Thomas Snodham was an English printer. He was a specialist music printer, but music accounted for as little as 10 per cent of the books he printed. [1] His other output included plays.
Snodham was the son of a draper. In 1595 he was apprenticed to his uncle, the printer Thomas East. East had started as a general printer, but specialised in music printing after acquiring music type from a deceased printer. He printed works by well-known composers such as William Byrd and John Dowland. [2]
Snodham became a freeman of the Stationers Company in 1602. He printed his first book the following year, King James his entertainment at Theobalds, which was sold from East's premises. [3] When East died in 1608, he left a will making clear that he wanted Snodham to take over his business, while at the same time he made provision for the financial security of his widow Lucretia. [4] Snodham acquired East's printing equipment and worked with some of the same composers such as John Wilbye. For a while, the business continued to use the old name, presumably in the expectation of benefiting from goodwill. For example, the second set of Wilbye's 'Madrigals' (1609) is stated to be printed by "Thomas East, alias Snodham".
Snodham died in 1626.
In 1612, Snodham printed the first edition of Ben Jonson's play The Alchemist, which had been premiered in 1610 by the King's Men. The following year he printed the second quarto of Thomas Lord Cromwell .
John Rastell was an English printer, author, member of parliament, and barrister.
Orlando Gibbons was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's oeuvre was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices.
Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
Thomas Weelkes was an English composer and organist. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services.
John Day was an English Protestant printer. He specialised in printing and distributing Protestant literature and pamphlets, and produced many small-format religious books, such as ABCs, sermons, and translations of psalms. He found fame, however, as the publisher of John Foxe's Actes and Monuments, also known as the Book of Martyrs, the largest and most technologically accomplished book printed in sixteenth-century England.
John Wilbye was an English madrigal composer.
Richard Pynson was one of the first printers of English books. Born in Normandy, he moved to London, where he became one of the leading printers of the generation following William Caxton. His books were printed to a high standard of craftsmanship, and his Morton Missal (1500) is regarded as among the finest books printed in England in the period.
The Second Book of Songs is a book of songs composed by Renaissance composer John Dowland and published in London in 1600. He dedicated it to Lucy Russell, Countess of Bedford.
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.
Edward Allde was an English printer in London during the Elizabethan and Jacobean eras. He was responsible for a number of significant texts in English Renaissance drama, including some of the early editions of plays by William Shakespeare.
Thomas Adams was an English publisher.
William Barley (1565?–1614) was an English bookseller and publisher. He completed an apprenticeship as a draper in 1587, but was soon working in the London book trade. As a freeman of the Drapers' Company, he was embroiled in a dispute between it and the Stationers' Company over the rights of drapers to function as publishers and booksellers. He found himself in legal tangles throughout his life.
John Windet was an English printer, notable for his music publications. He was a close business associate of fellow printer John Wolfe. After 1591, Wolfe ceased printing the lucrative metrical psalter of Thomas Sternhold and John Hopkins, and Windet succeeded him in becoming the sole printer of the work for patent-holder Richard Day. At some point, Windet succeeded Wolfe as London's City Printer. Wolfe passed on some of his printing ornaments to Windet after he decided to stop printing and focus solely on publishing in 1594. On Wolfe's death in 1601, Windet was appointed administrator of his estate.
Thomas Vautrollier or Vautroullier was a French Huguenot refugee who became a printer in England and, briefly, in Scotland.
Thomas East was an English printer who specialised in music. He has been described as a publisher, but that claim is debatable. He nevertheless made an important contribution to musical life in England. He printed the significant madrigal collection, Musica Transalpina, which appeared in 1588.
Newcome's School was a fashionable boys' school in Hackney, then to the east of London, founded in the early 18th century. A number of prominent Whig families sent their sons there. The school closed in 1815, and the buildings were gutted in 1820. In 1825 the London Orphan Asylum opened on the site. Today the Clapton Girls' Academy is located here.
Sir Edward Paston (1550–1630), second son of Sir Thomas Paston, was a Catholic gentleman of Norfolk, a poet, and amateur musician living in the reign of Elizabeth I. He is an important figure in the musical history of England, his love of music driving him to acquire and copy musical manuscripts from some of the most important composers of the Renaissance, resulting in a unique performing collection of 16th-century house music that included works by William Byrd, Thomas Tallis, John Taverner, and Orlando di Lasso. He was especially interested in Byrd, and one of his books is the largest source of consort songs by that composer. Paston played the lute, creating a wide range of vocal settings and accompanying tablatures in partbooks that are still obtainable. As a young man he travelled extensively in Spain, being influenced by the Spanish form of tablature, as seen in his partbooks, rather than the generally used French form.
Handlist of publications of, or about, music printed in England before 1660. If a work is undated the date is italicised. The handlist does not give every detail about the publications but presents an overview of music publishing in England. The 1557 London Charter limited printing to members of the London Company of Stationers and this was strengthened and further enforced in 1566..
Bibliography of early American publishers and printers is a selection of books, journals and other publications devoted to these topics covering their careers and other activities before, during and after the American Revolution. Various works that are not primarily devoted to those topics, but whose content devotes itself to them in significant measure, are sometimes included here also. Works about Benjamin Franklin, a famous printer and publisher, among other things, are too numerous to list in this bibliography, can be found at Bibliography of Benjamin Franklin, and are generally not included here unless they are intensely devoted to Franklin's printing career. Single accounts of printers and publishers that occur in encyclopedia articles are not included here.