Thomas Day (musician)

Last updated

Thomas Day was a singer, theorbo lutenist [1] and choirmaster. [2]

He was appointed Master of the Children of the Chapel Royal in 1633 [3] and was also Master of the Choristers at Westminster Abbey. [4]

He also served as a musician to the Princes Henry and Charles. [5] [4]

Related Research Articles

John Blow English composer

John Blow was an English Baroque composer and organist, appointed organist of Westminster Abbey in late 1668. His pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, Venus and Adonis, is thought to have influenced Henry Purcell's later opera Dido and Aeneas. In 1687 he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.

Master of the Queen's Music is a post in the Royal Household of the Sovereign of the United Kingdom. The holder of the post originally served the monarch of England, directing the court orchestra and composing or commissioning music as required.

Grinling Gibbons Anglo-Dutch sculptor and wood carver

Grinling Gibbons was an English sculptor and wood carver known for his work in England, including Windsor Castle and Hampton Court Palace, St. Paul's Cathedral and other London churches, Petworth House and other country houses, Trinity College Oxford and Trinity College Cambridge. Gibbons was born and educated in Holland of English parents, his father being a merchant. He was a member of the Drapers' Company of London. He is widely regarded as the finest wood carver working in England, and the only one whose name is widely known among the general public. Most of his work is in lime (Tilia) wood, especially decorative Baroque garlands made up of still-life elements at about life size, made to frame mirrors and decorate the walls of churches and palaces, but he also produced furniture and small relief plaques with figurative scenes. He also worked in stone, mostly for churches. By the time he was established he led a large workshop, and the extent to which his personal hand appears in later work varies.

Orlando Gibbons English composer, virginalist and organist (1583-1625)

Orlando Gibbons was an English composer, virginalist and organist who was one of the last masters of the English Madrigal School. By the 1610s he was the leading composer and organist in England yet would have has career cut short by his sudden death in 1625. As a result, Gibbons's oeuvre was not as large as that of his contemporaries, like the elder William Byrd, but his compositional versatility led to him having written significant works in virtually every form of his day. He is often seen as a transitional figure from the Renaissance to the Baroque periods.

John Bull (composer) English composer, musician and organ builder

John Bull was an English composer, musician and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.

The Chapel Royal is an establishment in the Royal Household serving the spiritual needs of the sovereign of the British royal family. Historically it was a body of priests and singers that travelled with the monarch. The term is now also applied to the chapels within royal palaces, most notably at Hampton Court and St James's Palace, and other chapels within the Commonwealth designated as such by the monarch. Within the Church of England, some of these royal chapels may also be referred to as Royal Peculiars, an ecclesiastical jurisdiction of the monarch.

Thomas Tomkins was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school.

Richard Farrant was an English composer. Like many composers of his day, the early years of Farrant's life are not well documented. The first acknowledgment of him is in a list of the Gentleman of the Chapel Royal in 1552. It is assumed from that list that his birth was around 1525, although that cannot be accurately determined. During his life he was able to establish himself as a successful composer, develop the English drama considerably, founded the first Blackfriars Theatre, and be the first to write verse-anthems. He married Anne Bower, daughter of Richard Bower who was Master of the Chapel Royal choristers at the time. With Anne he conceived ten children, one of whom was also named Richard.

Edmund Horace Fellowes, was a Church of England clergyman and musical scholar who became well known for his work in promoting the revival of sixteenth and seventeenth century English music.

Edmund Hooper was an English composer and organist.

Richard Edwardes 16th-century English writer

Richard Edwardes was an English poet, playwright, and composer; he was made a Gentleman of the Chapel Royal, and was master of the singing boys. He was known for his comedies and interludes. He was also rumoured to be an illegitimate son of Henry VIII.

Carroll Gibbons American-born pianist, bandleader and popular composer who made his career primarily in England

Carroll Richard Gibbons was an American-born pianist, bandleader and popular composer who made his career primarily in England during the British dance band era.

John Plummer was an English composer who flourished during the reign of Henry VI of England.

Christopher Gibbons English Baroque composer

Christopher Gibbons was an English composer and organist of the early Baroque period. He was the second son, and first surviving child of the composer Orlando Gibbons.

Henry Abyngdon, Abingdon or Abington was an English ecclesiastic and musician, perhaps the first to receive a university degree in music.

Early music of the British Isles

Early music of the British Isles, from the earliest recorded times until the beginnings of the Baroque in the 17th century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. Each of the major nations of England, Ireland, Scotland and Wales retained unique forms of music and of instrumentation, but British music was highly influenced by continental developments, while British composers made an important contribution to many of the major movements in early music in Europe, including the polyphony of the Ars Nova and laid some of the foundations of later national and international classical music. Musicians from the British Isles also developed some distinctive forms of music, including Celtic chant, the Contenance Angloise, the rota, polyphonic votive antiphons and the carol in the medieval era and English madrigals, lute ayres and masques in the Renaissance era, which would lead to the development of English language opera at the height of the Baroque in the 18th century.

Christopher Hatton (died 1619) 16th-century English politician and patron

Sir Christopher Hatton KB was an English politician who sat in the House of Commons between 1601 and 1614.

<i>Sing Unto God</i>/Anthem for the Wedding of Frederick, Prince of Wales

Sing Unto God/Anthem for the Wedding of Frederick, Prince of Wales and Princess Augusta of Saxe-Gotha,(HWV 263), is an anthem composed by George Frideric Handel. It was performed for the royal wedding on 27 April 1736 at the Chapel Royal in St James's Palace, London with Francesca Cuzzoni-Sandoni, Carlo Broschi "Farinelli", and Francesco Bernardi "Senesino". The text was adapted from verses of Psalms 68, 106 and 128

The Master of the Children of the Chapel Royal was the choirmaster of the Chapel Royal of England. They were responsible for the musical direction of the choir, which consisted of the Gentlemen of the Chapel and Children of the Chapel. In some periods regarded as the most prestigious choral directorship in the country, the holder was given power to take boys into service from the leading cathedral choirs.

Gentleman of the Chapel Royal was the title given to adult male singers of the Chapel Royal, the household choir of the monarchs of England.

References

  1. Murray Lefkowitz (1965). "The Longleat Papers of Bulstrode Whitelocke; New Light on Shirley's "Triumph of Peace"". Journal of the American Musicological Society. 18 (1): 46. doi:10.2307/830724. JSTOR   830724.
  2. John Patrick Cunningham (2010). The Consort Music of William Lawes, 1602-1645. p. 11. ISBN   978-0954680978.
  3. David Baldwin (1990). The Chapel Royal : Ancient and Modern. Duckworth. ISBN   9780715623497.
  4. 1 2 John Harley (2018-12-21). Orlando Gibbons and the Gibbons Family of Musicians. Routledge. ISBN   9780429830549.
  5. Lucy Munro (2005). Children of the Queen's Revels: A Jacobean Theatre Repertory. Cambridge University Press. ISBN   9781139446051.