Thomas Snodham was an English printer. He was a specialist music printer, but music accounted for as little as 10 per cent of the books he printed. His other output included plays.
Snodham was the son of a draper. In 1595 he was apprenticed to his uncle, the printer Thomas East. East specialised in music printing and printed works by well-known composers such as William Byrd and John Dowland. Snodham became a freeman of the Stationers Company in 1602, and printed his first book the following year, King James his entertainment at Theobalds. The book was sold from East's premises. The title refers to the progress of King James from Scotland in 1603, when he stayed at Theobalds, receiving the homage of the Privy Council.
Draper was originally a term for a retailer or wholesaler of cloth that was mainly for clothing. A draper may additionally operate as a cloth merchant or a haberdasher.
Thomas East,, was an English printer who specialised in music. He has been described as a publisher, but that claim is debatable. He nevertheless made an important contribution to musical life in England. He printed the significant collection of madrigals Musica Transalpina which appeared in 1588.
William Byrd, was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard, and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life.
When East died in 1608, his will made provision for the financial security of his widow Lucretia and also made clear that he wanted Snodham to take over the business. Mrs East inherited a number of music books, some of which Snodham acquired from her. Snodham also acquired East's printing equipment, and himself became an important music printer. Snodham printed works by various composers associated with East and a while the business continued to use the old name; for example, the second set of Wilbye's 'Madrigals' (1609) is stated to be printed by Thomas East, alias Snodham.
John Wilbye was an English madrigal composer.
In 1612 Snodham printed the first edition of Ben Jonson's play The Alchemist, which had been premiered in 1610 by the King's Men. The following year he printed the second quarto of Thomas Lord Cromwell .
Benjamin Jonson was an English playwright, poet, actor, and literary critic, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox, The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry; he is generally regarded as the second most important English playwright during the reign of James VI and I after William Shakespeare.
The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge considered it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays with a continuing life on stage.
The King's Men was the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became The King's Men in 1603 when King James I ascended the throne and became the company's patron.
Snodham died in 1626.
Oxford University Press (OUP) is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the vice-chancellor known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University has used a similar system to oversee OUP since the 17th century. The Press is located on Walton Street, opposite Somerville College, in the suburb Jericho.
Thomas Tallis was an English composer who occupies a primary place in anthologies of English choral music and is considered one of England's greatest composers. He is honoured for his original voice in English musicianship. No contemporaneous portrait of Tallis survives; the one painted by Gerard Vandergucht (illustration) dates from 150 years after Tallis died, and there is no reason to suppose that it is a likeness. In a rare existing copy of his blackletter signature, the composer spelled his last name "Tallys".
John Rastell was an English printer, author, member of parliament, and barrister.
William Caslon I, also known as William Caslon the Elder, was an English typefounder. The distinction and legibility of his type secured him the patronage of the leading printers of the day in England and on the continent. His typefaces transformed English type design and first established an English national typographic style.
John Day was an English Protestant printer. He specialised in printing and distributing Protestant literature and pamphlets, and produced many small-format religious books, such as ABCs, sermons, and translations of psalms. He found fame, however, as the publisher of John Foxe's Actes and Monuments, also known as the Book of Martyrs, the largest and most technologically accomplished book printed in sixteenth-century England.
John Ward (1590–1638) was an English composer.
Thomas Creede was a printer of the Elizabethan and Jacobean eras, rated as "one of the best of his time." Based in London, he conducted his business under the sign of the Catherine Wheel in Thames Street from 1593 to 1600, and under the sign of the Eagle and Child in the Old Exchange from 1600 to 1617. Creede is best known for printing editions of works in English Renaissance drama, especially for ten editions of six Shakespearean plays and three works in the Shakespeare Apocrypha.
George Eld was a London printer of the Jacobean era, who produced important works of English Renaissance drama and literature, including key texts by William Shakespeare, Ben Jonson, Christopher Marlowe, and Thomas Middleton.
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.
Thomas Adams was an English publisher. Son of Thomas Adams, a yeoman of Neen Savage, Shropshire, he became an apprentice to Oliver Wilkes, a member of the Stationers' Company in London, on 29 September 1582; he was transferred to a new master, George Bishop, on 14 October 1583. Adams himself was admitted to the Company on 15 October 1583. By 1591, he had established himself as a printer based at the sign of the White Lion at St. Paul's Churchyard in the city. His business may have started when printer Robert Walley transferred ownership of a vast collection of books and ballads to Adams, but existing copies indicate that Adams had these works printed for him by others.
William Barley (1565?–1614) was an English bookseller and publisher. He completed an apprenticeship as a draper in 1587, but was soon working in the London book trade. As a freeman of the Drapers' Company, he was embroiled in a dispute between it and the Stationers' Company over the rights of drapers to function as publishers and booksellers. He found himself in legal tangles throughout his life.
John Windet was an English printer, notable for his music publications. He was a close business associate of fellow printer John Wolfe. After 1591, Wolfe ceased printing the lucrative metrical psalter of Thomas Sternhold and John Hopkins, and Windet succeeded him in becoming the sole printer of the work for patent-holder Richard Day. At some point, Windet succeeded Wolfe as London's City Printer. Wolfe passed on some of his printing ornaments to Windet after he decided to stop printing and focus solely on publishing in 1594. On Wolfe's death in 1601, Windet was appointed administrator of his estate.
John Walsh was an English music publisher of Irish descent, established off the Strand, London, by c. 1690. He was appointed musical instrument-maker-in-ordinary to the king in 1692.
John Beale (c.1608-1683) was an English clergyman, scientific writer, and early Fellow of the Royal Society. He contributed to John Evelyn's Sylva, or A Discourse of Forest-Trees and the Propagation of Timber, and was an influential author on orchards and cider. He was also a member of the Hartlib Circle.
Edward Gordon Duff, known as Gordon Duff, was a British bibliographer and librarian known for his works on early English printing.
Thomas Vautrollier or Vautroullier was a French Huguenot refugee who became a printer in England and, briefly, in Scotland.
Newcome's School was a fashionable school in Hackney, then to the east of London, founded in the early 18th century. A number of prominent Whig families sent their children there. The school closed in 1815, and the buildings were gutted in 1820. In 1825 the London Orphan Asylum opened on the site. Today the Clapton Girls' Academy is located here.
Edward Paston (1550–1630), second son of Sir Thomas Paston, was a Catholic gentleman of Norfolk, a poet, and amateur musician living in the reign of Elizabeth I. He is an important figure in the musical history of England, his love of music driving him to acquire and copy musical manuscripts from some of the most important composers of the Renaissance, resulting in a unique performing collection of 16th-century house music that included works by William Byrd, Thomas Tallis, John Taverner, and Orlando di Lasso. He was especially interested in Byrd, and one of his books is the largest source of consort songs by that composer. Paston played the lute, creating a wide range of vocal settings and accompanying tablatures in partbooks that are still obtainable. As a young man he travelled extensively in Spain, being influenced by the Spanish form of tablature, as seen in his partbooks, rather than the generally used French form.