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Thorsten Botz-Bornstein (born 1964) is a German philosopher and writerspecializing in aesthetics and intercultural philosophy.
Botz-Bornstein was born in Germany in 1964, studied philosophy at the Sorbonne in Paris (Paris I) from 1985 to 1990, and received his Ph.D. (D.Phil) from Oxford University in 1993. As a postdoctoral researcher based in Finland he undertook extensive research on Russian formalism and semiotics in Russia and the Baltic countries. In 2000 he received his habilitation from the EHESS of Paris. He has also been researching for several years in Japan, in particular on the Kyoto School, and worked for the Center of Cognition of Zhejiang University (Hangzhou, China) as a consultant and researcher. From 2007 to 2009 he was Assistant Professor of philosophy at Tuskegee University, which is a historically black university (HBCU) in Alabama. He is now Associate Professor of philosophy at Gulf University for Science and Technology in Kuwait.
Most broadly speaking, Botz-Bornstein attempts in his philosophy to establish conceptual links between style, play, and dream. He does so by borrowing elements from non-Western philosophies (Russian, Japanese, Chinese), architecture, and the aesthetics of cinema. His philosophy is thus determined by an organic “play-style-dream” triangle, which he uses as a theoretical foundation in his works on aesthetics (organic space, organic style, organic architecture, organic film, etc.), intercultural communication, virtual reality, and politics. His approach can be described as “neo-organic." World War II experiences of totalitarianism led to the perception that any totality must be split apart or deconstructed. Botz-Bornstein's neo-organicism presents a hermeneutic alternative by rethinking synthesis and dynamic forms of holism without falling into the trap of totalitarianism. The result is a distinct philosophy of space determined by aesthetic elaborations of dreams, hermeneutics, and stylistics. In his writings on hermeneutics, Botz-Bornstein analyzes "the place of the dream" or "the place as a played phenomenon" able to evolve organically.
Linked to his central research on the phenomenon of style and play is his research on Japanese philosophy, especially those parts that are inspired by Zen Buddhism. One of Botz-Bornstein's early starting points (1992) was Kuki Shūzō’s notion of 'iki' which Botz-Bornstein interpreted as an idea related to Western elaborations of the term style. Since then, he has presented comparisons of Nishida Kitaro with various Western authors, for example Mikhail Bakhtin, Ludwig Wittgenstein and, most recently, Muhammad Abduh. Other topics are Pan-Asianism, Eurasianism, Pan-Slavism, and corresponding reflections on the 'cultural sphere' and the international world order. Botz-Bornstein is also working on religion, on the idea of the 'virtual' in aesthetics, and on cultural theory as well as about meta-philosophical questions linked to ethnophilosophy. His philosophical style is determined by the continental tradition and develops in proximity with Cultural Studies.
Micro and Macro Philosophy: Organicism in Biology, Philosophy, and Politics (Brill, 2020)
The New Aesthetics of Deculturation: Neoliberalism, Fundamentalism and Kitsch (Bloomsbury, 2019).
The Political Aesthetics of ISIS and Italian Futurism (Lexington, 2018)
Organic Cinema: Film Architecture, and the Work of Bela Tarr (Berghahn, 2017)
Transcultural Architecture: Limits and Opportunities of Critical Regionalism (Ashgate, 2015)
Veils, Nudity, and Tattoos: The New Feminine Aesthetics (Lexington, 2015)
Virtual Reality: The Last Human Narrative? (Brill, 2015)
The Veil in Kuwait: Gender, Fashion, Identity (with N. Abdullah-Khan) (Palgrave, 2014)
La Chine contre l'Amérique. Culture sans civilisation contre civilisation sans culture? [China against America: Culture without Civilisation against Civilization without Culture?] (Paris: L'Harmattan, 2012)
Place and Dream: Japan and the Virtual (Rodopi, 2004)
Films and Dreams: Tarkovsky, Sokurov, Bergman, Kubrik, Wong Kar-wai (Lexington, 2007)
Vasily Sesemann: Experience, Formalism and the Question of Being (Rodopi, 2006)
Aesthetics and Politics of Space in Russia and Japan (Lexington, 2009)
The Cool-Kawaii: Afro-Japanese Aesthetics and New World Modernity (Lexington, 2010)
The Monstrous Darkness of Tomorrow (Novella, 2018)
Kuwait 2059 (Novella, 2019)
Plotinus and the Moving Image: Neoplatonism and Film Studies (with G. Stamatellos, Brill, 2017)
Inception and Philosophy: Ideas to Die For (Chicago: Open Court, ‘Philosophy and Popular Culture Series’, 2011)
Re-ethnicizing the Minds? Tendencies of Cultural Revival in Contemporary Philosophy (Rodopi, 2006)
The Philosophy of Viagra: Bioethical Responses to the Viagrification of the Modern World (Rodopi, 2011)
Culture, Nature, Memes: Dynamic Cognitive Theories (Cambridge Scholars Press, 2008)
The Crisis of the Human Sciences: False Objectivity and the Decline of Creativity (Cambridge Scholars Press, 2012)
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art. It examines subjective and sensori-emotional values, or sometimes called judgments of sentiment and taste.
