Thomas Jakob Berghuis is a curator, art historian, and former museum director based in Leiden, Netherlands.
From 2008 to 2013 Berghuis worked as a lecturer in Asian Art at the University of Sydney. [1] From 2013 to May 2015 he was the Robert H. N. Ho Curator of Chinese Art at the Guggenheim Museum in New York City, [2] after which he Berghuis moved to Jakarta, Indonesia to become the first director of the Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), launched in January 2016. [1]
Berghuis has been a lecturer in art history with the University of Amsterdam; [3] [ when? ] a Board Member of Framer Framed, a platform for contemporary art, visual culture, and critical theory & practice in Amsterdam; [4] and an honorary principal fellow with the School of Culture & Communication at The University of Melbourne, Australia. [5] [ when? ]
Berghuis has curated and co-curated several exhibitions, including Edge of Elsewhere (2010–2012) with the Sydney Festival at 4A Centre for Contemporary Asian Art and Campbelltown Arts Centre, co-curated with Lisa Havilah and Aaron Seeto; [6] Suspended Histories at Museum Van Loon, 2012–2014; [7] Wang Jianwei: Time Temple at the Guggenheim; [8] and Crossing the Tide, the Tuvalu Pavilion for the 56th Venice Biennale. [9]
Berghuis is a Member of AICA, Australia;[ further explanation needed ] a Member of ICOM-US;[ further explanation needed ] and in 2016 Berghuis was nominated as a participant and member of the Global Museum Leaders Colloquium (GMLC), hosted by the director's office at the Metropolitan Museum of Art in New York. [10]
He is an editorial board member of the Journal of Contemporary Chinese Art ; [11] and diˈvan | A Journal of Accounts (UNSW Press, Australia). [12] His writings have been published in Third Text ; Theory, Culture, and Society ; Positions: East Asia Cultures Critique ; and the Journal of Visual Art Practice .[ citation needed ]
Yu Yeon Kim is an independent curator based in New York City, United States and Seoul, South Korea. Kim has curated and been a commissioner of many distinguished international exhibitions of contemporary art.
Edmund George Capon was an art scholar specialising in Chinese art. He was director of the Art Gallery of New South Wales from 1978 to 2011. He was also the chair of soccer club Sydney FC from 2006 to 2007.
Reena Saini Kallat is an Indian visual artist. She currently lives and works in Mumbai.
Jeffrey Shaw is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals.
Hou Hanru is a Chinese-born art curator and art critic. He is based in San Francisco, Paris and Rome. He was artistic director of the National Museum MAXXI in Rome, Italy, from 2013 to 2023.
Museum Van Loon is a museum located in a canalside house alongside the Keizersgracht in Amsterdam, Netherlands. The museum is named after the family Van Loon that lived in the house from the 19th century.
Geeta Kapur is a noted Indian art critic, art historian and curator based in New Delhi. She was one of the pioneers of critical art writing in India, and who, as Indian Express noted, has "dominated the field of Indian contemporary art theory for three decades now". Her writings include artists' monographs, exhibition catalogues, books, and sets of widely anthologized essays on art, film, and cultural theory.
Ah Xian is a Chinese-born artist based in Sydney, Australia.
John Zerunge Young is a Hong Kong-born Australian artist.
Gayatri Sinha is an art critic and curator based in New Delhi, India. Her primary areas of research are around the structures of gender and iconography, media, economics and social history. She founded Critical Collective, a forum for thinking about conceptual frames within art history and practice in contemporary India.
UCCA Center for Contemporary Art or UCCA is a leading Chinese independent institution of contemporary art. Founded in 2007 and located at the heart of the 798 Art District in Beijing, China, it welcomes more than one million visitors a year. Originally known as the Ullens Center for Contemporary Art, UCCA underwent a major restructuring in 2017 and now operates as the UCCA Group, comprising two distinct entities: UCCA Foundation, a registered non-profit that organizes exhibitions and research, stages public programs, and undertakes community outreach; and UCCA Enterprises, a family of art-driven retail and educational ventures. In 2018, UCCA opened an additional museum, UCCA Dune, in Beidaihe, a seaside resort town close to Beijing. In 2021, a third site in Shanghai was opened, UCCA Edge. The museum had 385,295 visitors in 2020, and ranked 55th in the List of most-visited art museums in the world.
Joachim Pissarro is an art historian, theoretician, curator, educator, and director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College of the City University of New York. His latest book, authored with art critic David Carrier, is called Wild Art. Pissarro was curator at the Museum of Modern Art's Department of Painting and Sculpture from 2003 to 2007.
June Yap is a Singaporean curator, art critic, and writer. She is currently the Director of Curatorial & Collections at the Singapore Art Museum.
Alexandra Munroe is an American curator, Asia scholar, and author focusing on art, culture, and institutional global strategy. She has produced over 40 exhibitions and published pioneering scholarship on modern and contemporary Asian art. She organized the first major North American retrospectives of artists Yayoi Kusama (1989), Daido Moriyama (1999), Yoko Ono (2000), Mu Xin (2001), Cai Guo-Qiang (2008), and Lee Ufan (2011), among others, and has brought such historic avant-garde movements as Gutai, Mono-ha, and Chinese conceptual art, as well as Japanese otaku culture, to international attention. Her project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the field of postwar Japanese art history in North America. Recently, Munroe was lead curator of the Guggenheim’s exhibition, Art and China after 1989: Theater of the World, which the New York Times named as one of 2017’s top ten exhibitions and ARTnews named as one of the decade’s top 25 most influential shows. Credited for the far-reaching impact of her exhibitions and scholarship bolstering knowledge of postwar Japanese art history in America and Japan, she received the 2017 Japan Foundation Award and the 2018 Commissioner for Cultural Affairs Award, both bestowed by the government of Japan.
Vandy Rattana is a photographer and artist, now resident in Taiwan, whose work is concerned with Cambodian society.
Wang Jianwei is a new media, performance, and installation artist based in Beijing, China.
The Yangjiang Group is a Chinese artist collective founded in 2002 by Zheng Guogu, Chen Zaiyan, and Sun Qinglin. The group's name takes after their hometown in Yangjiang, Guangdong Province. The Yangjiang Group's works have been exhibited in Europe and Asia. Their works show a strong attachment to a sense of place in their hometown.
Kate Beynon is an Australian contemporary artist based in Melbourne.
Suhanya Raffel is an art historian who has been serving as the museum director of the M+ Museum for Visual Culture in Hong Kong. She joined the West Kowloon Cultural District Authority in November 2016 as executive director, M+, before being appointed Museum Director, M+, in January 2019. She succeeded Lars Nittve, who led the museum from 2011-2016.
4A Centre for Contemporary Asian Art, formerly known as Gallery 4A, 4A Galleries, Asia-Australia Arts Centre and also known simply as 4A, is an Australian independent not-for-profit organisation based in the Haymarket area of Sydney, New South Wales. It commissions, exhibits, documents and researches Asian and Asian-Australian contemporary art in Australia, and promotes Australian talent in Asia, promoting and maintaining cultural connections between the nation and the region. The gallery and the associated Performance 4A were founded by the Asian Australian Artists Association Inc. in 1997.