Theatrical release poster
|Directed by||Richard Boleslawski|
|Produced by||Joseph L. Mankiewicz|
|Written by|| Peter B. Kyne (novel)|
Edward E. Paramore, Jr.
|Starring|| Chester Morris |
|March 6, 1936|
Three Godfathers is a 1936 western film directed by Richard Boleslawski and released by Metro-Goldwyn-Mayer starring Chester Morris, Lewis Stone, Walter Brennan, and Irene Hervey. It was adapted from the novel of the same name by Peter B. Kyne. Three bank robbers find a newborn baby and his dying mother in the desert.
Richard Boleslavsky or Richard Boleslawski was a Polish theatre and film director, actor and teacher of acting.
Metro-Goldwyn-Mayer Studios Inc. is an American media company, involved primarily in the production and distribution of feature films and television programs. One of the world's oldest film studios, MGM's corporate headquarters are located at 245 North Beverly Drive in Beverly Hills, California.
John Chester Brooks Morris was an American stage, film, television, and radio actor. He had some prestigious film roles early in his career, and was nominated for an Academy Award. Chester Morris is best remembered today for portraying Boston Blackie, a criminal-turned-detective, in the modestly budgeted Boston Blackie film series of the 1940s.
Directors Edward LeSaint and John Ford had previously filmed silent versions of the film titled The Three Godfathers (LeSaint in 1916) and Marked Men(Ford in 1919), both of which starred actor Harry Carey. The first sound version was Hell's Heroes , which was also William Wyler's first all-talking film; it starred Charles Bickford, Raymond Hatton, and Fred Kohler. John Ford would later film yet another version of the film as 3 Godfathers (1948) dedicated to Carey, and starring John Wayne and Carey's son, Harry Carey Jr.
Edward LeSaint was an American stage and film actor and director whose career began in the silent era. He acted in over 300 films and directed more than 90. He was sometimes credited as Edward J. Le Saint.
John Ford was an American film director. He is renowned both for Westerns such as Stagecoach (1939), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), as well as adaptations of classic 20th-century American novels such as the film The Grapes of Wrath (1940). His four Academy Awards for Best Director remain a record. One of the films for which he won the award, How Green Was My Valley, also won Best Picture.
The Three Godfathers is a 1916 American silent film featuring Harry Carey. The film was remade in 1919 as Marked Men, which also starred Carey.
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A week before Christmas, four bandits ride through the desert and pause on a rise over the town of New Jerusalem, the target of their next bank robbery. Bob Sangster (Chester Morris) with a villainous smile, says he is looking forward to returning to his hometown. Doc Underwood (Lewis Stone) is a cultured man with a Ph.D. and the cough of a man dying of consumption. Gus Barton (Walter Brennan), a character who can’t remember his aliases, is looking forward to a chance to loaf over Christmas. Pedro ( Joseph Marievsky) always plays his guitar and sings as he rides.
Lewis Shepard Stone was an American movie actor best known for his role as Judge James Hardy in the Metro-Goldwyn-Mayer's Andy Hardy film series. He was nominated for the Academy Award for Best Actor in 1929 for The Patriot. He appeared in seven films with Greta Garbo.
Walter Andrew Brennan was an American actor. He won the Academy Award for Best Supporting Actor in 1936, 1938, and 1940, making him one of only three male actors to win three Academy Awards.
The saloon is about to close because the whole town, including Blackie (Dorothy Tree), the girl who works at the bodega, is invited to the Christmas social, which is being celebrated a few days early. Doc and Gus are also welcomed to the feast and dance—and a demonstration of the latest in false teeth by the town dentist (Sidney Tole r). Bob’s arrival strikes a chill through the festivities. His conversations become increasingly sinister but when he meets Molly (Irene Hervey), the girl he loved, his face changes, briefly. They dance and while the sheriff (Roger Imhof), Gus and Doc look on, Gus asks “Who is that poisonous critter?” The sheriff replies “A lowdown no account skunk..” Doc asks, “Is he a killer?” and the sheriff answers: “He’ll kill anything from a baby to an old woman.” Doc muses, “I’ve always wanted to meet a real Western killer.”
Dorothy Tree was an American actress, voice teacher and writer. She appeared in a wide range of character roles in at least 49 films between 1927 and 1951.
Sidney Toler was an American actor, playwright and theatre director. The second European-American actor to play the role of Charlie Chan on screen, he is best remembered for his portrayal of the Chinese-American detective in 22 films made between 1938 and 1946. Before becoming Chan, Toler played supporting roles in 50 motion pictures and was a highly regarded comic actor on the Broadway stage.
Irene Hervey was an American film, stage, and television actress who appeared in over fifty films and numerous television series spanning her five-decade career.
