation from the Hungarian poet Dezső Kosztolányi's novel Kornél Esti . The epigram is directed to the Supreme Court of Victoria. [6]
Garner was reported as present in courts during the seven years that the case took to be finally decided. [7] Garner participated in annual workshops run by the Judicial College of Victoria. She produced a number of drafts on the trial and story, including one titled The Dam, which she scrapped in 2009 at the behest of her publisher. [8]
Garner takes us into the courtroom and shows us a melting pot of venality. She writes with a profound understanding of human vulnerability, and of the subtle workings of love, memory and remorse.
The book received critical praise. According to Book Marks , the book received "rave" reviews based on 12 critic reviews with 10 being "rave" and 1 being "positive" and 1 being "mixed". [9] In The Monthly , Ramona Koval wrote that the work was "devastating, utterly compelling". [10] In an essay in the website The Conversation , the writer was of the opinion that Garner "fails to address the broader issues of gender inequality and male violence". [11] In The Australian , Peter Craven wrote that the book was "some kind of masterpiece and Garner creates, moment by moment, with a breathtaking suspension of judgment, the whirlwind that blows across every corner of this story like a hard rain that comes with the force of a desolation, sparing nothing." Craven also noted that Garner had previously written about legal cases as "an old hand at using a novelist’s technique to create a pointillist image of a trial" in The First Stone and Joe Cinque's Consolation . [2] In the UK daily newspaper The Guardian , Kate Clanchy wrote, "[…] the whole book feels final, elegiac – perhaps because for all the horror, it is so elegantly and calmly written; perhaps because This House of Grief completes so many arcs begun in Garner's previous works; perhaps because it is impossible to imagine it being done better". [12]
Some critics noted the similarities between This House of Grief and Truman Capote's In Cold Blood (1966), another non-fiction novel. Kate Atkinson wrote, "Helen Garner is an invaluable guide into harrowing territory and offers powerful and unforgettable insights. This House of Grief, in its restraint and control, bears comparison with In Cold Blood", while Eileen Battersby, writing for the Irish Times said, "Helen Garner’s account of the trial is a non-literary variation of Truman Capote's In Cold Blood". [13] The Atlantic gave a positive review, writing, "[Garner] doesn't merely listen. She watches, imagines, second-guesses, empathises, agonises. Her voice—intimate yet sharp, wry yet urgent—inspires trust." [6]
The Victorian Chief Justice, The Hon. Marilyn Warren AC wrote a congratulatory letter to Garner on the release of the book in September 2014. In her letter, Warren called the book "utterly riveting". She went on to comment that the book "sought to educate, rather than merely entertain, the general public about the demands of the criminal justice system". [14]
In October 2023, John Powers, NPR's pop culture critic, described the book thus: "Garner uses the case — and her reactions to it — to think about wounded masculinity, collapsing families, the theatricality of courtrooms and the unknowable mystery of human behavior. Tinged with mourning, the book leaves us wondering what justice might mean in a tragedy where everyone winds up a victim." [15]
The book has been translated into German, under the title Drei Söhne: Ein Mordprozess.[ citation needed ]
Helen Garner is an Australian novelist, short-story writer, screenwriter and journalist. Garner's first novel, Monkey Grip, published in 1977, immediately established her as an original voice on the Australian literary scene—it is now widely considered a classic. She has a reputation for incorporating and adapting her personal experiences in her fiction, something that has brought her widespread attention, particularly with her novels Monkey Grip and The Spare Room (2008).
Monica Elizabeth Jolley AO was an English-born Australian writer who settled in Western Australia in the late 1950s and forged an illustrious literary career there. She was 53 when her first book was published, and she went on to publish fifteen novels, four short story collections and three non-fiction books, publishing well into her 70s and achieving significant critical acclaim. She was also a pioneer of creative writing teaching in Australia, counting many well-known writers such as Tim Winton among her students at Curtin University.
Joe Cinque's Consolation: A True Story of Death, Grief and the Law is a non-fiction book written by Australian author Helen Garner, and published in 2004.
Meaghan Delahunt is a novelist. She was born in Melbourne, Australia and now lives on the East Coast of Scotland. In 2004 she was Writer in Residence in the Management School at St Andrews University, and she now lectures in Creative Writing at the University of Stirling.
Charlotte Wood is an Australian novelist. The Australian newspaper described Wood as "one of our [Australia's] most original and provocative writers".
Gail Jones is an Australian novelist and academic.
Marion Mildred Halligan AM was an Australian writer and novelist. She authored twenty-three books, including fiction, short-fiction, and non-fiction. Her novel, Lovers' Knots (1992) won The Age Book of the Year, The ACT Book of the Year and the inaugural Nita B. Kibble Award. The Golden Dress (1998) was shortlisted for the Miles Franklin Award, The Dublin IMPAC Award and The Age Book of the Year. Her novels The Point (2003) and Valley of Grace (2009) also won The ACT Book of the Year. Halligan Served as Chairperson of the Literature Board of the Australia Council (1992-95) and the Australian National Word Festival. She was appointed a Member of the Order of Australia (AM), General Division, in 2006 'for service to Literature as an author, to the promotion of Australian writers and to support for literary events and professional organisations'.
Robert Donald William Farquharson is an Australian man convicted of murdering his three sons on 4 September 2005, by deliberately driving his car into a farm dam.
Joan Elizabeth London is an Australian author of short stories, screenplays and novels.
Ramona Koval is an Australian broadcaster, writer and journalist.
The Kibble Literary Awards comprise two awards—the Nita B Kibble Literary Award, which recognises the work of an established Australian female writer, and the Dobbie Literary Award, which is for a first published work by a female writer. The Awards recognise the works of women writers of fiction or non-fiction classified as 'life writing'. This includes novels, autobiographies, biographies, literature and any writing with a strong personal element.
Careless is a 2006 novel by Australian author Deborah Robertson.
Kate Clanchy MBE is a British poet, freelance writer and teacher.
Felicity Plunkett is an Australian poet, literary critic, editor and academic.
Cosmo Cosmolino is a 1992 book by Australian writer Helen Garner. The book consists of three linked works: two short stories and a novella, though the author and critics have described it as a novel.
Mandy Sayer is an Australian novelist and narrative non-fiction writer.
Gail Bell is an Australian author of short stories, two non-fiction books, travel writing, book reviews, critical essays and long form journalism. Her books and essays have won acclaim and prizes. She is represented by Selwa Anthony Author Management Pty Ltd.
Mireille Juchau is an Australian author.
John Clanchy is an Australian novelist and short story writer.
Jacqueline Frances Kent is an Australian journalist, biographer and non-fiction writer. She is also known as Jacquie Kent, the name she used when writing young adult fiction in the 1990s and sometimes writes as Frances Cook.