Campbelltown Arts Centre | |
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General information | |
Type | Arts centre |
Location | Campbelltown |
Coordinates | 34°04′22″S150°48′33″E / 34.072767°S 150.809112°E |
Completed | 2005 |
Owner | Campbelltown City Council |
Design and construction | |
Architect(s) | Tanner Architects |
Campbelltown Arts Centre (C-A-C or CAC) is a multidisciplinary contemporary arts centre located in Campbelltown, New South Wales, south west of Sydney, Australia. It is a cultural facility of Campbelltown City Council, assisted by other government funding and private sponsorships.
The Centre opened in 2005, [1] located on the traditional land of the Dharawal people. [2]
The focus is on contemporary art, aiming "to forge collaborative exchanges between artists, disciplines and communities through the creation of new curatorial situations and challenging streams of practice". Its exhibits include visual arts, performance, dance, music, live art and emerging forms. [2]
Hosted by Campbelltown City Council, Campbelltown Arts Centre is funded by the New South Wales Government through Create NSW, and by the federal government through the Australia Council for the Arts. The Centre also receives support from the Crown Resorts Foundation and the Packer Family Foundation. [2]
The Centre's complex includes the following facilities: [3] [4]
Campbelltown is home to one of the largest urban Indigenous communities in Australia [5] [6] and the Centre's permanent collection contains a lot of contemporary Indigenous art, including fibre art, paintings and work on paper. Artists represented include Joyce Mate, Yvonne Koolmatrie, Shirley MacNamara, Lena Yarinkura, Emily Kame Kngwarreye, James Gleeson, Queenie McKenzie, Pat Larter, John Mawurndjul, Yuhana Nashmi, Abdul Abdullah, and Kitty Kantilla. [7]
The collection includes 19th-century lithographs, ceramics, work of the Wedderburn artists (who are heavily influenced by Indigenous art), sculpture and art installations. The Marsden Collection was bequeathed by lawyer and gay rights activist John Marsden in 2006. The Baycroft-Holt collection is a collection of contemporary Scottish art and includes the work of Ken Currie. [7]
The Sculpture Garden was opened in 2001, with a permanent display of sculpture, which includes site-specific work. [7]
The Centre runs many public, [8] artistic [9] and educational projects and programs. [10]
Two photographic exhibitions, featuring astro-photography by members of the Macarthur Astronomical Society were held in October 2010 and July 2012, known as "magnitude" and "magnitude II". [11]
In February 2020, a survey exhibition of the work of Vernon Ah Kee, including his 2018 video work named The Island was mounted at the centre. [12]
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in the Australian Capital Territory, it was established in 1967 by the Australian Government as a national public art museum. As of 2022 it is under the directorship of Nick Mitzevich.
Campbelltown is a suburb located on the outskirts of the metropolitan area of Sydney, New South Wales, Australia. It is located in Greater Western Sydney 53 kilometres (33 mi) south-west of the Sydney central business district by road. Campbelltown is the administrative seat of the local government area of the City of Campbelltown. It is also acknowledged on the register of the Geographical Names Board of New South Wales as one of only four cities within the Sydney metropolitan area.
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most important public gallery in Sydney and one of the largest in Australia.
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
Macarthur is a region in the south-west part of the Greater Sydney area, in the state of New South Wales, Australia. The region includes the local government areas of the City of Campbelltown, Camden Council, and Wollondilly Shire. It covers an area of 3,067 square kilometres and has a population of close to 310,000 residents. The region geographically forms the foothills between the Blue Mountains and Southern Highlands regions.
John Robert Marsden was an Australian solicitor and former President of the Law Society of New South Wales. He was known for his high-profile clients, his gay rights activism, and his victory in a defamation action against the Seven Network.
Danie Mellor is an Australian artist who was the winner of 2009 National Aboriginal & Torres Strait Islander Art Award. Born in Mackay, Queensland, Mellor grew up in Scotland, Australia, and South Africa before undertaking tertiary studies at North Adelaide School of Art, the Australian National University (ANU) and Birmingham Institute of Art and Design. He then took up a post lecturing at Sydney College of the Arts. He works in different media including printmaking, drawing, painting, and sculpture. Considered a key figure in contemporary Indigenous Australian art, the dominant theme in Mellor's art is the relationship between Indigenous and non-Indigenous Australian cultures.
Bronwyn Bancroft is an Aboriginal Australian artist, administrator, book illustrator, and among the first three Australian fashion designers to show their work in Paris. She was born in Tenterfield, New South Wales, and trained in Canberra and Sydney.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
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proppaNOW is an arts collective for Indigenous Australian artists in Queensland. Aiming to counter cultural stereotypes and give a voice to urban artists, the collective has mounted several exhibitions around the country. The collective was founded by Richard Bell, Jennifer Herd and Vernon Ah Kee in 2003 and formalised in 2004.
Brenda L. Croft is an Aboriginal Australian artist, curator, writer, and educator working across contemporary Indigenous and mainstream arts and cultural sectors. Croft was a founding member of the Boomalli Aboriginal Artists Cooperative in 1987.
Vernon Ah Kee is a contemporary Australian artist, political activist and founding member of ProppaNOW. Based primarily in Brisbane, Queensland, Ah Kee is an Aboriginal Australian man with ties to the Kuku Yalandji, Waanji, Yidinji and Gugu Yimithirr peoples in Queensland. His art practice typically focuses on his Aboriginal Australian identity and place within a modern Australian framework, and is concerned with themes of skin, skin colour, race, privilege and racism. Ah Kee has exhibited his art at numerous galleries across Australia, including the Art Gallery of New South Wales (AGNSW) and the Museum of Contemporary Art Australia, and has also exhibited internationally, most notably representing Australia at the 2009 Venice Biennale and the 2015 Istanbul Biennial.
Joan Ross is an Australian artist based in Sydney who works across a range of mediums including drawing, painting, installations, sculpture and video. Her work investigates the legacy of colonialism in Australia, particularly the effects colonialism has had on Indigenous Australians.
Shirley Anne Macnamara is an Australian Indigenous artist from the Indjilanji/Alyewarre language group of North West Queensland best known for her woven spinifex sculptures.
Ken Thaiday, known as Ken Thaiday Snr, is an artist from Erub, one of the Torres Strait Islands. He is known for his headdresses (dhari), masks, shark totems and kinetic sculptures, which connect to his island traditions and culture.
Rita Joan Brassil (1919–2005) was an Australian artist who worked with many elements – light, sound, stones and gravel, printed poems, and electronics – to create installation art works that relate to nature. She began exhibiting her work in 1976, after she retired from teaching art in high schools. She participated in many solo and group exhibitions across Australia as well as in Taiwan and Italy. Brassil was one of the first artists to receive the Australia Council for the Arts' Visual Arts/Craft Board Emeritus Award in 1988. On 26 January 2000 Joan was awarded an AM for service to the visual arts in Australia and overseas as a sculptor.
Narputta Nangala Jugadai (1933–2010) was an Aboriginal Australian artist born at Karrkurutinytja, who later lived at Haasts Bluff (Ikuntji) in the Northern Territory. Her language group was Pintupi/Pitjantjatjara, and her Dreaming was "Snake", "Jangala, Two Men" and "Two Women". She was a senior artist in her community at Ikuntji and prominent among the Ikuntji Women's Centre painters. She was the wife of the painter, Timmy Tjungurrayi Jugadai, and mother of Daisy Jugadai Napaltjarri and Molly Jugadai Napaltjarri.
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