Meanwhile Bob offers Molly a watch that he says belonged to his Mother. His sweet talk grows increasingly aggressive, as he confronts Molly with the fact that she still loves him, even though she is going to marry Ed Barrow (John Sheehan). Bob seizes her, she slaps him, and then she thanks him for driving away the memory of a strong and silent man and showing her the truth. She gives the watch back, telling him to return it to the woman he stole it from, and walks away. Bob’s comments to himself are ambiguous. The woman who owned it is dead. Did he steal it and kill the owner? Or was it in fact his mother’s? Bob goes to the bodega, which has reopened for the evening, and finds solace in Blackie’s arms. The next morning Bob uses the watch and a long sad story about his Mother to bilk the bodega owner out of his bar tab.
John Sheehan was an American actor and vaudeville performer. After acting onstage and in vaudeville for several years, Sheehan began making films in 1914, starring in a number of short films. From 1914-16, he appeared in over 60 films, the vast majority of them film shorts.
Pedro is strolling the street, playing his guitar, singing and keeping watch. In the bank, Frank Benson (Robert Livingston), the young bank president, is trying on a Santa Claus outfit when the bandits come in. No resistance is offered, but Bob shoots him in cold blood, saying “there ain’t no Santa Claus.”
The robbers flee in a hail of gunfire from townspeople. The dentist kills Pedro, and Doc is wounded in the arm. They pause at the first waterhole they pass, but not to drink or water the horses. The well is poisoned and a signpost marks the distances to the next towns or watering holes. Doc refuses any treatment for his arm, and they head to the next good place for water. On the way, they find the body of a man named George Marshall, a tenderfoot by his clothes and brand-new gun (with his name on it) who shot himself. Bob theorizes that Marshall ate locoweed and went crazy. Convinced they will soon be at the good waterhole, the robbers drink deeply from their own canteens. Doc empties his. As they ride, Doc snd Gus sing “Boola Boola,” the Yale fight song. This song, like a lot of the things Doc says and does—and especially the books he reads—are mysterious to Gus, but he admires and enjoys all of it.
When they get to the waterhole, they find a wagon sheltering a dying woman—Marshall's wife (Helen Brown)—and her baby boy. The waterhole has been destroyed: Marshall dynamited it trying to increase the flow, and then went off to find help. They try to lie to her about her husband’s fate and her own, but she knows it is too late and commits her child to their care. They bury her and camp for the night.
Doc and Gus want to take the baby with them; Bob is in favor of “putting him out of his misery. “ In the morning they find that all three horses are dead from drinking at the dynamited well. They must go back to New Jerusalem. Bob hands a can of milk to each man and starts to drink his. Doc buys it for the baby with his share of the gold. His arm is festering, but he wants to be the first one to carry the baby, knowing that he will not last the journey. Along the way, Doc makes a will for Gus, who can’t read, and gives him the book of his choice—a volume of Schopenhauer, which Gus thinks is a book of jokes.
At last, Doc tells them to take the baby and leave him. He burns a packet of letters and asks Gus to give him Macbeth to read (Shakespeare wrote “green books”). Doc doesn’t open the well-worn book, but repeats from memory, “Tomorrow and tomorrow and tomorrow, creeps in its petty pace...” The camera stays on Gus and Bob walking away into the desert. When Doc reaches the last words, “signifying nothing” a shot rings out. Gus and Bob pause to look back, then trudge on.
Eventually they both collapse, and Gus asks what will happen if he gives out. Bob says that if the baby can crawl to New Jerusalem he wont stop him
It is night, and Bob is asleep. Gus looks up and hesitatingly says a prayer from his childhood “Gentle Jesus, meek and mild...” He leaves his share of the gold and the will beside the baby and walks into the desert. In the morning, Bob reads the will, which is actually a note to him from Doc asking him to “give the kid an even break.” The camera follows him as he leaves the baby behind; the child wails and he draws and shoots There is silence for a beat and then we see that Bob killed a rattlesnake to protect the child. Telling himself that he is crazy, he picks up the baby and sets off through the desert. He gives the baby the last of the water, and at last they come to the spot where the baby’s father’s body lies. They are only 9 miles—5 hours— from New Jerusalem. Bob drops all the gold, the blankets, everything except the baby. At last in despair he falls to his knees, caked in alkali from head to toe, and prays, struggling with the words and weeping dry-eyed. Suddenly he sees in the distance the signposts at the poisoned well where they paused after the robbery. They are 5 1/2 miles—one hour—from New Jerusalem; he remembers Doc saying that it would take an hour for a man or horse to die from the poison in that well. So, he plans to fill his belly with water and then “go fast.”
Saying “Here’s to you kid,” he plunges his face into the water and drinks deeply.
Bob staggers into town; the streets are deserted, because everyone is in church. He follows the sound of hymn singing, struggling up the steps into the church and down the aisle as the congregation watches, aghast. Molly is in the front row; he kneels and puts the baby into her arms, then struggles to his feet, back pressed against a pillar. Above his head hangs a wreath that suggests a crown of thorns; he turns and falls, dead.
As Molly carries the baby down the aisle someone notices that he is using Bob’s watch as a teething ring and wonders where Bob stole it. Molly says with absolute conviction that it was his Mother’s.
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