Hermeneutics is the theory and methodology of interpretation, especially the interpretation of biblical texts, wisdom literature, and philosophical texts. Hermeneutics is more than interpretive principles or methods used when immediate comprehension fails and includes the art of understanding and communication.
Kitsch is art or other objects that, generally speaking, appeal to popular rather than "high art" tastes. Such objects are sometimes appreciated in a knowingly ironic or humorous way. The word was first applied to artwork that was a response to certain divisions of 19th-century art with aesthetics that favored what later art critics would consider to be exaggerated sentimentality and melodrama. Hence, 'kitsch art' is closely associated with 'sentimental art'. Kitsch is also related to the concept of camp, because of its humorous and ironic nature.
Shūzō Kuki was a prominent Japanese academic, philosopher, poet, art critic and university professor.
Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture. The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of architecture.
Iki (粋/いき) is an Japanese aesthetical concept thought to have originated amongst the merchant classes of Edo in Edo period Japan.
This is an alphabetical index of articles about aesthetics.
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Another similar recent term is metamodernism.
Sarah Kofman was a French philosopher.
Richard Shusterman is an American pragmatist philosopher. Known for his contributions to philosophical aesthetics and the emerging field of somaesthetics, currently he is the Dorothy F. Schmidt Eminent Scholar in the Humanities and Professor of Philosophy at Florida Atlantic University.
On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics is an academic book series focused on the critical examination of identity, politics, and culture in the Baltic countries. By offering a wide scope of the social science and humanities disciplines, the book series encourages intercultural dialogue and pursues interdisciplinary research in the field of Baltic studies.
Mario Perniola was an Italian philosopher, professor of aesthetics and author. Many of his works have been published in English.
Hugh J. Silverman was an American philosopher and cultural theorist whose writing, lecturing, teaching, editing, and international conferencing participated in the development of a postmodern network. He was Executive Director of the International Association for Philosophy and Literature and Professor of Philosophy and Comparative Literary & Cultural Studies at Stony Brook University where he was also affiliated with the Department of Art and the Department of European Languages, Literatures, and Cultures. He was Program Director for the Stony Brook Advanced Graduate Certificate in Art and Philosophy. He was also co-founder and co-director of the annual International Philosophical Seminar since 1991 in South Tyrol, Italy. From 1980-86, he served as Executive Co-Director of the Society for Phenomenology and Existential Philosophy. His work draws upon deconstruction, hermeneutics, semiotics, phenomenology, aesthetics, art theory, film theory, and the archeology of knowledge.
Nader El-Bizri is a professor of philosophy and civilization studies at the American University of Beirut, where he also serves as associate dean of the faculty of arts and sciences, and as the director of the general education program. El-Bizri specializes in phenomenology, Islamic science and philosophy, and architectural theory. He is the author or editor of several books, including The Phenomenological Quest between Avicenna and Heidegger (2000).
Mirei Shigemori, He was a notable modern Japanese landscape architect and historian of Japanese gardens.
Marc Jean-Bernard is a French philosopher, thinker in International Relations, classical musician and musicologist. His published work is notably dedicated to Hermeneutics of Culture., International Politics Theory, Aesthetic Theory, and Philosophy of Music. His theoretical contributions to Philosophy of Music presents the particularity to synthesize hermeneutical, analytical and cognitive methodologies. Marc Jean-Bernard internally associates theoretical investigation into artistic/educative praxis and concrete institutional action in Puerto Rico (USA).
Philippe Nys is a Belgian-born French philosopher. The focus of his work is hermeneutics, poetics and theory of space's design. He is associated professor at the University of Paris8, member of the research teams EA 4010 Arts des images et Art contemporain/Arts of Images and Contemporary Art, AMP: Architecture Milieu Paysage/ Architecture Milieu Landscape at the National School of Architecture of Paris La Villette. He is lecturer in several schools of architecture and landscape such as Paris-Belleville, Versailles, Lille.
Vasily Seseman was a Russian and Lithuanian philosopher, a representative of Marburg school of neo-Kantianism. He is mostly remembered for his role in fostering philosophy in newly independent Lithuania and developing Lithuanian philosophical vocabulary. A close associate of Viktor Zhirmunsky and Lev Karsavin, as a prisoner of Gulag he was also an informal philosophy tutor and supporter of Buddhist writer Bidia Dandaron.
Philosophy of architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its semantics and relations with development of culture.
Cynthia R. Nielsen is an American philosopher and Associate Professor of Philosophy at the University of Dallas. She is known for her expertise in the field of hermeneutics, the philosophy of music, aesthetics, ethics, and social philosophy. Since 2015 she has taught at the University of Dallas. Prior to her appointment at the University of Dallas, she taught at Villanova University as a Catherine of Sienna Fellow in the Ethics Program. Nielsen serves on the executive committee of the North American Society for Philosophical Hermeneutics.